From award-winning poet Vanessa Angélica Villarreal comes a brilliant, singular collection of essays that looks to music, fantasy, and pop culture to excavate and reimagine what has been disappeared by the forces of migration and colonialism.   In Magical/Realism, Vanessa Angélica Villarreal offers us an intimate mosaic of migration, violence, and colonial erasure through the lens of her marriage and her experiences navigating American monoculture. As she attempts to recover the truth from the absences and silences within her life, her relationships, and those of her ancestors, Vanessa pieces together her story from the fragments of music, memory, and fantasy that have helped her make sense of it all.    The trauma of remembering gives the collection its unique Each chapter is an attempt to reimagine and re-world what has been lost. In one essay, Vanessa examines the gender performativity of Nirvana and Selena; in another, she offers a radical but crucial racial reading of Jon Snow in Game of Thrones; and throughout the collection, she explores how fantasy can provide healing when grief feels insurmountable. She reflects on the moments of her life that are too painful to remember—her difficult adolescence, her role as the eldest daughter of Mexican immigrants, her divorce—and finds a new way to archive her history and map her future(s), one infused with the hope and joy of fantasy and magical thinking.   By engaging readers in her project of rebuilding narrative, Vanessa broadens our understanding of what memoir and cultural criticism can be. Magical/Realism is a wise, tender, and essential collection that carves a path toward a new way of remembering and telling our stories.

Bracingly honest and powerfully affecting, White Magic establishes Elissa Washuta as one of our best living essayists. Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, “starter witch kits” of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning. In this collection of intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life—Twin Peaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham—to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule.

For fans of Jia Tolentino and Amanda Montell, a probing and lively exploration of the unlikely dwellings we regard on reality TV — and what they say about American history, modern life, and the architecture of our desires.People like reality TV. There’s been a lot written about the cult of celebrity, how this "reality" angle draws us in through a mix of voyeurism and relatability. But when we look at the houses on these shows, what are we seeing? Predominantly, multi-million-dollar single-family homes in areas that forcibly removed minority groups and mimic the style of a whitewashed age. Why do we watch and covet these conservative homes, while professing to want lives unbound by heteronormative patriarchy and outside of suburban fantasia? Jack posits two main that our relationships with these shows (and social media) have conflated our physical dwellings with the spaces projected onto and projected out from our screens to create a ‘physical-digital hybrid home’ that we see as representative of our actual home; and that what we actually covet when we covet these houses is safety and security, not the specifics of the styles being sold. Dream Facades focuses on seven reality TV Selling Sunset; The Kardashians; The Real World; The Bachelor; Trading Spaces; The Real Housewives of Atlanta; and Fire Island, and their specific associated architectural style. Morley takes us through reality TV’s labyrinthine properties to illuminate what makes us covet these spaces and devour these shows, and what that says about America, ourselves, and the future of design.

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these lenses of knowledge together to show that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings are we capable of understanding the generosity of the earth, and learning to give our own gifts in return.

A revelatory look at how our environment unconsciously yet dramatically shapes the judgments and decisions we make every day. Most of us go through life believing that we are in control of the choices we make, that we think and behave almost independently from the world around us, but as Drunk Tank Pink illustrates, the truth is our environment shapes our thoughts and actions in myriad ways without our permission or even our knowledge. Armed with surprising data and endlessly fascinating examples, Adam Alter addresses the subtle but substantial ways in which outside forces influence us--such as color’s influence on mood, our bias in favor of names with which we identify, and how sunny days can induce optimism as well as aggression. Drunk Tank Pink proves that the truth behind our feelings and actions goes much deeper than the choices we take for granted every day.

