A riveting WWII narrative about the group of elite US and Canadian soldiers -- mountainmen, lumberjacks, hunters, and explorers -- who sacrificed everything to accomplish a crucial but nearly impossible mission.In December of 1943, as Nazi forces sprawled around the world and the future of civilization hung in the balance, a group of highly trained U.S. and Canadian soldiers from humble backgrounds was asked to do the impossible: capture a crucial Nazi stronghold perched atop stunningly steep cliffs. The men were a rough-and-ready group, assembled from towns nested in North America's most unforgiving terrain, where many of them had struggled through the Great Depression relying on canny survival skills and the fearlessness of youth. Brought together by the promise to take part in the military's most elite missions, they formed a unique brotherhood tested first by the crucible of state-of-the-art training-including skiing, rock climbing, and parachuting-and then tragically by the vicious fighting they would face.The early battle in the Italian theatre for the strategic fort cost the heroic U.S.-Canadian commando unit-their first special forces unit ever assembled-enormous casualties. Yet the victory put them in position to continue their drive into Italy, setting the stage for the Allies' resurgence toward victory in WWII. The unit, with its vast range of capabilities and mission-specific exercises, became a model for the "Green Berets" and other special forces groups that would go on to accomplish America's most challenging undertakings behind enemy lines. Following this intimate group of soldiers from recruitment through brutal training and into their baptism by fire in Italy, where the outcome of their raid was secured only at enormous cost, The Force describes how these too-often forgotten heroes managed a string of incredible feats with strategic importance to WWII. Knitting first-hand accounts seamlessly into the narrative-drawing on interviews with surviving members and their families; the memoirs, letters, and diaries of Forcemen; and declassified documents in the American, Canadian, British, and German archives -- The Force tells a story that is as deeply personal as it is inspiring.

As a child, Luke Turner was obsessed with the Second World War. He spent hours watching Sunday war films, poring over stories of derring-do and relishing in birthday trips to air museums. Lying in bed beneath Airfix fighter planes suspended from his ceiling, he would think about the men that might sit in their cockpits, and whether he could ever be one of them. Now, as an adult who has come to terms with a masculine identity and sexuality that is often erased from dominant military narratives, he undertakes a refreshingly honest analysis of his fascination with the war. In Men at War , Turner looks beyond the increasingly retrogressive and jingoistic ideal of a Britain that never was to recognise men of war as creatures of love, fear, hope and desire. From writers, filmmakers, artists and ordinary men - including those in his own family - Turner assembles a broad cast of characters to bring the war to life. There are conscientious objectors, a bisexual Commando, a pacifist poet who flew for Bomber Command, a transgender RAF pilot, a soldier who suffered in Japanese POW camps and later in life became an LGBT+ activist, and those who simply did what they could just to survive and return home to a complicated peace. As the conflict moves beyond living memory and the last veterans leave us, we are in danger of missing the opportunity to gain a true understanding of this rich history. By exploring a wartime experience that embraces sex, lust and the body as much as tactics and weaponry, Turner argues that the only way we can really understand the Second World War is to get to grips with the complexity of the lives and identities of those who fought and endured it.

Without food, supplies, or a way home, Colonel Everett Young finds himself in charge of a mission that has gone wrong before it has even begun. Stranded and alone on the far side of the universe, the mismatched team of scientists, technicians, and military personnel have only one objective: staying alive. As personalities clash and desperation takes hold, salvation lies in the hands of Dr. Nicholas Rush, the man responsible for their plight.

Without food, supplies, or a way home, Colonel Everett Young finds himself in charge of a mission that has gone wrong before it has even begun. Stranded and alone on the far side of the universe, the mismatched team of scientists, technicians, and military personnel have only one objective: staying alive. As personalities clash and desperation takes hold, salvation lies in the hands of Dr. Nicholas Rush, the man responsible for their plight.

The new novel by NBA All-Star Kareem Abdul-Jabbar, starring brothers Mycroft and Sherlock Holmes. It is 1873, and as the economies of Europe threaten to crumble, Mycroft Holmes finds himself in service to the Crown once again. A distant relative of Queen Victoria has been slain by the Fire Four Eleven killer, a serial murderer who leaves no mark upon his victims, only a mysterious calling card. Meanwhile, Sherlock has already taken it upon himself to solve the case, as his interest in the criminal mind grows into an obsession. Mycroft begrudgingly allows Sherlock to investigate, as Ai Lin—the woman he is still in love with—needs his aid. Her fiancé has been kidnapped, and the only man who might know his fate is a ruthless arms dealer with a reputation for killing those who cross him. Mycroft persuades his friend Cyrus Douglas to help find the young man, but Douglas himself is put in harm’s way. As Sherlock travels the country on the hunt for the Fire Four Eleven murderer, both he and Mycroft will discover that the greed of others is at the root of the evil they are trying to unearth…

