One fateful night in Sparta, a young slave girl encounters a mysterious, grey-eyed princess. Melantho and Penelope, though from different worlds, are instantly connected. But betrayal soon tears them apart.Years later, on Ithaca's rocky shores, Melantho is sent to serve Princess Penelope and her new husband, Prince Odysseus. Hardened by slavery, Melantho vows to stay distant from Penelope. Yet, the undeniable pull between them proves stronger than ever.As war ignites Greece, Odysseus and Ithaca's men are called away and, in their absence, Melantho finds a new world opening up before her – one where women rule, where family can be found, and where love is finally given the space to bloom.But all wars eventually end and as Troy falls, Penelope and Melantho must face the King’s return and decide how far they will go to protect what matters most to them.

The second fierce, fresh and gloriously romantic YA Greek myth re-imagining, from Bea Fitzgerald, growing TikTok superstar and Sunday Times bestselling author of GIRL, GODDESS, QUEEN. Princess. Priestess. The most beautiful girl in Troy. Cassandra is used to being adored – and when her patron god, Apollo, offers her the power of prophecy, she sees an opportunity to rise even higher. But when she fails to uphold her end of the agreement, she discovers just how very far she has to fall. No one believes her visions. And they all seem to be of one girl – and the war she’s going to bring to Troy’s shores. Helen fled Sparta in pursuit of love, but it’s soon clear Troy is a court like any other, with all its politics and backstabbing. And one princess seems particularly intent on driving her from the city before disaster can strike... But when war finally comes, it’s more than the army at their walls they must contend with. Cassandra and Helen might hold the key to reweaving fate itself – especially with the prophetic strands drawing them ever closer together. But how do you change your future when the gods themselves are dictating your demise?

When the witch built the forty-flight tower, she made very sure to do the whole thing properly. Each flight contains a dreadful monster, ranging from a diamond-scaled dragon to a pack of slavering goblins. Should a prince battle his way to the top, he will be rewarded with a golden sword—and the lovely Princess Floralinda. But no prince has managed to conquer the first flight yet, let alone get to the fortieth. In fact, the supply of fresh princes seems to have quite dried up. And winter is closing in on Floralinda…

It isn’t always lonely at the top. Noah Blue’s finally got her foot in the door. After clawing her way to the top of the charts with her webcomic, she’s garnered enough attention to earn a full-time position at a comic company re-launching their cult classic comic: Queen Leisah. Queen Leisah is predicted to be an instant bestseller with movie deals already in the making. Things are falling into place. There’s nowhere to go but up…as soon as she gets one person out of her way. Sage Montgomery has always been the best artist in every building she’s stepped foot in. Raw talent’s gotten her webcomic to the top of the charts every month for the past eight years. She’s been the best for as long as she can remember. Sure, her career has plateaued but that can be fixed with a big, mainstream comic. She was promised full creative control over Leisah. Instead, she got a shared credit with the one artist who’s been breathing down her neck since college. The one artist who has a fighting chance of being better than her. Sage and Noah have to work as a team — or, at least appear to work as a team. They thought the hardest part of the relaunch would be drawing together. But that’s easy in comparison to resisting their feelings for each other.

"For all intents and purposes, we are still blissfully separated from the mortals, but there have been…complications." When a rise in London's supernatural crime puts Fey society at risk of discovery, the Winter Council turns to an unlikely solution: Avery Hemlock, the changeling they sentenced to 500 Years of Nightmares. Inherently lacking social grace and missing approximately two centuries of world knowledge, Avery must find a way to acclimate and solve the case or lose her probationary freedom. After being left at the altar and dropping out of medical school, Saga Trygg attempts to rekindle her faith in life, humanity, and witchcraft. But when her new neighbor, Avery, accidentally reveals the Fey that have been living among humanity all along, Saga realizes magic is far more than prayers, intention, and candles. Each faced with navigating an unfamiliar world, the two form an unexpected partnership—but shortly into Avery's investigation, they discover the threat might be closer to Saga than either of them imagined, and Avery will do anything to protect the first friend she's had in more than two hundred years.

