A devout iconographer must paint an exiled saint in this sumptuous gothic romantasy full of slow-burn tension and windswept moors, for fans of DIVINE RIVALS and A STUDY IN DROWNING 'Nothing less than blasphemy brought you to me,' Jude told her. Maeve trembled. He was an open flame. Any closer, and she’d burn. Jude is a saint with dangerous magic – exiled by the Abbey to live out his days in a decaying estate on the moors alone – until gifted iconographer Maeve is sent to paint his icon. Suspecting she’s a spy for her beloved Abbey, Jude makes it his mission to get rid of Maeve as soon as possible. That is, until he discovers that Maeve holds the same tainted magic as he does, and she may be the key to destroying the Abbey’s power… But this institution has eyes everywhere, and the only thing the Abbey loves more than a saint is a martyr.

This is the story of the fall of an Empire – and the rise of another. Who spread Christianity, how, and why? In her quest to find the answer, Professor Alice Roberts takes us on a gripping investigative journey. From a secluded valley in south Wales to the shores of Brittany; from the heart of the Roman Empire in a time of political turmoil to the ancient city of Corinth in the footsteps of the apostle Paul; from Alexandria in the fourth century to Constantinople. As the Roman Empire crumbled in Western Europe, a shadow of power remained, almost perfectly mapping onto its disappearing territories. And then, it continued to spread. Unearthing the archaeological clues and challenging long-established histories, Professor Roberts tells a remarkable story about the relationship between the Roman Empire and Christianity. Lifting the veil on secrets that have been hidden in plain sight, this story is nothing short of astonishing.Domination is a page-turning exploration of power and its survival.

Did you love Madeline Miller’s Circe? Pat Barker’s The Silence of the Girls? Jennifer Saint's Elektra? Natalie Haynes’ A Thousand Ships? But did you ever wonder who the real women behind the myths of the Trojan War were? Now award-winning classicist and historian Emily Hauser takes readers on an epic journey to uncover the astonishing true story of the real women behind ancient Greece’s greatest legends – and the real heroes of those ancient epics, Homer's Iliad and Odyssey.Because, contrary to perceptions built up over three millennia, ancient history is not all about men – and it's not only men's stories that deserve to be told . . .In Mythica Emily Hauser tells, for the first time, the extraordinary stories of the real women behind some of the western world’s greatest legends. Following in their footsteps, digging into the history behind Homer’s epic poems, piecing together evidence from the original texts, recent astonishing archaeological finds and the latest DNA studies, she reveals who these women – queens, mothers, warriors, slaves – were, how they lived, and how history has (or has not – until now) remembered them.A riveting new history of the Bronze Age Aegean and a journey through Homer’s epics charted entirely by women – from Helen of Troy, Briseis, Cassandra and Aphrodite to Circe, Athena, Hera, Calypso and Penelope – Mythica is a ground-breaking reassessment of the reality behind the often-mythologized women of Greece’s greatest epics, and of the ancient world itself as we learn ever more about it.

“Our Dragon doesn’t eat the girls he takes, no matter what stories they tell outside our valley. We hear them sometimes, from travelers passing through. They talk as though we were doing human sacrifice, and he were a real dragon. Of course that’s not true: he may be a wizard and immortal, but he’s still a man, and our fathers would band together and kill him if he wanted to eat one of us every ten years. He protects us against the Wood, and we’re grateful, but not that grateful.” Agnieszka loves her valley home, her quiet village, the forests and the bright shining river. But the corrupted Wood stands on the border, full of malevolent power, and its shadow lies over her life. Her people rely on the cold, driven wizard known only as the Dragon to keep its powers at bay. But he demands a terrible price for his help: one young woman handed over to serve him for ten years, a fate almost as terrible as falling to the Wood. The next choosing is fast approaching, and Agnieszka is afraid. She knows—everyone knows—that the Dragon will take Kasia: beautiful, graceful, brave Kasia, all the things Agnieszka isn’t, and her dearest friend in the world. And there is no way to save her. But Agnieszka fears the wrong things. For when the Dragon comes, it is not Kasia he will choose.