In a near future, where even the smallest of appliances are sentient, a young Roomba vacuum sets out to save the humans of her house from a rising technological power in this compelling, original novel.In a self-running, smart house, a young and sentient Roomba listens as her owner, Harold, reads aloud to his dying wife, Edie. Mesmerized by To Kill a Mockingbird and craving the human connection she witnesses in Harold’s stories, the little vacuum renames herself Scout and embarks on a journey of self-discovery.But when Edie passes away, Scout and her fellow sentient appliances discover that there are sinister forces in their midst. The omnipresent Grid, which monitors every household in the City, seeks to remove Harold from his home, a place he’s lived in for fifty years. With the help of Adrian, a neighborhood boy who grows close to Scout and Harold, as well as Kate, Harold and Edie’s formerly estranged daughter, the humans and the appliances must come together to outwit the all-controlling Grid lest they risk losing everything they hold dear.

A deeply-reported examination of why "doing what you love" is a recipe for exploitation, creating a new tyranny of work in which we cheerily acquiesce to doing jobs that take over our lives. You're told that if you "do what you love, you'll never work a day in your life." Whether it's working for "exposure" and "experience," or enduring poor treatment in the name of "being part of the family," all employees are pushed to make sacrifices for the privilege of being able to do what we love.In Work Won't Love You Back, Sarah Jaffe, a preeminent voice on labor, inequality, and social movements, examines this "labor of love" myth -- the idea that certain work is not really work, and therefore should be done out of passion instead of pay. Told through the lives and experiences of workers in various industries -- from the unpaid intern, to the overworked nurse, to the nonprofit worker and even the professional athlete -- Jaffe reveals how all of us have been tricked into buying into a new tyranny of work. As Jaffe argues, understanding the trap of the labor of love will empower us to work less and demand what our work is worth. And once freed from those binds, we can finally figure out what actually gives us joy, pleasure, and satisfaction.

For readers of Ace and Belly of the Beast: A Black queer feminist exploration of asexuality—and an incisive interrogation of the sex-obsessed culture that invisibilizes and ignores asexual and A-spec identity. Everything you know about sex and asexuality is (probably) wrong. The notion that everyone wants sex—and that we all have to have it—is false. It's intertwined with our ideas about capitalism, race, gender, and queerness. And it impacts the most marginalized among us. For asexual folks, it means that ace and A-spec identity is often defined by a queerness that's not queer enough, seen through a lens of perceived lack of pleasure, connection, joy, maturity, and even humanity. In this exploration of what it means to be Black and asexual in America today, Sherronda J. Brown offers new perspectives on asexuality. She takes an incisive look at how anti-Blackness, white supremacy, patriarchy, heteronormativity, and capitalism enact harm against asexual people, contextualizing acephobia within a racial framework in the first book of its kind. Brown advocates for the "A" in LGBTQIA+, affirming that to be asexual is to be queer—despite the gatekeeping and denial that often says otherwise. With chapters on desire, f*ckability, utility, refusal, and possibilities, Refusing Compulsory Sexuality discusses topics of deep relevance to ace and a-spec communities. It centers the Black asexual experience—and demands visibility in a world that pathologizes and denies asexuality, denigrates queerness, and specifically sexualizes Black people. A necessary and unapologetic reclamation, Refusing Compulsory Sexuality is smart, timely, and an essential read for asexuals, aromantics, queer readers, and anyone looking to better understand sexual politics in America.

For fans of The Princess Bride and Gideon the a bloody lesbian revenge tale and political fantasy set in a glittering world transformed by industrial change – and simmering class warfare. Ichorite is progress. More durable and malleable than steel, ichorite is the lifeblood of a dawning industrial revolution. Yann I. Chauncey owns the sole means of manufacturing this valuable metal, but his workers, who risk their health and safety daily, are on strike. They demand Chauncey research the hallucinatory illness befalling them, a condition they call “being lustertouched.” Marney Honeycutt, a lustertouched child worker, stands proud at the picket line with her best friend and family. That’s when Chauncey sends in the guns. Only Marney survives the massacre. She vows bloody vengeance. A decade later, Marney is the nation’s most notorious highwayman, and Chauncey’s daughter seeks an opportune marriage. Marney’s rage and the ghosts of her past will drive her to masquerade as an aristocrat, outmaneuver powerful suitors, and win the heart of his daughter, so Marney can finally corner Chauncey and satisfy her need for revenge. But war ferments in the north, and deeper grudges are surfacing. . . H. A. Clarke’s adult fantasy debut, writing as August Clarke, Metal from Heaven is a punk-rock murder ballad tackling labor issues and radical empowerment against the relentless grind of capitalism.