In book one of a seductive sapphic paranormal fantasy, a vampire hunter goes undercover at a mysterious university and falls in love with her roommate, an alluring vampire. “Then her red eyes are on mine, gentle, deadly. She takes her time kissing my neck. I pull her closer and say: Bite me.” In the mists of the Scottish Highlands is a university where vampire students study alongside humans. Rebecca Charity is a vampire hunter undercover at the university, searching for the mysterious Book of Blood and Roses, a lost compendium of ways to kill vampires. If she finds it, she’ll be one step closer to avenging her parents, who were slain by those creatures of the night. But when Rebecca arrives, she finds something unexpected: a coffin. Her new roommate is Aliz Astra, scion of one of the most powerful vampire families... and the most beautiful woman Rebecca has ever met. The maddeningly gorgeous Aliz is everything that Rebecca has always hated, but also everything she ever wanted, and now Rebecca doesn't know if she wants to kiss or kill her. When Aliz rescues her from a vampire attack one moonlit night, she accidentally makes Rebecca her familiar. Now, they must work together to break the curse, but as they get closer to solving the mystery, Rebecca and Aliz get closer, too. But can a vampire hunter ever fall in love with a vampire?

Featuring the voices of both new and acclaimed Indigenous writers and edited by bestselling Muscogee author Cynthia Leitich Smith, this collection of interconnected stories serves up laughter, love, Native pride, and the world’s best frybread. The road to Sandy June's Legendary Frybread Drive-In slips through every rez and alongside every urban Native hangout. The menu offers a rotating feast, including traditional eats and tasty snacks. But Sandy June's serves up more than it hosts live music, movie nights, unexpected family reunions, love long lost, and love found again. That big green-and-gold neon sign beckons to teens of every tribal Nation, often when they need it most. Featuring stories and poems Kaua Mahoe Adams, Marcella Bell, Angeline Boulley, K. A. Cobell, A. J. Eversole, Jen Ferguson, Eric Gansworth, Byron Graves, Kate Hart, Christine Hartman Derr, Karina Iceberg, Cheryl Isaacs, Darcie Little Badger, David A. Robertson, Andrea L. Rogers, Cynthia Leitich Smith, and Brian Young. In partnership with We Need Diverse Books.

From the bestselling author of the Truly Devious books, Maureen Johnson, comes a new stand-alone YA about a teen who uncovers a mystery while working as a tour guide on an island and must solve it before history repeats itself. The fire wasn’t Marlowe Wexler’s fault. Dates should be hot, but not hot enough to warrant literal firefighters. Akilah, the girl Marlowe has been in love with for years, will never go out with her again. No one dates an accidental arsonist. With her house-sitting career up in flames, it seems the universe owes Marlowe a new summer job, and that’s how she ends up at Morning House, a mansion built on an island in the 1920s and abandoned shortly thereafter. It’s easy enough, giving tours. Low risk of fire. High chance of getting bored talking about stained glass and nut cutlets and Prohibition. Oh, and the deaths. Did anyone mention the deaths? Maybe this job isn’t such a gift after all. Morning House has a horrific secret that’s been buried for decades, and now the person who brought her here is missing. All it takes is one clue to set off a catastrophic chain of events. One small detail, just like a spark, could burn it all down—if someone doesn’t bury Marlowe first.

Prim and prideful Ione possesses the Moon Goddess’s spirit and a harrowing fate: overpower the wrathful Sun God and sweep His murderous pyromancers into the sea. But attaining divine ascension is easier said than done, and the longer Ione takes to save her people, the more impatient her conniving archpriest becomes. Quiet, distrusting Lina has had more than enough of bloodshed. After escaping immolation by Sun-worshipers, she gains a new lease on life as a nameless acolyte of the Moon Goddess. That is until she catches the eye of Lady Ione, whose captivation with Lina has caused the Goddess to stir within her for the first time. As temples burn and Ione’s archpriest launches treacherous gambits of his own, Ione and Lina’s alliance deepens into something neither of them anticipated. If Ione’s enemies reach her before she can awaken the Moon Goddess, everyone she loves will go up in flames. But if she succeeds, the Sun cult will be annihilated - including Lina, whose past as a Sun priestess cannot remain hidden forever.

Shortlisted for the Weatherglass Novella Prize 2024 The Secret History meets Stranger Things Ali Smith says: “Some teenage girls have – yes – performed a spell and hexed the moon. Now the moon, smooth-skinned, street-smart, dryly witty, seductive, powerful beyond belief, is literally hanging out in one of their bedrooms. Pitch Perfect gone cosmic: in stylish sleight of hand and with pleasurable bravado this pop song of a novella reveals the huge issues, importances, losses, survivals, impotence and potencies in the everyday existence of a group of best friends and their families. Full of young-adult wisdom, braiding dark and light together, it’s a charmer.”

