For fans of The Goldfinch and Tomorrow, and Tomorrow, and Tomorrow, an ambitious and absorbing debut that follows three generations of women from New York to rural Ireland and back again. New York City, late September 2001. The walls of the city are papered over with photos of the missing. Cora Brady’s father is there, the poster she made taped to columns and bridges. When a letter arrives from an aunt she didn’t know existed in Ireland with the offer of a new life, the name jogs a an old videocassette game Cora used to play as a child where two sisters must save the students of a mysterious boarding school. County Donegal, 1974. An eclectic group of artists known as the Screamers arrives in Burtonport and moves into the old schoolhouse down the road from where Roisin lives with her older sister Moira. Alternately kind and cruel, brilliant artist Moira is a mystery to Roisin, as is Moira’s relationship with the boy next door, Michael. When the Screamers look to hire an artist in residence, Roisin enlists Michael’s help to get Moira the job, setting in motion a chain of events that will put an ocean between the sisters and threaten to tear them apart forever. Burtonport, 2018. Lyca Brady lives in a sprawling old house with her mother, Cora, and great aunt, Ro. Abortion has just been legalized in Ireland, and Lyca is struggling to find herself outside her mother’s activism. An unexpected message from a childhood friend sends Lyca searching her house’s mysterious attic, with its strange collection of old medical equipment, piles of paperwork, and dusty boxes of ancient video games. There, she unearths secrets hidden for decades—secrets perhaps better left unknown. Catherine Airey’s haunting debut spins a mesmerizing story of family and fate, survival and revelation, examining the irresistible gravity of the past—how it endures through generations, pervasively present even when buried or forgotten.

Middlesex tells the breathtaking story of Calliope Stephanides, and three generations of the Greek-American Stephanides family, who travel from a tiny village overlooking Mount Olympus in Asia Minor to Prohibition-era Detroit, witnessing its glory days as the Motor City and the race riots of 1967 before moving out to the tree-lined streets of suburban Grosse Pointe, Michigan. To understand why Calliope is not like other girls, she has to uncover a guilty family secret, and the astonishing genetic history that turns Callie into Cal, one of the most audacious and wondrous narrators in contemporary fiction. Lyrical and thrilling, Middlesex is an exhilarating reinvention of the American epic.

Middlesex tells the breathtaking story of Calliope Stephanides, and three generations of the Greek-American Stephanides family, who travel from a tiny village overlooking Mount Olympus in Asia Minor to Prohibition-era Detroit, witnessing its glory days as the Motor City and the race riots of 1967 before moving out to the tree-lined streets of suburban Grosse Pointe, Michigan. To understand why Calliope is not like other girls, she has to uncover a guilty family secret, and the astonishing genetic history that turns Callie into Cal, one of the most audacious and wondrous narrators in contemporary fiction. Lyrical and thrilling, Middlesex is an exhilarating reinvention of the American epic.

A fast-paced and hilarious debut crime novel, in which a burnt-out Millennial medium must utilize her ability to see ghosts and team-up with a band of oddball investigators to figure out which member(s) of a posh English family are guilty of murder. Almost-authentic medium Claire and her best friend, Sophie, agree to take on a seemingly simple job at a crumbling old manor in the English performing a seance for the family matriarch's 80th birthday. The pair have been friends since before Sophie went missing when they were seventeen. Everyone else is convinced Sophie simply ran away, but Claire knows the truth. Claire knows Sophie was murdered because Sophie has been haunting her ever since. Despite this traumatic past, Claire and Sophie are still unprepared for what they encounter when they arrive: a ghost, tragic and unrecognizable, and clearly the spirit of someone killed in a rage at the previous year's party. Given her obsession with crime shows—not to mention Sophie's ability to walk through walls—Claire decides they're the best people to solve the case. And with the help of the only obviously not-guilty members of their host family—sexy ex-policeman Sebastian and far-too-cool non-binary teen Alex—they launch an investigation into which of last year's guests never escaped the manor's grounds. What follows is somewhat irregular detective work involving stealing a priest's cassock, getting too drunk to remember to question your suspect, and of course, Chekhov's sparkly purple dildo. As Claire desperately tries to keep a lid on the shameful secret that would definitely alienate her new friends, the gang must race against their own incompetence to find the murderer before the murderer finds them.

