miffy2 commented on a post
Having a room in an attic used to be my dream since i was a child. Imagine all that space! It's like having your own house 🥹
miffy2 commented on a post
I feel conflicted about Din's characterization in this first quarter of the book. I appreciate seeing how his job has changed him (his inner voice is more cynical, his smoking and relationships habits show how desperate he is to find some relief from the horrors engraved in his memory). But I also think the gap between Din from book 1 and Din from book 2 is too big. As a reader we are missing so many elements to fill that gap because we didn't see it happen and the author doesn't dwell on it much. I grew attached to Din 1, and suddenly I'm reading about Din 2 whom I don't recognise and don't know. It's logical for him to grow and be shaped by what he has done and seen. But we didn't follow him through it and now I just grieve/miss the character I followed in book 1 who isn't really there anymore.
miffy2 is interested in reading...

Moss'd in Space
Rebecca Thorne
miffy2 commented on a post from the Pagebound Club forum
What is the most annoying book finale of all time? And how would you handle it yourself, to make it more satisfying?
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Mortedant's Peril
R.J. Barker
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The Adventures of Amina al-Sirafi
Shannon Chakraborty
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Poets Square: A Memoir in Thirty Cats
Courtney Gustafson
miffy2 commented on a post
I know it’s a fantasy setting of imperial China, but the presentism and wipe out of palace rules is really grating on me
Post from the The Poet Empress forum
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Behind Five Willows
June Hur
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The Fox in Winter
Antonia Hodgson
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The Witch Below the Dreaming Wood
H.G. Parry
Post from the The Poet Empress forum
imagine the power and prosperity that Tensha could have if the emperor nurtured his sons to work together instead of letting them fight each other
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Anime Supremacy!
Mizuki Tsujimura
miffy2 created a list
Japan Booksellers’ Award
Winners and nominees of the Japan Booksellers’ Award (Honya Taisho) translated into English
*Not listed in year or sequence
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同志少女よ、敵を撃て
Touma Aisaka
Post from the The Poet Empress forum
I know it’s a fantasy setting of imperial China, but the presentism and wipe out of palace rules is really grating on me
Post from the The Poet Empress forum
spotlight? the light dimmed??
yet they’re reading and writing by lantern light? you’ve got to be kidding me