Sera has always felt as if she didn’t belong among her people, the Cerulean. She is curious about everything and can’t stop questioning her three mothers, her best friend, Leela, and even the High Priestess. Sera has longed for the day when the tether that connects her City Above the Sky to the earthly world below finally severs and sends the Cerulean to a new planet. But when Sera is chosen as the sacrifice to break the tether, she doesn’t know what to feel. To save her City, Sera must throw herself from its edge and end her own life. But something goes wrong and she survives the fall, landing in a place called Kaolin. She has heard tales about the humans there, and soon learns that the dangers her mothers warned her of are real. If Sera has any hope to return to her City, she’ll have to find the magic within herself to survive.

A colony of moss does not express preferences for certain people, living or dead. But if such a colony of moss did decide to reveal its favourites, let us just say You might be surprised.In 2018, a young forensic scientist, homesick and adrift in the North of England, is heading to a coroner's office to identify a body.In 50 BCE, a female druid is travelling to a city in the South where she will appear before the new king.And underfoot, all along, a teeming colony of moss is opening its wet mouth, waiting.In this wonderfully strange, multi-layered story, the unexpected discovery of an ancient bog body becomes a pinprick of light in the depths of humanity's history.

Shevek, a brilliant physicist, decides to take action. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life—Shevek must make the unprecedented journey to the utopian mother planet, Urras, to challenge the complex structures of life and living, and ignite the fires of change.

**A Financial Times What to Read in 2025 pick**'A brave and magnificent book, and a vital as elegant as it is witty, as erudite as it is wise, and as stylish as it is scholarly. Manu Pillai is fast becoming one of India's most accomplished and impressively wide-ranging historians' William DalrympleWhen European missionaries arrived in India in the sixteenth century, they entered a world both fascinating and bewildering. Hinduism, as they saw it, was a pagan a worship of devils and monsters by a people who burned women alive, performed outlandish rites and fed children to crocodiles. But it quickly became clear that Hindu ‘idolatry’ was far more layered and complex than European stereotypes allowed, surprisingly even sharing certain impulses with Christianity.Nonetheless, missionaries became a threatening force as European power grew in India. Western ways of thinking gained further ascendancy during the British while interest in Hindu thought influenced Enlightenment thinkers like Voltaire in Europe, Orientalism and colonial rule pressed Hindus to reimagine their religion. In fact, in resisting foreign authority, they often adopted the missionaries’ own tools and strategies. It is this encounter, Manu S. Pillai argues, that has given Hinduism its present shape, also contributing to the birth of an aggressive Hindu nationalism.Gods, Guns and Missionaries surveys these remarkable dynamics with an arresting cast of characters – maharajahs, poets, gun-wielding revolutionaries, politicians, polemicists, philosophers and clergymen. Lucid, ambitious, and provocative, it is at once a political history, an examination of the mutual impact of Hindu culture and Christianity upon each other, and a study of the forces that have prepared the ground for politics in India today. Turning away from simplistic ideas on religious evolution and European imperialism, the past as it appears here is more complicated – and infinitely richer – than previous narratives allow.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid. Featuring stories by: Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N. K. Jemisin, Justin C. Key, L. D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor, and Cadwell Turnbull.

A rallying cry to fight the commodification of human attention, with the tools we need to reclaim our humanity, by a group of writers, artists, and activists in the vanguard of the movement“A stirring battle cry on behalf of our shared humanity against the forces that seek to diminish and degrade it. Downright invigorating. Just what the moment calls for.”—Chris Hayes, author of The Sirens’ CallWe all feel something is seriously wrong. Our attention—that essential ability to give our minds and senses to the world—is being trapped, gutted, and sold out from under us by an industry of immense technological and financial power. The heedless exploitation of this vital capacity by a handful of tech companies is harming us all, reducing our very selfhood to that which can be quantified, bought, and sold—and shaking the foundations of our democracy.To push back against this “human fracking,” we need more than individual willpower or isolated efforts. We need a movement of collective resistance. Such a movement is beginning to bloom, and in this radical, first-of-its-kind guide, The Friends of Attention show us how to join the fight. We meet welders, nurses, poets, and surfers, all of whom are engaged in attentional practices. We learn to seek out sanctuaries—theaters and museums, houses of worship, dance parties—where together we can take refuge from the frackers. Attention Activism takes our apocalyptic present, turns it on its head, and reveals new vistas of human flourishing.Drawing on a rich legacy of critical intellectuals and the creative wisdom of diverse traditions, Attensity calls on us to come together to defeat the greedy dehumanizing forces of brute instrumentalization—and re-enchant the world.