A fast-paced and hilarious debut crime novel, in which a burnt-out Millennial medium must utilize her ability to see ghosts and team-up with a band of oddball investigators to figure out which member(s) of a posh English family are guilty of murder. Almost-authentic medium Claire and her best friend, Sophie, agree to take on a seemingly simple job at a crumbling old manor in the English performing a seance for the family matriarch's 80th birthday. The pair have been friends since before Sophie went missing when they were seventeen. Everyone else is convinced Sophie simply ran away, but Claire knows the truth. Claire knows Sophie was murdered because Sophie has been haunting her ever since. Despite this traumatic past, Claire and Sophie are still unprepared for what they encounter when they arrive: a ghost, tragic and unrecognizable, and clearly the spirit of someone killed in a rage at the previous year's party. Given her obsession with crime shows—not to mention Sophie's ability to walk through walls—Claire decides they're the best people to solve the case. And with the help of the only obviously not-guilty members of their host family—sexy ex-policeman Sebastian and far-too-cool non-binary teen Alex—they launch an investigation into which of last year's guests never escaped the manor's grounds. What follows is somewhat irregular detective work involving stealing a priest's cassock, getting too drunk to remember to question your suspect, and of course, Chekhov's sparkly purple dildo. As Claire desperately tries to keep a lid on the shameful secret that would definitely alienate her new friends, the gang must race against their own incompetence to find the murderer before the murderer finds them.

First, there were ten—a curious assortment of strangers summoned as weekend guests to a little private island off the coast of Devon. Their host, an eccentric millionaire unknown to all of them, is nowhere to be found. All that the guests have in common is a wicked past they're unwilling to reveal—and a secret that will seal their fate. For each has been marked for murder. A famous nursery rhyme is framed and hung in every room of the mansion: "Ten little boys went out to dine; One choked his little self and then there were nine. Nine little boys sat up very late; One overslept himself and then there were eight. Eight little boys traveling in Devon; One said he'd stay there then there were seven. Seven little boys chopping up sticks; One chopped himself in half and then there were six. Six little boys playing with a hive; A bumblebee stung one and then there were five. Five little boys going in for law; One got in Chancery and then there were four. Four little boys going out to sea; A red herring swallowed one and then there were three. Three little boys walking in the zoo; A big bear hugged one and then there were two. Two little boys sitting in the sun; One got frizzled up and then there was one. One little boy left all alone; He went out and hanged himself and then there were none." When they realize that murders are occurring as described in the rhyme, terror mounts. One by one they fall prey. Before the weekend is out, there will be none. Who has choreographed this dastardly scheme? And who will be left to tell the tale? Only the dead are above suspicion.

When Alice Asher is murdered in Andover, Hercule Poirot is already looking into the clues. Alphabetically speaking, it's one letter down, twenty-five to go. There's a serial killer on the loose. His macabre calling card is to leave the ABC Railway Guide beside each victim's body. But if A is for Alice Asher, bludgeoned to death in Andover, and B is for Betty Bernard, strangled with her belt on the beach at Bexhill, who will then be Victim C? More importantly, why is this happening? Often considered to be one of Agatha Christie's best.

First, there were ten—a curious assortment of strangers summoned as weekend guests to a little private island off the coast of Devon. Their host, an eccentric millionaire unknown to all of them, is nowhere to be found. All that the guests have in common is a wicked past they're unwilling to reveal—and a secret that will seal their fate. For each has been marked for murder. A famous nursery rhyme is framed and hung in every room of the mansion: "Ten little boys went out to dine; One choked his little self and then there were nine. Nine little boys sat up very late; One overslept himself and then there were eight. Eight little boys traveling in Devon; One said he'd stay there then there were seven. Seven little boys chopping up sticks; One chopped himself in half and then there were six. Six little boys playing with a hive; A bumblebee stung one and then there were five. Five little boys going in for law; One got in Chancery and then there were four. Four little boys going out to sea; A red herring swallowed one and then there were three. Three little boys walking in the zoo; A big bear hugged one and then there were two. Two little boys sitting in the sun; One got frizzled up and then there was one. One little boy left all alone; He went out and hanged himself and then there were none." When they realize that murders are occurring as described in the rhyme, terror mounts. One by one they fall prey. Before the weekend is out, there will be none. Who has choreographed this dastardly scheme? And who will be left to tell the tale? Only the dead are above suspicion.

A new true-crime fueled mystery thriller about a girl determined to uncover the shocking truth about her missing mother while filming a documentary on the unsolved case. Lights. Camera. Lies. 18-year-old Bel has lived her whole life in the shadow of her mom’s mysterious disappearance. Sixteen years ago, Rachel Price vanished and young Bel was the only witness, but she has no memory of it. Rachel is gone, long presumed dead, and Bel wishes everyone would just move on. But the case is dragged up from the past when the Price family agree to a true crime documentary. Bel can’t wait for filming to end, for life to go back to normal. And then the impossible happens. Rachel Price reappears, and life will never be normal again. Rachel has an unbelievable story about what happened to her. Unbelievable, because Bel isn’t sure it’s real. If Rachel is lying, then where has she been all this time? And – could she be dangerous? With the cameras still rolling, Bel must uncover the truth about her mother, and find out why Rachel Price really came back from the dead...