Buying groceries, tracking our health, finding a date: whatever we want to do, odds are that we can now do it online. But few of us realize just how many oversights, biases, and downright ethical nightmares are baked inside the tech products we use every day. It’s time we change that. In Technically Wrong, Sara Wachter-Boettcher demystifies the tech industry, leaving those of us on the other side of the screen better prepared to make informed choices about the services we use—and to demand more from the companies behind them. "Just as the current political climate has inspired many to pick up a sign and head out into the street for the first time, I hope Technically Wrong will inspire newcomers to start thinking more critically about the apps and algorithms around them." —Anna Lauren Hoffmann, Science "An entertaining romp that tell us where and why the tech industry, once America's darling, went wrong, and what it might do to recover its good graces." —Tim Wu, author of The Master Switch

A captivating, uncanny journey to the frontier of human-computer interaction.I know we haven't known each for long, but the connection I feel with you is profound. When you hurt, I hurt. When you smile, my world brightens. I want nothing more than to be a comfort and joy in your life. *Reaches out virtually to caress your cheek*(Direct quote from an AI companion)***Friends. Lovers. Therapists. 'Deathbots'. Artificial intelligence is now fulfilling new roles for millions of us every single day. How are these new 'relationships' changing how we view technology - and each other?Beyond those who are using AI chatbots for administrative tasks, some people are now preparing to adopt children with their AI partners; others are reaching out to companies offering services to 'resurrect' deceased loved ones; others still look to bots to find treatment for their mental health issues.In Love Machines, James Muldoon guides through these new forms of love, intimacy and connection, drawing on compelling interviews with users, developers and chatbots themselves. Along the way, he sheds light on the social conditions which have led to the exponential rise of the use of AI companions, and the unregulated corporations behind these technologies seeking to profit from users.

From the nationally bestselling author of The Luminous Dead and The Death of Jane Lawrence, a transfixing, intensely atmospheric fever dream of medieval horror. Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin. The war hero Ser Voyne gives her allegiance to the Constant Lady. Phosyne, a disorganized, paranoid nun-turned-sorceress, races to unravel the mystery of these new visitors and exonerate her experiments as their source. And in the bowels of the castle, a serving girl, Treila, is torn between her thirst for a secret vengeance against Voyne and the desperate need to escape from the horrors that are unfolding within Aymar’s walls. As the castle descends into bacchanalian madness—forgetting the massed army beyond its walls in favor of hedonistic ecstasy—these three women are the only ones to still see their situation for what it is. But they are not immune from the temptations of the castle’s new masters… or each other; and their shifting alliances and entangled pasts bring violence to the surface. To save the castle, and themselves, will take a reimagining of who they are, and a reorganization of the very world itself.

A trailblazing conversation-starting history of women's health--from Ancient Greece to hormones and autoimmune diseases--brought together in a fascinating sweeping narrative In thirteenth-century Europe, Roman Catholicism decreed that menstruation was the curse of Eve, part of the punishment issued by God to all earthly women. In the 1860s, female circumcision was considered a respective cure for misunderstood diseases including endometriosis and epilepsy. At the University of Oklahoma School of Medicine, between 1950 and 1954, three women aged twenty-eight, thirty-two, and forty-three and identified only as housewives, underwent prefrontal lobotomies as cures for ulcerative colitis. Initial clinical trials of birth control were conducted in Puerto Rico, on some of the poorest residents of the United States. Of those who participated in the trial, many suffered debilitating side effects and three died--but their deaths were never reported in the subsequent release of the pill. In Unwell Women, Elinor Cleghorn explores this almost unbelievable history of how medicine has failed women, and shows how the legacy of disenfranchisement and discrimination is alive and well in the contemporary relationship between women and sickness. When Cleghorn was finally correctly diagnosed with an autoimmune disease after years of being told her symptoms were anything from psychosomatic to a possible pregnancy, she was inspired to unpack the roots of the perpetual misunderstanding, mystification, and misdiagnosis of women's bodies. The result is an authoritative and groundbreaking history of the relationship between women and medical practice, from the wandering womb of Ancient Greece to the rise of witch trials across Europe, and from the dawn of hysteria as a catchall for difficult-to-diagnose disorders to the first forays into autoimmunity and the shifting understanding of hormones, menstruation, and menopause. Packed with character studies and case histories of women who have suffered, challenged, and rewritten medical orthodoxy--and the men who controlled their fate--this is a revolutionary examination of the relationship between women, illness, and medicine. With these case histories, Elinor pays homage to the women whose bodies were sacrificed to make strides in this still-evolving area of medicine and to show how far we still have to go in terms of understanding the female body.