Twelve visions of living in a climate-changed world. We are living in the Anthropocene—an era of dramatic and violent climate change featuring warming oceans, melting icecaps, extreme weather events, habitat loss, species extinction, and more. What will life be like in a climate-changed world? In Tomorrow’s Parties , science fiction authors speculate how we might be able to live and even thrive through the advancing Anthropocene. In ten original stories by writers from around the world, an interview with celebrated writer Kim Stanley Robinson, and a series of intricate and elegant artworks by Sean Bodley, Tomorrow’s Parties takes rational optimism as a moral imperative, or at least a pragmatic alternative to despair. In these stories—by writers from the United Kingdom, the United States, Nigeria, China, Bangladesh, and Australia—a young man steals from delivery drones; a political community lives on an island made of ocean-borne plastic waste; and a climate change denier tries to unmask “crisis actors.” Climate-changed life also has its pleasures and epiphanies, as when a father in Africa works to make his son’s dreams of “Viking adventure” a reality, and an IT professional dispatched to a distant village encounters a marvelous predigital fungal network. Contributors include Pascall Prize for Criticism winner James Bradley, Hugo Award winners Greg Egan and Sarah Gailey, Philip K Dick Award winner Meg Elison, and New York Times bestselling author Daryl Gregory.

A quest to explore some of the most spectacular ancient cities in human history—and figure out why people abandoned them. In Four Lost Cities, acclaimed science journalist Annalee Newitz takes readers on an entertaining and mind-bending adventure into the deep history of urban life. Investigating across the centuries and around the world, Newitz explores the rise and fall of four ancient cities, each the center of a sophisticated civilization: the Neolithic site of Çatalhöyük in Central Turkey, the Roman vacation town of Pompeii on Italy’s southern coast, the medieval megacity of Angkor in Cambodia, and the indigenous metropolis Cahokia, which stood beside the Mississippi River where East St. Louis is today. Newitz travels to all four sites and investigates the cutting-edge research in archaeology, revealing the mix of environmental changes and political turmoil that doomed these ancient settlements. Tracing the early development of urban planning, Newitz also introduces us to the often anonymous workers—slaves, women, immigrants, and manual laborers—who built these cities and created monuments that lasted millennia. Four Lost Cities is a journey into the forgotten past, but, foreseeing a future in which the majority of people on Earth will be living in cities, it may also reveal something of our own fate.

Raising dragons is easier than raising a five-year-old. Probably. Nevan never planned on becoming a dragon rider. He was perfectly content swinging a hammer in the forge—until an injured dragon rider retired to Safe Haven. Now he’s supposed to help train the island’s brand new sea dragon fire brigade. That means long days, soaked clothing, and a growing suspicion that dragons like to play matchmaker. Franisa has her hands full keeping her bakery--and her daughter--in one piece, but she still manages to keep an eye on Nevan. After all, she’s known him since childhood—and maybe, just maybe, she’s starting to see the dragon rider in a new light. But when sparks fly—literally and figuratively—the whole village gets involved. Between curious dragons, nosy neighbors, and one busy little girl, Nevan and Franisa might have to decide if their friendship is ready to turn into something more. Dragons, fresh bread, and a magical island town—welcome back to Safe Haven. Perfect for fans of Legends & Lattes, A Fellowship of Bakers & Magic, and Jane Austen's Dragons--the kind of fantasy that smells faintly of woodsmoke and warm cinnamon rolls.

From a fearless, internationally acclaimed activist, We Will Be Jaguars is an impassioned memoir about an indigenous childhood, a clash of cultures, and the fight to save the Amazon rainforest and protect her people. Born into the Waorani tribe of Ecuador’s Amazon rainforest—one of the last to be contacted by missionaries in the 1950s—Nemonte Nenquimo had a singular upbringing. She was taught about plant medicines, foraging, oral storytelling, and shamanism by her elders. She played barefoot in the forest and didn’t walk on pavement, or see a car, until she was a teenager and left to study with an evangelical missionary group in the city. But after Nemonte’s ancestors began appearing in her dreams, pleading with her to return and embrace her own culture, she listened. Nemonte returned to the forest and traditional ways of life and became one of the most forceful voices in climate change activism. She spearheaded an alliance of Indigenous nations across the Upper Amazon and led her people to a landmark victory against Big Oil, protecting over a half million acres of primary rainforest. We Will Be Jaguars is an astonishing memoir by an equally astonishing woman. Nemonte digs into generations of oral history, uprooting centuries of conquest, and hacking away at racist notions of Indigenous peoples. Ultimately, she reveals a life story as rich, harsh, and vital as the Amazon rainforest herself.