A troubling account of heterosexual desire in the era of #MeToo Heterosexuality is in crisis. Reports of sexual harassment, misconduct, and rape saturate the news in the era of #MeToo. Straight men and women spend thousands of dollars every day on relationship coaches, seduction boot camps, and couple’s therapy in a search for happiness. In The Tragedy of Heterosexuality, Jane Ward smartly explores what, exactly, is wrong with heterosexuality in the twenty-first century, and what straight people can do to fix it for good. She shows how straight women, and to a lesser extent straight men, have tried to mend a fraught patriarchal system in which intimacy, sexual fulfillment, and mutual respect are expected to coexist alongside enduring forms of inequality, alienation, and violence in straight relationships. Ward also takes an intriguing look at the multi-billion-dollar self-help industry, which markets goods and services to help heterosexual couples without addressing the root of their problems. Ultimately, she encourages straight men and women to take a page out of queer culture, reminding them “about the human capacity to desire, fuck, and show respect at the same time.”

Sexual harassment, domestic violence and date rape had not been named, although they certainly existed, when Damned Whores and God’s Police was first published in 1975. That was before the Sex Discrimination Act of 1984 and before large numbers of women became visible in employment, in politics and elsewhere across society. It was in this climate that Anne Summers identified ‘damned whores’ and ‘God’s police’, the stereotypes that characterized all women as being either virtuous mothers whose function was to civilize society or bad girls who refused, or were unable, to conform to that norm and who were thus spurned and rejected. These stereotypes persist to this day, argues Anne Summers in this updated version of her classic book.

A personal and cultural look at the dark underbelly of Western beauty standards and the lethal culture of disordered eating they've wreaked In Dead Weight, Emmeline Clein tells the story of her own disordered eating alongside, and through, other women from history, pop culture and the girls she's known and loved. Tracing the medical and cultural history of anorexia, bulimia, binge eating disorder, and orthorexia, Clein investigates the economic conditions underpinning our eating disorder epidemic, and illuminates the ways racism and today's feminism have been complicit in propping up the thin ideal. While examining Goop, Simone Weil, pro-anorexia blogs, and the flawed logic of our current treatment methods, Clein grapples with the myriad ways disordered eating has affected her own friendships and romantic relationships. Dead Weight makes the case that we are faced with a culture of suppression and denial that is insidious, pervasive, and dangerous, one that internalizes and promotes the fetish of self-shrinking as a core tenet of the American cult of femininity. This is replicated in our algorithms, our television shows, our novels, and our relationships with one another. Dead Weight is a sharp, perceptive, and revelatory polemic for readers fascinated by the external forces shaping their lives.

Sophie Treadwell was a campaigning journalist in America between the wars. Among her assignments was the sensational murder involving Ruth Snyder, who with her lover, Judd Gray, had murdered her husband and gone to the electric chair. Out of this came MACHINAL, a powerful expressionist drama about the dependent status of women and the living hell of a loveless marriage. Successfully premiered on Broadway in 1928 with Clark Gable as the lover, the play was seen in London two years later, provoked a sensation in Tairov's version in Moscow in 1933, and was then largely forgotten until revivals in New York and London in the 1990s.

From the acclaimed author of the “wild, gorgeous” (San Francisco Chronicle) Marlena comes a novel about a young woman looking for a father and finding herself—a vivid, uncompromising exploration of sex, money, power, and art. The right book at the right time can change your life. Will Miles is trapped. Trapped in tiny Greening, Michigan, where a toxic high school rumor has turned her into a social exile. Trapped in the predictable routines of her mother, and under the unrelenting gaze of her mother’s increasingly sinister boyfriend. But when Will stumbles across the early poems of Nathaniel Fellow, a famous writer forty years her senior who also grew up in Greening, she feels she’s found a kindred spirit. A passing comment from her mother only adds to Will’s fascination: Is Nathaniel the father she’s never known? Will orchestrates a plan to track Nathaniel down, following in his footsteps to New York City, where she learns he’s not the answer to her past, not the way she imagined. But their meeting sparks a complicated, consuming relationship that gives Will sidelong access to a world she’s only ever imagined: of writers and intellectuals, a financial safety net, and, most intoxicatingly, a glimpse into her own potential. But who is Nathaniel Fellow, off the page? And what will shaping her life to suit his cost her? When a torrent of information about his past threatens not just her life with Nathaniel, but the story she tells herself about him, Will is faced with a choice that will change everything. A gripping novel about ambition, parents and children, and all the ways women still pay for men’s mistakes, Famous Men traces one woman’s journey to the truth of where she comes from, what she’s capable of, and how she might start again.

