From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.As indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.” As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

America's leading defender of the public interest and a bestselling historian show us how to prevent the private takeover of our cherished public resources As people reach for social justice and better lives, they create public goods--free education, public health, open parks, clean water, and many others--that must be kept out of the market. When private interests take over, they strip public goods of their power to lift people up, creating instead a tool to diminish democracy, further inequality, and separate us from each other. The Privatization of Everything, by the founder of In the Public Interest, an organization dedicated to shared prosperity and the common good, chronicles the efforts to turn our public goods into private profit centers. Ever since Ronald Reagan labeled government a dangerous threat, privatization has touched every aspect of our lives, from water and trash collection to the justice system and the military. However, citizens can, and are, wresting back what is ours. A Montana city took back its water infrastructure after finding that they could do it better and cheaper. Colorado towns fought back well-funded campaigns to preserve telecom monopolies and hamstring public broadband. A motivated lawyer fought all the way to the Supreme Court after the State of Georgia erected privatized paywalls around its legal code. The Privatization of Everything connects the dots across a broad spectrum of issues and raises larger questions about who controls the public things we all rely on, exposing the hidden crisis of privatization that has been slowly unfolding over the last fifty years and giving us a road map for taking our country back.

'An intriguing work of whimsi-grotesquerie'OLIVIE BLAKE He was sent to kill a pest. Instead, he found a monster.Enter the decadent, deadly city of Tiliard, carved into the stump of an ancient tree. In its canopy, the pampered elite warp minds with toxic perfume; in its roots, gangs of exterminators hunt a colossal worm with an appetite for beauty.In a complex, chaotic city, Guy Moulène has a simple keep his sister out of debt. For her sake, he'll take on any job, no matter how vile.As an exterminator, Guy hunts the uncanny pests that crawl up from the river. These vermin are all strange, and often dangerous. His latest quarry is a worm the size of a dragon with a deadly venom and a ravenous taste for artwork. As it digests Tiliard from the sewers to the opera houses, its toxin reshapes the future of the city. No sane person would hunt it, if they had the choice.Guy doesn't have a choice.'A lush and seductive story, rife with opulent horror and decaying decadence'SUNYI DEAN

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. The bloody messes don't bother her, not when she's already witnessed the most horrific thing possible: her sister being pushed in front of a train. Before fleeing the scene, the murderer whispered two words: bat eater. Months pass, the killer is never caught, and Cora can barely keep herself together. She pushes away all feelings, disregards the bite marks that appear on her coffee table, and won't take her aunt's advice to prepare for the Hungry Ghost Festival, when the gates of hell open. Cora tries to ignore the rising dread in her stomach, even when she and her weird co-workers begin finding bat carcasses at their crime scene clean-ups. But Cora can't ignore the fact that all their recent clean-ups have been the bodies of East Asian women. Soon Cora will learn: you can't just ignore hungry ghosts.