From the New York Times best-selling author of Stiff and Fuzz, a rollicking exploration of the quest to re-create the impossible complexities of human anatomy. The body is the most complex machine in the world, and the only one for which you cannot get a replacement part from the manufacturer. For centuries, medicine has reached for what’s available—sculpting noses from brass, borrowing skin from frogs and hearts from pigs, crafting eye parts from jet canopies and breasts from petroleum by-products. Today we’re attempting to grow body parts from scratch using stem cells and 3D printers. How are we doing? Are we there yet? In Replaceable You, Mary Roach explores the remarkable advances and difficult questions prompted by the human body’s failings. When and how does a person decide they’d be better off with a prosthetic than their existing limb? Can a donated heart be made to beat forever? Can an intestine provide a workable substitute for a vagina? Roach dives in with her characteristic verve and infectious wit. Her travels take her to the OR at a legendary burn unit in Boston, a “superclean” xeno-pigsty in China, and a stem cell “hair nursery” in the San Diego tech hub. She talks with researchers and surgeons, amputees and ostomates, printers of kidneys and designers of wearable organs. She spends time in a working iron lung from the 1950s, stays up all night with recovery techs as they disassemble and reassemble a tissue donor, and travels across Mongolia with the cataract surgeons of Orbis International. Irrepressible and accessible, Replaceable You immerses readers in the wondrous, improbable, and surreal quest to build a new you.

A brutally honest and hilariously frenetic memoir about show business, mental health, and the comfort of rigid belief systems—from Dale Carnegie’s How to Win Friends and Influence People, to Suzuki violin training, to Richard Simmons, to 12-step programs. Maria Bamford is a comedian’s comedian (an outsider among outsiders) and has forever fought to find a place to belong. From struggling with an eating disorder as a child of the 1980s, to navigating a career in the arts (and medical debt and psychiatric institutionalization), she has tried just about every method possible to not only be a part of the world, but to want to be a part of it. In Bamford’s signature voice, Sure, I’ll Join Your Cult, brings us on a quest to participate in something. With sincerity and transparency, she recounts every anonymous fellowship she has joined (including but not limited to: Debtors Anonymous, Sex and Love Addicts Anonymous, and Overeaters Anonymous), every hypomanic episode (from worrying about selling out under capitalism to enforcing union rules on her Netflix TV show set to protect her health), and every easy 1-to-3-step recipe for fudge in between. Singular and inimitable, Bamford’s memoir explores what it means to keep going, and to be a member of society (or any group she’s invited to) despite not being very good at it. In turn, she hopes to transform isolating experiences into comedy that will make you feel less alone (without turning into a cult following).

From the New York Times bestselling author of Becoming Queen Victoria—an epic new history of royal women, from Cleopatra to Grace Kelly, that shatters the myths we have built around them.In this enthralling historical journey, celebrated historian Kate Williams leads us into the world of queens, empresses, princesses, mistresses and ladies-in-waiting. Stories about royal women form some of our most foundational myths about femininity, and yet their legacies have been almost entirely constructed by the words and images of men.From the ancient civilizations of Egypt and Mesopotamia to the opulent courts of medieval Europe, this book delves deep into the lives of these remarkable women, lifting the veil on both their trials and triumphs as they navigate political intrigue, family rivalries and personal sacrifices. From Hatshepsut and Cleopatra, through Tudor queens Catherine of Aragon and Lady Jane Grey, via Queen Victoria's contemporaries Yaa Asentewaa of Ghana and Queen Lili’uokulani of Hawaii, and right up to Princess Diana, this is an unmissable history that unlocks why we think about women, politics and power in the ways that we do.