Two women, one refined and one ribald, set their sights on marrying the same duke, but instead of becoming enemies, they find themselves falling in love—though not with him. Harriet Lockhart never planned to marry. She has spent her life defying expectations, playing male roles on London’s seediest stages, and doing whatever she pleases. When Harry is contacted by her hitherto anonymous father, she finds herself at risk of losing the trust fund that’s subsidized her lifestyle—unless she begins to lead a more respectable life, starting with finding a husband. Emily Sergeant, the picture of modesty, has only ever wanted to marry. And were it not for one mistake in her youth that rendered her a social pariah, she would be appropriately betrothed. Instead, she’s due to wed the only willing—and most abominable—man in her small town. Desperate for an alternative, Emily flees to London to snag a less lecherous fiancé. Worlds collide, dramatically and hilariously, when both women decide on the very same duke as their best possible chance at a tolerable husband and a secure future. A tongue-in-cheek romp through London’s summer season, from balls to brothels, horseraces to duels, Harry and Emily compete for the duke’s favor, only to find their true hearts’ desires may be more compatible than they could have ever predicted.

Chilling Adventures of Sabrina meets The L Word in this fresh, sizzling rom-com by Lana Harper. Emmy Harlow is a witch but not a very powerful one—in part because she hasn't been home to the magical town of Thistle Grove in years. Her self-imposed exile has a lot to do with a complicated family history and a desire to forge her own way in the world, and only the very tiniest bit to do with Gareth Blackmoore, heir to the most powerful magical family in town and casual breaker of hearts and destroyer of dreams. But when a spellcasting tournament that her family serves as arbiters for approaches, it turns out the pull of tradition (or the truly impressive parental guilt trip that comes with it) is strong enough to bring Emmy back. She's determined to do her familial duty; spend some quality time with her best friend, Linden Thorn; and get back to her real life in Chicago. On her first night home, Emmy runs into Talia Avramov—an all-around badass adept in the darker magical arts—who is fresh off a bad breakup . . . with Gareth Blackmoore. Talia had let herself be charmed, only to discover that Gareth was also seeing Linden—unbeknownst to either of them. And now she and Linden want revenge. Only one question stands: Is Emmy in? But most concerning of all: Why can't she stop thinking about the terrifyingly competent, devastatingly gorgeous, wickedly charming Talia Avramov?

From bestselling authors Janie Chang and Kate Quinn, a thrilling and unforgettable narrative about the intertwined lives of two wronged women, spanning from the chaos of the San Francisco earthquake to the glittering palaces of Versailles. San Francisco, 1906. In a city bustling with newly minted millionaires and scheming upstarts, two very different women hope to change their fortunes: Gemma, a golden-haired, silver-voiced soprano whose career desperately needs rekindling, and Suling, a petite and resolute Chinatown embroideress who is determined to escape an arranged marriage. Their paths cross when they are drawn into the orbit of Henry Thornton, a charming railroad magnate whose extraordinary collection of Chinese antiques includes the fabled Phoenix Crown, a legendary relic of Beijing’s fallen Summer Palace. His patronage offers Gemma and Suling the chance of a lifetime, but their lives are thrown into turmoil when a devastating earthquake rips San Francisco apart and Thornton disappears, leaving behind a mystery reaching further than anyone could have imagined . . . until the Phoenix Crown reappears five years later at a sumptuous Paris costume ball, drawing Gemma and Suling together in one last desperate quest for justice.

Shailee Thompson’s HOW TO KILL A GUY IN TEN DATES, a horror romance in which a woman gets caught in the middle of a killing spree at a speed dating event and must find a way to use her encyclopedic knowledge of the horror genre to make it as a real-life final girl.

