Ghost stories within ghost stories, shadows from the past and strange intimations from the cosmos converge with the shifting realities of the city of Bangalore in this collection of lyrical, haunting short stories. There are shades of Lovecraft, Ligotti and Aickman, but most of all these stories seek to capture something of the layered, uncanny nature of the city they are set in. Let Jayaprakash Satyamurthy be your guide on a tour of the bean town that might change you forever.

You know Delhi for its rich cultural tapestry, history and monuments. You love it for its food--the kebabs, chole kulche, golgappe and chaat. But do you know about the dark shadows that lurk in its all-too-familiar haunts--the arcades of CP, the galis of Mehrauli, the lawns of Lutyens' Delhi, or the pillars and arches of tombs in Hauz Khas? The stories in The Haunting of Delhi City are set in the Delhi that we think we know well, but which we unknowingly share with the supernatural. Exquisitely chilling, each of these tales holds a piece of the city and its people--especially the ghosts. Oh, these are just stories, you say. But are they?Come, have a read ... if you dare.

Seven days. Seven days. The Earth might end in seven days. When news stations start reporting that Earth has been contacted by a planet named Alma, the world is abuzz with rumors that the alien entity is giving mankind only few days to live before they hit the kill switch on civilization. For high school truant Jesse Hewitt, though, nothing has ever felt permanent. Not the guys he hooks up with. Not the jobs his underpaid mom works so hard to hold down. Life has dealt him one bad blow after another — so what does it matter if it all ends now? Cate Collins, on the other hand, is desperate to use this time to find the father she’s never met, the man she grew up hearing wild stories about, most of which she didn’t believe. And then there’s Adeem Khan. While coding and computer programming have always come easily to him, forgiveness doesn’t. He can’t seem to forgive his sister for leaving, even though it’s his last chance. With only seven days to face their truths and right their wrongs, Jesse, Cate, and Adeem’s paths collide even as their worlds are pulled apart.

In Buddhist myth, the dead may be reborn as "hungry ghosts"—spirits with stomach so large they can never be full—if they have desired too much during their lives. It is the duty of the living relatives to free those doomed to this fate by doing kind deeds and creating good karma. In Shyam Selvadurai’s sweeping new novel, his first in more than a decade, he creates an unforgettable ghost, a powerful Sri Lankan matriarch whose wily ways, insatiable longing for land, houses, money and control, and tragic blindness to the human needs of those around her parallels the volatile political situation of her war-torn country.   The novel centres around Shivan Rassiah, the beloved grandson, who is of mixed Tamil and Sinhalese lineage, and who also—to his grandmother’s dismay—grows from beautiful boy to striking gay man. As the novel opens in the present day, Shivan, now living in Canada, is preparing to travel back to Colombo, Sri Lanka, to rescue his elderly and ailing grandmother, to remove her from the home—now fallen into disrepair—that is her pride, and bring her to Toronto to live our her final days. But throughout the night and into the early morning hours of his departure, Shivan grapples with his own insatiable hunger and is haunted by unrelenting ghosts of his own creation.   The Hungry Ghosts is a beautifully written, dazzling story of family, wealth and the long reach of the past. It shows how racial, political and sexual differences can tear apart both a country and the human heart—not just once, but many times, until the ghosts are fed and freed.

Kas of Veldenier is a Slayer, a travelling monster hunter for hire. Claudia of Trulio is half-human, half-vampyric. Half monster. They should be nothing more than enemies. But when the long-lost remnant of the dragon Ombral turns up, and with it the possibility of unleashing the dragons to wreak havoc on Vil Tresar as they did long ago, Kas and Claudia’s paths converge. Through a shared desire to keep the dragons from returning, they embark on a quest to see the remnant destroyed. Along the way, they will encounter fearsome monsters as well as a burgeoning desire for each other. Can a monster and a monster slayer truly find love together? Pursuing them from the shadows is Serisa, a vampyric who wishes to see the world burn. And she will need the remnant to make that wish a reality…

A deeply-reported examination of why "doing what you love" is a recipe for exploitation, creating a new tyranny of work in which we cheerily acquiesce to doing jobs that take over our lives. You're told that if you "do what you love, you'll never work a day in your life." Whether it's working for "exposure" and "experience," or enduring poor treatment in the name of "being part of the family," all employees are pushed to make sacrifices for the privilege of being able to do what we love.In Work Won't Love You Back, Sarah Jaffe, a preeminent voice on labor, inequality, and social movements, examines this "labor of love" myth -- the idea that certain work is not really work, and therefore should be done out of passion instead of pay. Told through the lives and experiences of workers in various industries -- from the unpaid intern, to the overworked nurse, to the nonprofit worker and even the professional athlete -- Jaffe reveals how all of us have been tricked into buying into a new tyranny of work. As Jaffe argues, understanding the trap of the labor of love will empower us to work less and demand what our work is worth. And once freed from those binds, we can finally figure out what actually gives us joy, pleasure, and satisfaction.

New discoveries about the textile arts reveal women's unexpectedly influential role in ancient societies. Twenty thousand years ago, women were making and wearing the first clothing created from spun fibers. In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women. Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have omitted virtually half the picture. Elizabeth Wayland Barber has drawn from data gathered by the most sophisticated new archaeological methods—methods she herself helped to fashion.