A queer hijabi Muslim immigrant survives her coming-of-age by drawing strength and hope from stories in the Quran in this daring, provocative, and radically hopeful memoir. When fourteen-year-old Lamya H realizes she has a crush on her teacher--her female teacher--she covers up her attraction, an attraction she can't yet name, by playing up her roles as overachiever and class clown. Born in South Asia, she moved to the Middle East at a young age and has spent years feeling out of place, like her own desires and dreams don't matter, and it's easier to hide in plain sight. To disappear. But one day in Quran class, she reads a passage about Maryam that changes everything: when Maryam learned that she was pregnant, she insisted no man had touched her. Could Maryam, uninterested in men, be . . . like Lamya? From that moment on, Lamya makes sense of her struggles and triumphs by comparing her experiences with some of the most famous stories in the Quran. She juxtaposes her coming out with Musa liberating his people from the pharoah; asks if Allah, who is neither male nor female, might instead be nonbinary; and, drawing on the faith and hope Nuh needed to construct his ark, begins to build a life of her own--ultimately finding that the answer to her lifelong quest for community and belonging lies in owning her identity as a queer, devout Muslim immigrant. This searingly intimate memoir in essays, spanning Lamya's childhood to her arrival in the United States for college through early-adult life in New York City, tells a universal story of courage, trust, and love, celebrating what it means to be a seeker and an architect of one's own life.

Ein feministisches Plädoyer für die Anerkennung weiblicher Wut von Platz-1-SPIEGEL-Bestseller-Autorin Tara-Louise Wittwer alias @wastarasagt  Seit Jahrhunderten werden Frauen unterdrückt. Frauen, die in irgendeiner Weise Stärke ausgestrahlt, sich selbst ermächtigt und zur Wehr gesetzt haben, werden belächelt, verurteilt und dämonisiert. Und all diese Frauen leben in uns weiter - ihre Angst, ihre Freude, ihre Liebe. Und ihre Wut. All diese Mütter, Großmütter und Urgroßmütter. Alle Frauen der Geschichte, die große Opfer auf dem steinigen Weg zur Gleichberechtigung bringen mussten.  Auf der Suche nach den Ursprüngen von Female Rage taucht Tara-Louise Wittwer (Sorry, aber …) in die europäische Geschichte ein und erzählt die ungehörten Geschichten der Frauen, die sich gegen das männliche Narrativ der Schwäche und Passivität gestemmt haben. Von den Sagen der Antike, bis zur Realität des 21. Jahrhunderts, von Giulia Tofana, der legendären Giftmischerin, bis zu den unbekannten Heldinnen des Alltags.  Die SPIEGEL-Bestseller-Autorin bringt tiefsitzende, über Generationen vererbte patriarchale Narrative ans Licht, mit denen nur ein Ziel verfolgt Frauen zu schwächen, zu verunsichern und mundtot zu machen. Wir leben in einer Gesellschaft, die Frauen systematisch Unrecht tut und verhindern will, dass sie sich gegenseitig stärken. Doch die Zeit der Pick-me-Girls ist vorbei und Frauen müssen sich miteinander solidarisieren. Tara-Louise Wittwer zeigt, was Frauen erreichen können, wenn sie zusammenhalten, damit ihre Wut irgendwann heilen kann.

THE ONLY ONE-VOLUME EDITION CONTAINING ALL 1,775 OF EMILY DICKINSON’S POEMS Only eleven of Emily Dickinson’s poems were published prior to her death in 1886; the startling originality of her work doomed it to obscurity in her lifetime. Early posthumously published collections-some of them featuring liberally “edited” versions of the poems-did not fully and accurately represent Dickinson’s bold experiments in prosody, her tragic vision, and the range of her intellectual and emotional explorations. Not until the 1955 publication of The Complete Poems of Emily Dickinson, a three-volume critical edition compiled by Thomas H. Johnson, were readers able for the first time to assess, understand, and appreciate the whole of Dickinson’s extraordinary poetic genius. This book, a distillation of the three-volume Complete Poems, brings together the original texts of all 1,775 poems that Emily Dickinson wrote.

Heralded as Virginia Woolf's greatest novel, this is a vivid portrait of a single day in a woman's life. When we meet her, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of party preparation while in her mind she is something much more than a perfect society hostess. As she readies her house, she is flooded with remembrances of faraway times. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old.