A new true-crime fueled mystery thriller about a girl determined to uncover the shocking truth about her missing mother while filming a documentary on the unsolved case. Lights. Camera. Lies. 18-year-old Bel has lived her whole life in the shadow of her mom’s mysterious disappearance. Sixteen years ago, Rachel Price vanished and young Bel was the only witness, but she has no memory of it. Rachel is gone, long presumed dead, and Bel wishes everyone would just move on. But the case is dragged up from the past when the Price family agree to a true crime documentary. Bel can’t wait for filming to end, for life to go back to normal. And then the impossible happens. Rachel Price reappears, and life will never be normal again. Rachel has an unbelievable story about what happened to her. Unbelievable, because Bel isn’t sure it’s real. If Rachel is lying, then where has she been all this time? And – could she be dangerous? With the cameras still rolling, Bel must uncover the truth about her mother, and find out why Rachel Price really came back from the dead...

A twisty thriller about a young woman trying to solve her own murder. In seven days Jet Mason will be dead. Jet is the daughter of one of the wealthiest families in Woodstock, Vermont. Twenty-seven years old, she’s still waiting for her life to begin. I’ll do it later, she always says. She has time. Until Halloween night, when Jet is violently attacked by an unseen intruder. She suffers a catastrophic head injury. The doctor is certain that within a week, the injury will trigger a deadly aneurysm. Jet has never thought of herself as having enemies. But now she looks at everyone in a new light: her family, her former best friend turned sister-in-law, her ex-boyfriend. She has at most seven days, and as her condition deteriorates she has only her childhood friend Billy for help. But nevertheless, she’s absolutely determined to finally finish something: Jet is going to solve her own murder.

A twisty thriller about a young woman trying to solve her own murder. In seven days Jet Mason will be dead. Jet is the daughter of one of the wealthiest families in Woodstock, Vermont. Twenty-seven years old, she’s still waiting for her life to begin. I’ll do it later, she always says. She has time. Until Halloween night, when Jet is violently attacked by an unseen intruder. She suffers a catastrophic head injury. The doctor is certain that within a week, the injury will trigger a deadly aneurysm. Jet has never thought of herself as having enemies. But now she looks at everyone in a new light: her family, her former best friend turned sister-in-law, her ex-boyfriend. She has at most seven days, and as her condition deteriorates she has only her childhood friend Billy for help. But nevertheless, she’s absolutely determined to finally finish something: Jet is going to solve her own murder.

This is an alternate cover edition of ISBN 9780743227445 Two sisters competing for the greatest prize: The love of a king When Mary Boleyn comes to court as an innocent girl of fourteen, she catches the eye of Henry VIII. Dazzled, Mary falls in love with both her golden prince and her growing role as unofficial queen. However, she soon realises just how much she is a pawn in her family's ambitious plots as the king's interest begins to wane and she is forced to step aside for her best friend and rival: her sister, Anne. Then Mary knows that she must defy her family and her king and take fate into her own hands. A rich and compelling novel of love, sex, ambition, and intrigue, The Other Boleyn Girl introduces a woman of extraordinary determination and desire who lived at the heart of the most exciting and glamourous court in Europe and survived by following her heart.

This is an alternate cover edition of ISBN 9780743227445 Two sisters competing for the greatest prize: The love of a king When Mary Boleyn comes to court as an innocent girl of fourteen, she catches the eye of Henry VIII. Dazzled, Mary falls in love with both her golden prince and her growing role as unofficial queen. However, she soon realises just how much she is a pawn in her family's ambitious plots as the king's interest begins to wane and she is forced to step aside for her best friend and rival: her sister, Anne. Then Mary knows that she must defy her family and her king and take fate into her own hands. A rich and compelling novel of love, sex, ambition, and intrigue, The Other Boleyn Girl introduces a woman of extraordinary determination and desire who lived at the heart of the most exciting and glamourous court in Europe and survived by following her heart.

An exquisitely moving story about grief, love, and family, from the global phenomenon Sally Rooney. Aside from the fact that they are brothers, Peter and Ivan Koubek seem to have little in common. Peter is a Dublin lawyer in his thirties—successful, competent, and apparently unassailable. But in the wake of their father’s death, he’s medicating himself to sleep and struggling to manage his relationships with two very different women—his enduring first love, Sylvia, and Naomi, a college student for whom life is one long joke. Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined. For two grieving brothers and the people they love, this is a new interlude—a period of desire, despair, and possibility; a chance to find out how much one life might hold inside itself without breaking.