Seventeen-year-old Kiva Meridan has spent the last ten years fighting for survival in the notorious death prison, Zalindov, working as the prison healer. When the Rebel Queen is captured, Kiva is charged with keeping the terminally ill woman alive long enough for her to undergo the Trial by Ordeal: a series of elemental challenges against the torments of air, fire, water, and earth, assigned to only the most dangerous of criminals. Then a coded message from Kiva’s family arrives, containing a single order: “Don’t let her die. We are coming.” Aware that the Trials will kill the sickly queen, Kiva risks her own life to volunteer in her place. If she succeeds, both she and the queen will be granted their freedom. But no one has ever survived. With an incurable plague sweeping Zalindov, a mysterious new inmate fighting for Kiva’s heart, and a prison rebellion brewing, Kiva can’t escape the terrible feeling that her trials have only just begun. From bestselling author Lynette Noni comes a dark, thrilling YA fantasy perfect for fans of Sarah J. Maas, and Sabaa Tahir.

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the sense of poetry evident in the originals. Under the editorship of Peter Burian and Alan Shaprio, each volume includes a critical introduction, commentary on difficult passages, ample stage directions, and a glossary of the mythical names and geographical references encountered in the dialogue. Sophocles' Oedipus the King paves the way as the first in the series to appear in paperback. In this highly-acclaimed translation of the greatest of all Greek tragedies, Stephen Berg--the well-known poet--and Diskin Clay--the distinguished classicist--combine their talents to offer the contemporary reader a dazzling version of Sophocles' timeless work. Emphasizing the intensity of the spoken language, they capture the unrelenting power of Sophoclean drama. No other English translation conveys the same terrifying emotional level, especially in the choral odes, the forceful descriptions of Jokasta's death, the blinding of Oedipus, and the final scene of desolation. Berg and Clay's translation--now available for the first time in paperback--both adheres strictly to the original meaning of the play and breathes new life into its language.