An explosive, jaw-dropping debut about a woman who loses her job as an oil company CEO after she’s filmed having sex with a tree in her sleep, a calamity that unravels her mind, spiraling her through history until she’s united with a centuries-old coven of ecstatically revolutionary women. “You’re holding a torpedo of a book in your hand. Take a seat and get comfortable. This novel’s energy, humor, and rebel spirit will awaken your mind and change your way of thinking.” —Olga Tokarczuk, 2018 Nobel Prize Winner, Man Booker International Prize Winner, finalist for the National Book AwardAnna Frenza hates the tyrannical tree huggers and the idiotic eco-warriors—after all, she’s the CEO of Poland’s biggest oil company. But then she finds herself in a trance, sleepwalking into the woods and making love to a tree, manically—all caught on camera. Her career ends and, in the fallout, she discovers her husband’s disturbing secret. Her mind splinters until she is no longer Anna Frenza, CEO. Now—whether by delusion or possession of spirit—she lives in the Duchy of Nysa, a medieval province ruled by the Catholic Church.From her psychiatric bed, Anna falls in with Mathilde Spalt, leader of the Earthen Ones—a congregation of women who live in the woods and reject all patriarchy, instead engaging in ecstatic, sensuous worship of Mother Earth. Through Mathilde, Anna learns to love the forest, preaching and practicing the emancipatory rituals of the Earthen Ones . . . until the Church decides to fell the forest and all the women within it.Bold and entirely unexpected, The Hexes of the Deadwood Forest is a collective rebellion and a collective orgasm, the death knell to the elevation of the erect. Take hold of your seat; patriarchy is coming to an end.

He sat me down in a chair and he told me, in no uncertain terms, that magic was real.This is the true story of a spiritual awakening that turned into a mental breakdown. At the age of twenty-seven, an actress joins a wellness organisation and falls in love with its leader. She is sectioned for a psychotic break and diagnosed with bipolar disorder.The Make-Believe is a deeply personal account of these events. It is a wild ride, a searching attempt for understanding and a call for radical empathy. Lyrical and playful, exploring light and dark, it takes readers on a journey to the edges of reality, to a seductive and dangerous world where magic seems possible.

Everyone needs to love and be loved—even men. But to know love, men must be able to look at the ways that patriarchal culture keeps them from knowing themselves, from being in touch with their feelings, from loving. In The Will to Change, bell hooks gets to the heart of the matter and shows men how to express the emotions that are a fundamental part of who they are—whatever their age, marital status, ethnicity, or sexual orientation. But toxic masculinity punishes those fundamental emotions, and it’s so deeply ingrained in our society that it’s hard for men to not comply—but hooks wants to help change that. With trademark candor and fierce intelligence, hooks addresses the most common concerns of men, such as fear of intimacy and loss of their patriarchal place in society, in new and challenging ways. She believes men can find the way to spiritual unity by getting back in touch with the emotionally open part of themselves—and lay claim to the rich and rewarding inner lives that have historically been the exclusive province of women. A brave and astonishing work, The Will to Change is designed to help men reclaim the best part of themselves.

