Fungi are not like us – they are entirely, magically something else… Erupting, spreading, decaying, changing.Aliya Whiteley has always been in love with fungi – from a childhood taking blurry photographs of strange fungal eruptions on Exmoor to a career as a writer inspired by their surreal and alien beauty. This love for fungi is a love for life, from single-cell spores to the largest living organism on the planet; a story stretching from Aliya's lawn into Space and back again via every continent. Despite their familiar presence, there's still much for us to learn about the eruption, growth and decay of fungi’s connected world – one that Aliya lays out before us, linking fungal geography and history with myth; fiction and culture with science.From fields, feasts and fairy rings to death caps, puffballs and ambrosia beetles, this is an intoxicating personal journey into the life of extraordinary organism, one that we have barely begun to understand.

Published in 1942 by French author Albert Camus, The Stranger has long been considered a classic of twentieth-century literature. Le Monde ranks it as number one on its "100 Books of the Century" list. Through this story of an ordinary man unwittingly drawn into a senseless murder on a sundrenched Algerian beach, Camus explores what he termed "the nakedness of man faced with the absurd."

Claire Keegan's piercing contemporary classic Foster is a heartbreaking story of childhood, loss, and love; now released as a standalone book for the first time ever in the US It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas' house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household--where everything is so well tended to--and this summer must soon come to an end. A story of astonishing emotional depth now expanded and newly revised in a standalone edition, Foster showcases Claire Keegan's great talent and cements her reputation as one of our most important and prodigious storytellers.

Claire Keegan's piercing contemporary classic Foster is a heartbreaking story of childhood, loss, and love; now released as a standalone book for the first time ever in the US It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas' house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household--where everything is so well tended to--and this summer must soon come to an end. A story of astonishing emotional depth now expanded and newly revised in a standalone edition, Foster showcases Claire Keegan's great talent and cements her reputation as one of our most important and prodigious storytellers.

First published pseudonymously in 1764, The Castle of Otranto purported to be a translation of an Italian story of the time of the crusades. In it Walpole attempted, as he declared in the Preface to the Second Edition, "to blend the two kinds of romance: the ancient and the modern." Crammed with invention, entertainment, terror, and pathos, the novel was an immediate success and Walpole's own favorite among his numerous works. The novel is reprinted here from a text of 1798, the last that Walpole himself prepared for the press.

After a rough tumble and maybe-serious head injury, a disillusioned trans poet falls for a charming corporate lawyer in a love story that grapples with the explosive ghosts of relationships past, romantic and familial, from the Lambda Award-nominated author of Bellies, Nicola Dinan “Fell down the stairs and woke up a trad wife.” Max is thirty, a published poet and grossly overpaid legal counsel for a tech company. With a lifetime of dysphoria and fuccbois rattling around in her head, Max is plagued with a deep dissatisfaction during what should be the best years of her life. After taking a spill down the stairs at a New Year’s Eve party, she decides to make some changes. First things first: a stab at good old-fashioned heteronormativity. Max thinks she’s found the answer in Vincent, a corporate lawyer and hobby baker, whose trad friendship group may as well speak a foreign language, and whose Chinese parents never pictured their son dating a trans woman. This uncharted territory may have rough terrain, but Vincent cares for Max in a way she’d long given up on as a foolish fantasy. Yet Vincent is carrying his own baggage from his gap year in Thailand a decade prior: an explosive entanglement with a mysterious, gorgeous traveler. Voice-driven, warm, and poignant, Disappoint Me is an exploration of millennial angst, race, trans panic, and the allure of bourgeois domesticity that asks if we are defined by our worst mistakes.