A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A debut gothic YA from the USA Today bestselling author of The Hacienda and The Possession of Alba DíazSixteen-year-old Minerva has spent her whole life in the slums of the capital city of an unnamed country that resembles colonial Mexico. Though she lives in the shadow of constant government turmoil, her empty belly and her father’s brutality don’t leave time for politics—especially since her older brothers ran away. Minerva can’t take another beating or miss another meal, so she steals flees to a wealthy loyalist neighborhood to win a job as a lady’s maid to an elderly widow.Minerva and Encarnación del Valle—the proud and acerbic widow—form an unlikely duo. They are both survivors in their own ways, stubborn and used to being underestimated. For a time, Minerva is happy. She has food and safety in a house lit and warmed by magical chispa. Why should she care who runs the country or how her employer afford the magic?But when the viceroy sweeps back into power on a wave of horrific bloodshed that sweeps away any hope Minerva had of seeing her brothers again, Encarnación retreats to the del Valle’s mountainside estate, the Casa de la Gardenias. Minerva finds herself surrounded by dozens of more experienced servants and the cruel, scheming younger del Valles, but the living are the least of anyone’s worries at the Casa de las Gardenias, and soon Minerva discovers that this ancient estate is home to forces far older and more bloodthirsty than the fascist del Valles or the liberal guerrillas amassing in the surrounding wilderness.

Dive into the chilling depths of Latiné horror with Something Followed Us Home, edited by Bram Stoker Award–winner Cynthia Pelayo, a groundbreaking anthology where each story reimagines immigration, colonization, faith, and folklore as the fears we inherit and carry across borders and generations. Something followed us home. It crawled in with our prayers, slipped into our beds, watched from mirrors, waited in water, and learned our names. In these stories, horror does not announce itself. It possesses, feeds, whispers, and waits. Gathering chilling work from some of today’s most acclaimed Latiné voices, this anthology moves through haunted households, brutal landscapes, sacred spaces turned dangerous, and bodies claimed by forces both ancient and intimate. The dead murmur behind locked doors. Bones rebuild themselves under merciless suns. Love becomes a doorway for demonic hunger. Prayers summon answers that arrive too late…or too fully. Blood, devotion, and memory intertwine as the past presses back with teeth. Something Followed Us Home is a landmark anthology of Latiné horror. These stories remind us that the past is never gone, the dead are never silent, and the places we come from will always find their way back to us. Featuring stories Agustina Bazterrica, Ann Dávila Cardinal, Cynthia Pelayo, Isabel Cañas, Gerardo Sámano Córdova, Zoraida Córdova, Mariana Enriquez, Carolina Flórez-Cerchiaro, Ananda Lima, Xochitl Gonzalez, Leopoldo Goût, Juan Martinez, Mónica Ojeda, Daniel Jóse Older, Lilliam Rivera, Alex Segura, Diana Rodriguez Wallach

A dark and steamy debut novel about a girl—who is sometimes a cat—and the witch she loves, as secrets from her past threaten to unravel the delicate balance of her present, from screenwriter Amanda Mortlock.Cleo is a willfully aloof college student with an impossible secret. When she meets Wes, a brooding musician, at a Halloween party, their connection is instant, electric, and impossible to ignore. Their romance takes a mystical turn when Wes discovers what Cleo’s been sometimes she takes the form of his pet cat. Enter Bailey and Ollie—their magical counterparts—who reveal a deeper tie between Cleo and he’s a witch, and she’s his animal familiar. As past secrets collide with their entangled present, Cleo faces her greatest fear—losing Wes. With long-gone threats returning and danger looming, Cleo must confront her role in their dark and violent shared history and decide if she’s willing to fight for their future.