A secret baby puts a wrench in holiday plans in this charming, snowbound Regency romance from Annabelle Greene Come to me. I need you. It’s a matter of life-and-death.Infamous poet Sherborne Clarke is a scholar, a lover—but not a father. When he finds a baby abandoned on the steps of his crumbling castle, he knows he must get her to London and an orphanage. It’s the perfect excuse to contact the one person he trusts…the man whose love he stills yearns for, and whose heart he broke years before.Richard Ashbrook was groomed from birth to become the Earl of Portland, until Sherborne betrayed him, exposing his sexuality to the papers and forcing him into exile. But as much as he hates Sherborne, Richard has never managed to break their link or let his confusing sentiments concerning him subside. When he receives a missive implying that Sherborne's life is at risk, he knows it is time to return home.  Richard undergoes the perilous journey from Sicily only to find the other man untouched. Furious, he agrees to transport the baby to London—whatever gets him out of Sherborne’s life once and for all. But when a snowstorm leaves them stranded, they’re forced to confront the past—and deal with the love between them that’s all too present.

A gripping, inspiring novel based on the true story of Johanna Bonger, Vincent van Gogh's sister-in-law. When Hollywood auctioneer Emsley Wilson finds her famous grandmother's diary while cleaning out her New York brownstone, the pages are full of surprises. The first surprise is, the diary isn't her grandmother's. It belongs to Johanna Bonger, Vincent van Gogh's sister-in-law. Johanna inherited Vincent van Gogh's paintings. They were all she had, and they weren't worth anything. She was a 28 year old widow with a baby in the 1800s, without any means of supporting herself, living in Paris where she barely spoke the language. Yet she managed to introduce Vincent's legacy to the world. The inspiration couldn't come at a better time for Emsley. With her business failing, an unexpected love turning up in her life, and family secrets unraveling, can she find answers in the past?

Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he?

When a demonic presence awakens deep in a Mexican silver mine, the young woman it seizes must turn to the one man she shouldn’t trust… from bestselling author Isabel Cañas. In 1765, plague sweeps through Zacatecas. Alba flees with her wealthy merchant parents and fiancé, Carlos, to his family’s isolated mine for refuge. But safety proves fleeting as other dangers soon bare their teeth: Alba begins suffering from strange hallucinations, sleepwalking, and violent convulsions. She senses something cold lurking beneath her skin. Something angry. Something wrong. Elías, haunted by a troubled past, came to the New World to make his fortune and escape his family’s legacy of greed. Alba, as his cousin’s betrothed, is none of his business. Which is of course why he can’t help but notice her every time she enters a room or the growing tension between them… and why he notices her deteriorate when the demon’s thirst for blood grows stronger.

The first history of the United States told from the perspective of indigenous peoples Today in the United States, there are more than five hundred federally recognized Indigenous nations comprising nearly three million people, descendants of the fifteen million Native people who once inhabited this land. The centuries-long genocidal program of the US settler-colonial regimen has largely been omitted from history. Now, for the first time, acclaimed historian and activist Roxanne Dunbar-Ortiz offers a history of the United States told from the perspective of Indigenous peoples and reveals how Native Americans, for centuries, actively resisted expansion of the US empire. With growing support for movements such as the campaign to abolish Columbus Day and replace it with Indigenous Peoples’ Day and the Dakota Access Pipeline protest led by the Standing Rock Sioux Tribe, An Indigenous Peoples’ History of the United States is an essential resource providing historical threads that are crucial for understanding the present. In An Indigenous Peoples’ History of the United States, Dunbar-Ortiz adroitly challenges the founding myth of the United States and shows how policy against the Indigenous peoples was colonialist and designed to seize the territories of the original inhabitants, displacing or eliminating them. And as Dunbar-Ortiz reveals, this policy was praised in popular culture, through writers like James Fenimore Cooper and Walt Whitman, and in the highest offices of government and the military. Shockingly, as the genocidal policy reached its zenith under President Andrew Jackson, its ruthlessness was best articulated by US Army general Thomas S. Jesup, who, in 1836, wrote of the Seminoles: “The country can be rid of them only by exterminating them.” Spanning more than four hundred years, this classic bottom-up peoples’ history radically reframes US history and explodes the silences that have haunted our national narrative. An Indigenous Peoples' History of the United States is a 2015 PEN Oakland-Josephine Miles Award for Excellence in Literature.