Two best friends. Ten summer trips. One last chance to fall in love. Poppy and Alex. Alex and Poppy. They have nothing in common. She’s a wild child; he wears khakis. She has insatiable wanderlust; he prefers to stay home with a book. And somehow, ever since a fateful car share home from college many years ago, they are the very best of friends. For most of the year they live far apart—she’s in New York City, and he’s in their small hometown—but every summer, for a decade, they have taken one glorious week of vacation together. Until two years ago, when they ruined everything. They haven’t spoken since. Poppy has everything she should want, but she’s stuck in a rut. When someone asks when she was last truly happy, she knows, without a doubt, it was on that ill-fated, final trip with Alex. And so, she decides to convince her best friend to take one more vacation together—lay everything on the table, make it all right. Miraculously, he agrees. Now she has a week to fix everything. If only she can get around the one big truth that has always stood quietly in the middle of their seemingly perfect relationship. What could possibly go wrong?

Fear the monsters we make. A swoon-worthy, spicy romantic fantasy filled with legends and monsters. The Witcher meets “Cinderella.” A princess is chosen to fulfill the terms of an ancient treaty and finds herself traveling with an infamous monster slayer.

A visually arresting graphic memoir about a young artist struggling against what’s expected of her as a woman, and learning to accept her true self, from an acclaimed New Yorker cartoonist. In this achingly beautiful graphic memoir, Liana Finck goes in search of that thing she has lost—her shadow, she calls it, but one might also think of it as the “otherness” or “strangeness” that has defined her since birth, that part of her that has always made her feel as though she is living in exile from the world. In Passing for Human, Finck is on a quest for self-understanding and self-acceptance, and along the way she seeks to answer some eternal questions: What makes us whole? What parts of ourselves do we hide or ignore or chase away—because they’re embarrassing, or inconvenient, or just plain weird—and at what cost? Passing for Human is what Finck calls “a neurological coming-of-age story”—one in which, through her childhood, human connection proved elusive and her most enduring relationships were with plants and rocks and imaginary friends; in which her mother was an artist whose creative life had been stifled by an unhappy first marriage and a deeply sexist society that seemed expressly designed to snuff out creativity in women; in which her father was a doctor who struggled in secret with the guilt of having passed his own form of otherness on to his daughter; and in which, as an adult, Finck finally finds her shadow again—and, with it, her true self. Melancholy and funny, personal and surreal, Passing for Human is a profound exploration of identity by one of the most talented young comic artists working today. Part magical odyssey, part feminist creation myth, this memoir is, most of all, an extraordinary, moving meditation on what it means to be an artist and a woman grappling with the desire to pass for human.

Fourth Wing meets The Hunger Games in this spicy, page-turning romantasy where humans and direwolves forge unbreakable bonds and fight for survival at all costs. Only the worthy survive the Bonding Trials. She’ll risk her life—and her heart—to be one of them. Meryn Cooper has always hated the Bonded, elite warriors who form mental links with the massive, vicious direwolves they ride. While they live in luxury, Meryn struggles to keep her family out of poverty. When her little sister, Saela, is kidnapped—stolen across the border by the immortal monsters her country has spent centuries fighting—Meryn’s world falls apart. Desperate to cross the front and save her sister, Meryn enlists in the army and is thrown into the deadly Bonding Trials, where any mistake will cost her life. Now Meryn must survive four months of training at the castle. She is bound to a feral direwolf who refuses to communicate. The other trainees would love to spill her common blood. And her cold and beautiful instructor, Stark Therion, is eager to punish any weakness. Everything is a competition, and everyone is out to get her—everyone except the dangerously handsome crown prince, whose attention adds another target to her back. In the castle, every smile hides a knife…and the halls hide dark secrets. It’s bond or bleed. Duel or die. Failure is ruin. Dire Bound contains mature content including depictions of graphic violence, and is therefore recommended for readers 17+. For a full list of tropes and TWs, please visit the author's website.

USA Today Bestselling author Rebecca Thorne delights in a brand new cozy science-fiction series...for fans of Martha Wells and Olivia Waite! Features original inside art! Torian Razner finally bought a starship, and contrary to Amelia’s assessment, it was not “a meteoric sign of stupidity.” Sure, the alien starship may have been abandoned for a century, and it may be covered in moss now… but it’s Torian’s ticket to freedom, regardless of what her ex… ah, captain… said. Except Torian’s first flight reveals a surprise passenger: the moss is actually an organic computer with a snarky attitude and serious abandonment issues. The target of its loathing? The immortal alien who built it (and then parked the starship, with Moss inside, and forgot about it). The same alien who just found Torian and accused her of “stealing” the ship. It’s entirely possible that Amelia was right about this meteoric stupidity.

A centaur seeks illicit surgery in an alien bodily modification club. Two medieval monks react to their transformation and demonic pregnancy in very different ways. A resourceful trans teen destroys sports bigots through the power of pluckiness...and abundant body horror. A stellar cathedral crosses galaxies to dump the corpse of God into a star before the mission devolves into a panoply of psychedelic orgies. A doxxed teen falls victim to violent assault and dishes out some harrowing retribution of their own. Over thirty Trans and Gender Nonconforming creators unite to voice their rage, and the rules of conventional Horror go out the f$%&ing window in this collection featuring murderous pleasure-bots; proselytizing zombies; acid-filled alien cops; science run amok; sorcerers, ghouls, cannibals...and that barely scratches the grave-dirt. YOUR BODY IS NOT YOUR BODY Table of Contents Introduction by M. Belanger The Flensing Lens—LC von Hessen Tonsilstonespunksplatter666!—Rain Corbyn High Maintenance—S.A. Chant The Infinite Being—F. Tullia Catulla Brother Maternitas—Viktor Athelstan The Same Thing That Happened to Sam—M. Lopes da Silva Ballad of the Pest—Meagan Hotz Playing House—Ziggy Schutz Hybrid—Rose Sable Cholesterol-Monoxide—W.N. Derring-Judith Why We Keep Exploding—Hailey Piper We've Been Trying to Reach You—Charles Maria Tor Lost in Reincarnation—Devaki Devay Because My Mother Tells Me So—Dayna Ingram Seaflowers—Ori Jay Fencing Chestplate—Avi Burton Gender Envy—Gabriel Valentine Rest, my head.—Cosmin-Mihai Bîrsan The Divine Carcass—Bitter Karella Chironoplasty—Joe Koch #MOTHERMAYHEM—Jei D. Marcade The Lives of Scavengers—Rhiannon Rasmussen The Simulacrum—Max Turner The Roots They Pull—Taylor J. Pitts Stench—Vincent Endwell The Pearl Diver—Bri Crozier Tiny Magic—G.E. Woods Cover art Mx Morgan G Robles Featuring illustrations Harrison Webb Lex Lillian Hochwender Becca Snow Rieroo Cori Walters William Taylor