Filled with scientific acuity and existential challenges in the tradition of Ghost in the Shell and Frankenstein, this medical fantasmagoria is a disorienting look into the consciousness and will have you questioning the future of human evolution. New life begins at the cellular level, but when that cell contains restless mitochondria, it will aspire to be much more than just a speck in a petri dish. Parasite Eve was the basis of the hugely popular video game of the same name and has been cinematized in Japan, where the novel’s smashing success helped set off a horror boom that has only been intensifying ever since. When Dr. Nagashima loses his wife in a mysterious car crash, he is overwhelmed with grief but also an eerie sense of purpose; he becomes obsessed with the idea that he must reincarnate his dead wife. Her donated kidney is transplanted into a young girl with a debilitating disorder, but the doctor also feels compelled to keep a small sample of her liver in his laboratory. When these cells start mutating rapidly, a consciousness bent on determining its own fate awakens from an eonic sleep.

A modern-day gay YA Emma, with the spikey social critique of Austen plus the lush over-the-top romance of Bridgerton. Emmett Woodhouse, handsome, clever and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence and had lived nearly eighteen years in the world with very little to distress or vex him.   Emmett knows he’s blessed. And because of that, he tries to give back: from charity work to letting the often irritating Georgia sit at his table at lunch, he knows it’s important to be nice. And recently, he’s found a new way of giving matchmaking. He set up his best friend Taylor with her new boyfriend and it’s gone perfectly. So when his occasional friend-with-benefits Harrison starts saying he wants a boyfriend (something Emmett definitely does NOT want to be), he decides to try and find Harrison the perfect man at Highbury Academy, the candy-colored private school they attend just outside Los Angeles.    Emmett’s childhood friend, Miles, thinks finding a boyfriend for a guy you sleep with is a bad idea. But Miles is straight, and Emmett says this is gay life – your friends, your lovers, your boyfriends – they all come from the same very small pool. That’s why Emmett doesn’t date – to keep things clean. He knows the human brain isn’t done developing until twenty-five, so any relationship he enters into before then would inevitably end in a breakup, in loss. And he’s seen what loss can do. His mother died four years ago and his dad hasn’t been the same since.    But the lines Emmett tries to draw are more porous than he thinks, and as he tries to find Harrison the perfect match, he learns that gifted as he may be, maybe he has no idea what he’s doing when it comes to love.    Modern and very gay, with a charmingly conceited lead who is convinced he knows it all, and the occasional reference to the classic movie Clueless, Emmett brings you lush romance all while exploring the complexities of queer culture—where your lovers and friends are sometimes the same person, but the person you fall in love with might be a total surprise.

A modern-day gay YA Emma, with the spikey social critique of Austen plus the lush over-the-top romance of Bridgerton. Emmett Woodhouse, handsome, clever and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence and had lived nearly eighteen years in the world with very little to distress or vex him.   Emmett knows he’s blessed. And because of that, he tries to give back: from charity work to letting the often irritating Georgia sit at his table at lunch, he knows it’s important to be nice. And recently, he’s found a new way of giving matchmaking. He set up his best friend Taylor with her new boyfriend and it’s gone perfectly. So when his occasional friend-with-benefits Harrison starts saying he wants a boyfriend (something Emmett definitely does NOT want to be), he decides to try and find Harrison the perfect man at Highbury Academy, the candy-colored private school they attend just outside Los Angeles.    Emmett’s childhood friend, Miles, thinks finding a boyfriend for a guy you sleep with is a bad idea. But Miles is straight, and Emmett says this is gay life – your friends, your lovers, your boyfriends – they all come from the same very small pool. That’s why Emmett doesn’t date – to keep things clean. He knows the human brain isn’t done developing until twenty-five, so any relationship he enters into before then would inevitably end in a breakup, in loss. And he’s seen what loss can do. His mother died four years ago and his dad hasn’t been the same since.    But the lines Emmett tries to draw are more porous than he thinks, and as he tries to find Harrison the perfect match, he learns that gifted as he may be, maybe he has no idea what he’s doing when it comes to love.    Modern and very gay, with a charmingly conceited lead who is convinced he knows it all, and the occasional reference to the classic movie Clueless, Emmett brings you lush romance all while exploring the complexities of queer culture—where your lovers and friends are sometimes the same person, but the person you fall in love with might be a total surprise.