After a rough tumble and maybe-serious head injury, a disillusioned trans poet falls for a charming corporate lawyer in a love story that grapples with the explosive ghosts of relationships past, romantic and familial, from the Lambda Award-nominated author of Bellies, Nicola Dinan “Fell down the stairs and woke up a trad wife.” Max is thirty, a published poet and grossly overpaid legal counsel for a tech company. With a lifetime of dysphoria and fuccbois rattling around in her head, Max is plagued with a deep dissatisfaction during what should be the best years of her life. After taking a spill down the stairs at a New Year’s Eve party, she decides to make some changes. First things first: a stab at good old-fashioned heteronormativity. Max thinks she’s found the answer in Vincent, a corporate lawyer and hobby baker, whose trad friendship group may as well speak a foreign language, and whose Chinese parents never pictured their son dating a trans woman. This uncharted territory may have rough terrain, but Vincent cares for Max in a way she’d long given up on as a foolish fantasy. Yet Vincent is carrying his own baggage from his gap year in Thailand a decade prior: an explosive entanglement with a mysterious, gorgeous traveler. Voice-driven, warm, and poignant, Disappoint Me is an exploration of millennial angst, race, trans panic, and the allure of bourgeois domesticity that asks if we are defined by our worst mistakes.

An alien invasion hits the town of Muddy Gap, but a disgruntled pie aficionado is the only one who seems to remember it… Denver Bryant’s passion for pie has sent him across Wyoming in search of the best slices. Though he dutifully posts reviews on his blog, he’s never been able to recreate his brief moment of viral popularity, and its trickling income isn’t enough to pay his rent next month. Driving home from a roadside diner, Denver witnesses a UFO explode directly over his tiny town of Muddy Gap. When he questions his neighbors, it appears that Denver is the only person to have seen anything – or to care that the residents’ strange behavior, as well as a shower of hail-that-isn’t-hail, might be evidence of something extraterrestrial. Being both non-binary and autistic, he’s convinced his reputation as the town eccentric is impeding his quest for answers. Frustrated, he documents the bizarre incidents on his failing pie blog, and his online popularity skyrockets. His readers want the truth, spurring him to get to the bottom of things. The only person in town who takes him seriously is handsome bartender, Ezra. As the two investigate over pie and the possibility of romance, the alien presence does more than change the weather. People start disappearing. When Denver and Ezra make a run for it, the town refuses to let them leave. Reality is folding in on itself, and it’s suddenly a race against time to find the extraterrestrial source and destroy it before it consumes not only Muddy Gap but everything beyond. Denver’s always been more outsider than hero, but he’s determined to ensure that a world with Ezra – and with pie – still exists tomorrow.

In a land of lost wonders, the past is stirring once more . . . Gene's life resembles a debutante's dream. Yet she hides a secret that would see her shunned by the nobility. Gene is both male and female. Then she displays unwanted magical abilities - last seen in mysterious beings from an almost-forgotten age. Matters escalate further when her parents plan a devastating betrayal, so she flees home, dressed as a boy. The city beyond contains glowing glass relics from a lost civilization. They call to her, but she wants freedom not mysteries. So, reinvented as 'Micah Grey', Gene joins the circus. As an aerialist, she discovers the joy of flight - but the circus has a dark side. She's also plagued by visions foretelling danger. A storm is howling in from the past, but will she heed its roar?

Black transgender luminary Tourmaline brings to life the first definitive biography of the revolutionary activist Marsha P. Johnson, one of the most important and remarkable figures in LGBTQIA+ history, revealing her story, her impact, and her legacy. “She is the preeminent and foremost scholar on Marsha P. Johnson. . . . To us, Tourmaline is the expert.”—Janet Mock, Allure “Thank god the revolution has begun, honey.” Rumor has it that after Marsha P. Johnson threw the first brick in the 1969 Stonewall Uprising, she picked up a shard of broken mirror to fix her makeup. Marsha, a legendary Black transgender activist, embodied both the beauty and the struggle of the early gay rights movement. Her work sparked the progress we see today, yet there has never been a definitive record of her life. Until now.    Written with sparkling prose, Tourmaline’s richly researched biography Marsha finally brings this iconic figure to life, in full color. We vividly meet Marsha as both an activist and She performed with RuPaul and with the internationally renowned drag troupe The Hot Peaches. She was a muse to countless artists from Andy Warhol to the band Earth, Wind & Fire. And she continues to inspire people today.   Marsha didn’t wait to be freed; she declared herself free and told the world to catch up. Her story promises to inspire readers to live as their most liberated, unruly, vibrant, and whole selves.