Meet one of the most unforgettable new protagonists in Phoebe Berman. She has one month to lose her virginity before she turns thirty—if her own anxiety doesn’t slow her down. A charmingly authentic and heartwarming debut novel from podcaster and comedian Brooke Averick.Is it possible to find true love when going on a date makes you want to throw up?Phoebe Berman fears the one thing she wants the love, and everything that comes along with it. Thanks to an extremely unfortunate first kiss attempt, crippling intimacy anxiety has plagued her since she was a teen. With just a month to go before she turns thirty, Phoebe is still a virgin. Phoebe has so much going for a dream teaching job, a supportive and hilarious group of best friends, and all the romance novels a girl could want at her fingertips—but she can’t help but beat herself up over the one thing she can’t quite seem to figure out. Determined to change this, she drafts up the ultimate "Guide to Losing My Virginity" checklist with the hope of finally getting laid.Suddenly, she goes from a relatively boring (basically non-existent) dating life to juggling three romantic prospects at once. There's the gorgeous new fourth grade teacher at her school, a former high school classmate that resurfaces through Words with Friends, and there will always be her roommate, who might just be the best friends-to-lovers situation of her dreams.Phoebe’s love life quickly takes a turn in a way she never anticipated. But between the love “square” she’s gotten herself into and the stomachaches and cold sweats that surface whenever she gears up for a potential date, things are complicated. And Phoebe doesn’t do complicated. Phoebe Berman’s Gonna Lose It is a brutally honest and painfully relatable story for anyone who’s ever felt stuck between coming of age and coming apart.

Attempts on Her Life by Martin Crimp is at turns hilarious and shocking, a rollercoaster of twentieth century obsessions from pornography to ethnic violence and terrorism to unprotected sex.

He sat me down in a chair and he told me, in no uncertain terms, that magic was real.This is the true story of a spiritual awakening that turned into a mental breakdown. At the age of twenty-seven, an actress joins a wellness organisation and falls in love with its leader. She is sectioned for a psychotic break and diagnosed with bipolar disorder.The Make-Believe is a deeply personal account of these events. It is a wild ride, a searching attempt for understanding and a call for radical empathy. Lyrical and playful, exploring light and dark, it takes readers on a journey to the edges of reality, to a seductive and dangerous world where magic seems possible.

Sally Diamond cannot understand why what she did was so strange. She was only doing what her father told her to do, to put him out with the rubbish when he died. Now Sally is the centre of attention, not only from the hungry media and worried police, but also a sinister voice from a past she has no memory of. As she begins to discover the horrors of her childhood, recluse Sally steps into the world for the first time, making new friends, finding independence, and learning that people don't always mean what they say. But when messages start arriving from a stranger who knows far more about her past than she knows herself, Sally's life will be thrown into chaos once again . . .

How do you get your dinner? That is the basic question of economics. It might seem easy, but it is actually very complicated. When Adam Smith proclaimed that all our actions were motivated by self-interest and the world turned because of financial gain he laid the foundations for 'economic man'. Selfish and cynical, 'economic man' has dominated our thinking ever since, the ugly rational heart of modern day capitalism. But every night Adam Smith's mother served him his dinner, not out of self-interest, but out of love. Even today, the unpaid work of mothering, caring, cleaning and cooking is not part of our economic models. All over the world, there are economists who believe that if women are paid less, then that's because their labour is worth less. In this engaging, popular look at the mess we're in, Katrine Marçal charts the myth of 'economic man', from its origins at Adam Smith's dinner table to its adaptation by the Chicago School and finally its disastrous role in the 2008 Global Financial Crisis.

When poet Amy Key was growing up, she looked forward to a life shaped by romance, fuelled by desire, longing and the conventional markers of success that come when you share a life with another person. But that didn't happen for her. Now in her forties, she sets out to explore the realities of a life lived in the absence of romantic love. Using Joni Mitchell's seminal album Blue - which shaped Key's expectations of love - as an anchor, Arrangements in Blue elegantly honours a life lived completely by, and for, oneself. Building a home, travelling alone, choosing whether to be a mother, recognising her own milestones, learning the limits of self-care and the expansive potential of self-friendship, Key uncovers the many forms of connection and care that often go unnoticed. With profound candour and intimacy, Arrangements in Blue explores the painful feelings we are usually too ashamed to discuss: loneliness, envy, grief and failure. The result is a singular work - an essential book about building a life on your own terms, which inspires us to live and love more honestly.

This funny, trenchant, and powerful play follows an ambitious group of editorial assistants at a notorious Manhattan magazine, each of whom hopes for a starry life of letters and a book deal before they turn thirty. But when an ordinary humdrum workday becomes anything but, the stakes for who will get to tell their own story become higher than ever.

For years Carmen Maria Machado has struggled to articulate her experiences in an abusive same-sex relationship. In this extraordinarily candid and radically inventive memoir, Machado tackles a dark and difficult subject with wit, inventiveness and an inquiring spirit, as she uses a series of narrative tropes—including classic horror themes—to create an entirely unique piece of work which is destined to become an instant classic.

A troubling account of heterosexual desire in the era of #MeToo Heterosexuality is in crisis. Reports of sexual harassment, misconduct, and rape saturate the news in the era of #MeToo. Straight men and women spend thousands of dollars every day on relationship coaches, seduction boot camps, and couple’s therapy in a search for happiness. In The Tragedy of Heterosexuality, Jane Ward smartly explores what, exactly, is wrong with heterosexuality in the twenty-first century, and what straight people can do to fix it for good. She shows how straight women, and to a lesser extent straight men, have tried to mend a fraught patriarchal system in which intimacy, sexual fulfillment, and mutual respect are expected to coexist alongside enduring forms of inequality, alienation, and violence in straight relationships. Ward also takes an intriguing look at the multi-billion-dollar self-help industry, which markets goods and services to help heterosexual couples without addressing the root of their problems. Ultimately, she encourages straight men and women to take a page out of queer culture, reminding them “about the human capacity to desire, fuck, and show respect at the same time.”

Sexual harassment, domestic violence and date rape had not been named, although they certainly existed, when Damned Whores and God’s Police was first published in 1975. That was before the Sex Discrimination Act of 1984 and before large numbers of women became visible in employment, in politics and elsewhere across society. It was in this climate that Anne Summers identified ‘damned whores’ and ‘God’s police’, the stereotypes that characterized all women as being either virtuous mothers whose function was to civilize society or bad girls who refused, or were unable, to conform to that norm and who were thus spurned and rejected. These stereotypes persist to this day, argues Anne Summers in this updated version of her classic book.

A personal and cultural look at the dark underbelly of Western beauty standards and the lethal culture of disordered eating they've wreaked In Dead Weight, Emmeline Clein tells the story of her own disordered eating alongside, and through, other women from history, pop culture and the girls she's known and loved. Tracing the medical and cultural history of anorexia, bulimia, binge eating disorder, and orthorexia, Clein investigates the economic conditions underpinning our eating disorder epidemic, and illuminates the ways racism and today's feminism have been complicit in propping up the thin ideal. While examining Goop, Simone Weil, pro-anorexia blogs, and the flawed logic of our current treatment methods, Clein grapples with the myriad ways disordered eating has affected her own friendships and romantic relationships. Dead Weight makes the case that we are faced with a culture of suppression and denial that is insidious, pervasive, and dangerous, one that internalizes and promotes the fetish of self-shrinking as a core tenet of the American cult of femininity. This is replicated in our algorithms, our television shows, our novels, and our relationships with one another. Dead Weight is a sharp, perceptive, and revelatory polemic for readers fascinated by the external forces shaping their lives.