THE UNMISSABLE GOTHIC HORROR EVENT OF 2026A LIFE IN LIMBO. A SIN SO SWEET. AN IMMACULATE DECEPTION.I feel the bond that has been created between me and him - this one made of shadows, the one who pulses in my depths and who promises to fulfil my yearning...Pernambuco, Brazil, 1877. Raised in a deeply religious household, Madalena knows Dante's Inferno by heart and fears her mother's reaction as much as she fears God. When she falls pregnant with a child conceived in sin, her mother issues a marry or surrender the baby.Confident that the father, the dashing Leandro Neves, will propose, Madalena sets off to his sprawling estate. After a storm wrecks her carriage, she awakens in Leandro's crumbling mansion, tended to by the magnetic Doctor Lobo. Leandro is there... but he is no longer the charming poet she knew. He's silent. Obsessed. Always watching. Strange perfume haunts a locked room. Pages vanish from books. Jewels lie untouched in a forgotten wardrobe. And mirrors begin disappearing after Madalena sees something - or someone - ghastly in the reflection. Leandro is unravelling. Doctor Lobo may be hiding something even darker. Trapped in a decaying house of secrets, Madalena must uncover the truth before the men around her destroy her, and before the hell she fears becomes the one she's living in...

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love - a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands. True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus per­formers to the patrons, hang in the balance, suspended as precariously as the daring acrobats overhead. Written in rich, seductive prose, this spell-casting novel is a feast for the senses and the heart.

From the nationally bestselling author of the “powerful, heartbreaking” (Shelf Awareness) The Stationery Shop, a heartfelt, epic new novel of friendship, betrayal, and redemption set against three transformative decades in Tehran, Iran. In 1950s Tehran, seven-year-old Ellie lives in grand comfort until the untimely death of her father, forcing Ellie and her mother to move to a tiny home downtown. Lonely and bearing the brunt of her mother’s endless grievances, Ellie dreams of a friend to alleviate her isolation. Luckily, on the first day of school, she meets Homa, a kind, passionate girl with a brave and irrepressible spirit. Together, the two girls play games, learn to cook in the stone kitchen of Homa’s warm home, wander through the colorful stalls of the Grand Bazaar, and share their ambitions for becoming “lion women.” But their happiness is disrupted when Ellie and her mother are afforded the opportunity to return to their previous bourgeois life. Now a popular student at the best girls’ high school in Iran, Ellie’s memories of Homa begin to fade. Years later, however, her sudden reappearance in Ellie’s privileged world alters the course of both of their lives. Together, the two young women come of age and pursue their own goals for meaningful futures. But as the political turmoil in Iran builds to a breaking point, one earth-shattering betrayal will have enormous consequences. Written with Marjan Kamali’s signature “evocative, devastating, and hauntingly beautiful” (Whitney Scharer, author of The Age of Light) prose, The Lion Women of Tehran is a sweeping exploration of how profoundly we are shaped by those we meet when we are young, and the way love and courage transforms our lives.

Fates collide after a tarot influencer disappears from a decaying Hollywood mansion in this unnerving gothic mystery and audacious social comedy from the acclaimed author of Self Care.After her boyfriend dumps her in a Reddit post, unemployed thirty-nine-year-old Dayna accepts an unusual opportunity from a man she stopped speaking to twenty years If Dayna can help Craig transform his crumbling mansion into a successful hype house of influencers, he can restore his birthright to its former glory, and she can bring her career back from the dead.But missing from the mansion is Becca, an enigmatic tarot card reader who built a rabid fandom with her cryptic, soul-touching videos . . .  and then vanished. With nineteen-year-old Olivia, the newest member of the hype house (and one of Becca’s biggest fans), Dayna begins to build a social media campaign around Becca’s disappearance that will catapult the creators to new heights of success. Too bad Craig forbids Dayna from pursuing the mystery at its heart.As Olivia searches for traces of Becca in a labyrinthine house that seems intent on hiding its secrets, and Dayna becomes entangled with both Craig and Jake, the resident heartthrob and the last person to see Becca, the two women make a shocking discovery that will upend everything.The You may think you’re inhabiting it, but is it really inhabiting you?