A compelling, intelligent, and timely exploration of the horror genre from one of Columbia University’s most popular professors, shedding light on how classic horror films demonstrate larger cultural attitudes about women’s rights, bodily autonomy, and more.In May of 2022, Columbia University’s Dr. Eleanor Johnson watched along with her students as the Supreme Court reversed Roe v. Wade. At the same time, her class was studying the 1968 horror film Rosemary’s Baby and Johnson had a sudden horror cinema engages directly with the combustive politics of women’s rights and offer a light through the darkness and an outlet to scream. With a voice as persuasive as it is insightful, Johnson reveals how classics like Rosemary’s Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. Scream with Me weaves these iconic films into the fabric of American feminism, revealing that true horror often lies not in the supernatural, but in the familiar confines of the home, exposing the deep-seated fears and realities of women’s lives. While on the one hand a joyful celebration of seminal and beloved horror films, Scream with Me is also an unflinching and timely recognition of the power of this genre to shape and reflect cultural dialogues about gender and power.

In present day Appalachian Georgia, a high school class explores the seminal American classic, The Crucible. As scandal swirls in their community and old heroes are unmasked, the English assignment becomes uncomfortably relevant for the students. The line between witch and heroine blurs in this post-Me Too examination of power, love, and sex education.

'Absolutely unforgettable. A raw, visceral triumph that echoes modern classics like Trainspotting, Young Mungo and A Little Life, yet stands entirely on its own.' John Marrs Anyone can write a bestseller. Here’s how: GO GAY It’s been seven years since Mallory shot to fame as a literary sensation. But after years of struggling with writer’s block, she’s desperate to resurrect her career before it spirals into obscurity. She needs inspiration to strike – and fast. GO SAD Enter a young struggling addict sleeping under bridges and trading sex for survival. He’s vulnerable. He’s enigmatic. He’s exactly what Mallory has been looking for. GO DARK Mallory needs Leo if she wants another bestseller. Authenticity sells, and there’s nothing more authentic than real life. She’s the perfect person to tell Leo’s story. Gay, sad, dark – just what the world needs right now. But as secrets threaten to unravel more than just her career, Mallory must just how far will she go to pen the perfect story?

The killer debut novel of 2026.'Phenomenal. The voice is utterly singular, the writing is stunning' LOUISE O'NEILL 'A hugely talented writer … A marvel of a novel, a story that breathes beyond its pages' ORE AGBAJE-WILLIAMS The first time, Yrsa doesn’t intend to kill. But the Cambridge professor sitting opposite has manipulated her friend, stolen her research. When she flicks the bee into his Sanpellegrino, she thinks he’ll get a nasty sting. Then he’s dead. And Yrsa, who – let’s face it – has been bored for a while, is alive. It’s a sweet feeling, finally having some control. Comic, sexy, addictive, unpredictable, Honey launches an exciting new voice in fiction. The essential next read for fans of Butter, My Sister the Serial Killer, Such a Fun Age, Luster or Boy Parts.

From eldest daughter Shari Franke, the shocking true story behind the viral 8 Passengers family vlog and the hidden abuse she suffered at the hands of her mother, and how, in the face of unimaginable pain, she found freedom and healing. Shari Franke’s childhood was a constant battle for survival. Her mother, Ruby Franke, enforced a severe moral code while maintaining a façade of a picture-perfect family for their wildly popular YouTube channel 8 Passengers, which documented the day-to-day life of raising six children for a staggering 2.5 million subscribers. But a darker truth lurked beneath the surface—Ruby’s wholesome online persona masked a more tyrannical parenting style than anyone could have imagined. As the family’s YouTube notoriety grew, so too did Ruby’s delusions of righteousness. Fueled by the sadistic influence of relationship coach Jodi Hildebrandt, together they implemented an inhumane and merciless disciplinary regime. Ruby and Jodi were arrested in Utah in 2023 on multiple charges of aggravated child abuse. On that fateful day, Shari shared a photo online of a police car outside their home. Her caption had one word: “Finally.” For the first time, Shari will reveal the disturbing truth behind 8 Passengers and her family’s devastating involvement with Jodi Hildebrandt’s cultish life coaching program, “ConneXions.” No stone is left unturned as Shari exposes the perils of influencer culture and shares for the first time her battle for truth and survival in the face of her mother’s cruelty.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.