Ferocious and vulnerable poems about redefining acts of creation, destruction, deconstruction, and recreation, from a singular Indigiqueer point of view a body more tolerable is a collection of powerful and haunting poems full of mythos, fairy tales, allusion, and magic. Divided into three parts, the book takes an intimate exploration of Indigenous grief, trans identity, and frustrated desires in ways that reject perception. Author jaye simpson conjures up dazzling multiverses throughout their mythic journey as they dance and run wild in their own manifestation of girlhood. In these visceral poems, teeth gleam, graze skin, or sink into flesh, becoming bloodied and exposing the animalistic hunger that lies within. Pulsating with yearning and possibility, a body more tolerable is a book that resists typical notions of physicality and sex to dream of a world more divine.

Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

Across Europe and North America, far-right parties have strategically framed immigration as a threat to national identity and security, capitalizing on public anxieties around cultural change and economic pressure. Part of the groundbreaking ethnoGRAPHIC series, Crossing Lines is a graphic anthology about human migration that challenges the rise of anti-immigrant populism. Research shows that it is difficult to counter these “us-versus-them” narratives with evidence alone. Blending visual and textual storytelling, this collection moves beyond traditional forms of communication to engage readers emotionally with the complex realities of migration. Emerging out of a workshop held at the University of British Columbia’s Centre for Migration Studies in 2022, this graphic anthology features eight powerful narratives, collaboratively created by migration scholars and comics artists. Crossing Lines considers the personal and social impacts of migration, offering nuanced perspectives accessible to a wide audience. Each comic is paired with discussion questions and annotated further readings to encourage dialogue and understanding in the face of polarizing public discourse. Crossing Lines is a timely and indispensable resource for scholars, educators, and readers seeking to better understand migration in today’s globalized world.