A powerful reimagining of the story of Ganga, goddess of the river, and her doomed mortal son, from Vaishnavi Patel, author of the instant New York Times bestseller Kaikeyi . A mother and a son. A goddess and a prince. A curse and an oath. A river whose course will change the fate of the world. Ganga, joyful goddess of the river, serves as caretaker to the mischievous godlings who roam her banks. But when their antics incur the wrath of a powerful sage, Ganga is cursed to become mortal, bound to her human form until she fulfills the obligations of the curse. Though she knows nothing of mortal life, Ganga weds King Shantanu and becomes a queen, determined to regain her freedom no matter the cost. But in a cruel turn of fate, just as she is freed of her binding, she is forced to leave her infant son behind. Her son, prince Devavrata, unwittingly carries the legacy of Ganga’s curse. And when he makes an oath that he will never claim his father’s throne, he sets in motion a chain of events that will end in a terrible and tragic war. As the years unfold, Ganga and Devavrata are drawn together again and again, each confluence another step on a path that has been written in the stars, in this deeply moving and masterful tale of duty, destiny, and the unwavering bond between mother and son.

50th Anniversary Edition, with a new introduction by David Mitchell and a new afterword by Charlie Jane Anders Ursula K. Le Guin’s groundbreaking work of science fiction—winner of the Hugo and Nebula Awards. A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants’ gender is fluid. His goal is to facilitate Winter’s inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters... Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction.

Isadora's family is seriously screwed up—which comes with the territory when you're the human daughter of the ancient Egyptian gods Isis and Osiris. Isadora is tired of living with crazy relatives who think she's only worthy of a passing glance—so when she gets the chance to move to California with her brother, she jumps on it. But her new life comes with plenty of its own dramatic—and dangerous—complications . . . and Isadora quickly learns there's no such thing as a clean break from family.

An enchanting novel about fate, second chances, and hope, lost and found, by the Amazon Charts bestselling author of The Last of the Moon Girls. Soline Roussel is well schooled in the business of happy endings. For generations her family has kept an exclusive bridal salon in Paris, where magic is worked with needle and thread. It’s said that the bride who wears a Roussel gown is guaranteed a lifetime of joy. But devastating losses during World War II leave Soline’s world and heart in ruins and her faith in love shaken. She boxes up her memories, stowing them away, along with her broken dreams, determined to forget. Decades later, while coping with her own tragic loss, aspiring gallery owner Rory Grant leases Soline’s old property and discovers a box containing letters and a vintage wedding dress, never worn. When Rory returns the mementos, an unlikely friendship develops, and eerie parallels in Rory’s and Soline’s lives begin to surface. It’s clear that they were destined to meet—and that Rory may hold the key to righting a forty-year wrong and opening the door to shared healing and, perhaps, a little magic.

Ten suspects. Ten heists. A puzzle only Ernest Cunningham can solve.I’ve spent the last few years solving murders. But a bank heist is a new one, even for me. I’ve never been a hostage before. The doors are chained shut. No one in or out. Which means that when someone in the bank is murdered, hostages become suspects.THE BANK ROBBER THE MANAGER THE SECURITY GUARD THE KID THE FILM PRODUCER THE PRIEST THE RECEPTIONIST THE PATIENT THE CARER METurns out, more than one person planned to rob the bank today. You can steal more from a bank than just money.Who is stealing what? And are they willing to kill for it?

« Une éblouissante saga historique... » Washington Post Hawai, 1892. Rachel Kalama, petite Hawaïenne de sept ans à l’esprit vif et malicieux, rêve de visiter des contrées lointaines à l’image de son père, qui officie dans la marine marchande. Jusqu’au jour où une tache rosâtre apparaît sur sa peau, et où ses rêves d’ailleurs s’envolent aussi sec. Arrachée à son foyer et à sa famille, Rachel est envoyée à Kalaupapa, campement de quarantaine installé sur l’île de Moloka'i. C'est là que sa vie doit se terminer – mais elle s’aperçoit qu’en réalité, elle ne fait que commencer.Débordant de chaleur, d’humour, de compassion, et fort d’une galerie de personnages campés à merveille, ce chef-d’œuvre de narration nous parle d’un peuple qui, face à la terrible réalité de la mort, a choisi la vie.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A bold, laugh-out-loud funny, and heartwarming story about one young woman’s attempt to navigate adulthood, new motherhood, and her meager bank account in our increasingly online world—from the PEN/Faulkner finalist and critically acclaimed author of The Knockout Queen. As the child of a Hooters waitress and an ex-pro wrestler, Margo Millet's always known she’d have to make it on her own. So she enrolls at her local junior college, even though she can’t imagine how she’ll ever make a living. She’s still figuring things out and never planned to have an affair with her English professor—and while the affair is brief, it isn’t brief enough to keep her from getting pregnant. Despite everyone’s advice, she decides to keep the baby, mostly out of naiveté and a yearning for something bigger. Now, at twenty, Margo is alone with an infant, unemployed, and on the verge of eviction. She needs a cash infusion—fast. When her estranged father, Jinx, shows up on her doorstep and asks to move in with her, she agrees in exchange for help with childcare. Then Margo begins to form a plan: she’ll start an OnlyFans as an experiment, and soon finds herself adapting some of Jinx’s advice from the world of wrestling. Like how to craft a compelling character and make your audience fall in love with you. Before she knows it, she’s turned it into a runaway success. Could this be the answer to all of Margo’s problems, or does internet fame come with too high a price? Blisteringly funny and filled with sharp insight, Margo’s Got Money Troubles is a tender tale starring an endearing young heroine who’s struggling to wrest money and power from a world that has little interest in giving it to her. It’s a playful and honest examination of the art of storytelling and controlling your own narrative, and an empowering portrait of coming into your own, both online and off.

Ten suspects. Ten heists. A puzzle only Ernest Cunningham can solve.I’ve spent the last few years solving murders. But a bank heist is a new one, even for me. I’ve never been a hostage before. The doors are chained shut. No one in or out. Which means that when someone in the bank is murdered, hostages become suspects.THE BANK ROBBER THE MANAGER THE SECURITY GUARD THE KID THE FILM PRODUCER THE PRIEST THE RECEPTIONIST THE PATIENT THE CARER METurns out, more than one person planned to rob the bank today. You can steal more from a bank than just money.Who is stealing what? And are they willing to kill for it?

A multigenerational novel in which the four adult daughters of a Chicago couple--still madly in love after forty years--recklessly ignite old rivalries until a long-buried secret threatens to shatter the lives they've built. When Marilyn Connolly and David Sorenson fall in love in the 1970s, they are blithely ignorant of all that's to come. By 2016, their four radically different daughters are each in a state of unrest: Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator-turned-stay-at-home-mom, battles anxiety and self-doubt when the darkest part of her past resurfaces; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she's not sure she wants by a man she's not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. Above it all, the daughters share the lingering fear that they will never find a love quite like their parents'. As the novel moves through the tumultuous year following the arrival of Jonah Bendt--given up by one of the daughters in a closed adoption fifteen years before--we are shown the rich and varied tapestry of the Sorensons' past: years marred by adolescence, infidelity, and resentment, but also the transcendent moments of joy that make everything else worthwhile.