One woman, the performance of a lifetime. Or two. A mesmerizing Mobius strip of a novel that asks who we are to the people we love. Two people meet for lunch in a Manhattan restaurant. She’s an elegant and accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, and young—young enough to be her son. Who is he to her – and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us best. Taut, hypnotic, Audition is Katie Kitamura at her virtuosic best.

A bold and unabashed novel about a young Palestinian woman's unraveling, far from home, as she gets caught up in a scheme reselling Birkin bags The Coin follows a Palestinian woman as she pursues a dream that generations of her family have failed at: to live and thrive in America. She teaches at a school for underprivileged boys in New York, where her eccentric methods cross conventional boundaries. She befriends a homeless swindler and the two participate in a pyramid scheme reselling Birkin bags, the value of which "increases, year by year, regardless of poverty, of war, of famine." The juxtaposition of luxury and the abject engulfs her as she is able to con her way to bag after bag, preoccupied by the suffering she knows of the world. Eventually, her body and mind go to war. America is stifling her—her willfulness, her sexuality, her ideology. In an attempt to regain control, she becomes preoccupied with purity, cleanliness and self-image, all while drawing her students into her obsessions. In an unforgettable denouement, her childhood memories converge with her feelings of existential statelessness, and the narrator unravels spectacularly. Enthralling, sensory, and uncanny, The Coin explores materiality, nature and civilization, class, homelessness, sexuality, beauty—and how oppression and inherited trauma manifest in every area of our lives—all while resisting easy moralizing. Provocative and original, humorous and inviting, The Coin marks the arrival of a major new literary voice.

Jack Torrance's new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he'll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote...and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.

Much-anticipated non-fiction from the author of the Giller-longlisted, GG-shortlisted and Canada Reads-winning novel Jonny Appleseed. In the last few years, following the publication of his debut novel Jonny Appleseed, Joshua Whitehead has emerged as one of the most exciting and important new voices on Turtle Island. Now, in this first non-fiction work, Whitehead brilliantly explores Indigeneity, queerness, and the relationships between body, language and land through a variety of genres (essay, memoir, notes, confession). Making Love with the Land is a startling, heartwrenching look at what it means to live as a queer Indigenous person in the rupture between identities. In sharp, surprising, unique pieces--a number of which have already won awards--Whitehead illuminates this particular moment, in which both Indigenous and non-Indigenous peoples are navigating new (and old) ideas about the land. He asks: What is our relationship and responsibility towards it? And how has the land shaped our ideas, our histories, our very bodies? Here is an intellectually thrilling, emotionally captivating love song--a powerful revelation about the library of stories land and body hold together, waiting to be unearthed and summoned into word.

Withdrawn, uneducated and unloved, Frederick collects butterflies and takes photographs. He is obsessed with a beautiful stranger, the art student Miranda. When he wins the pools he buys a remote Sussex house and calmly abducts Miranda, believing she will grow to love him in time.

The stunning third and final novel in Stieg Larsson's internationally best-selling trilogy. Lisbeth Salander - the heart of Larsson's two previous novels - lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish city hospital. She's fighting for her life in more ways than one: if and when she recovers, she'll be taken back to Stockholm to stand trial for three murders. With the help of her friend, journalist Mikael Blomkvist, she will not only have to prove her innocence, but also identify and denounce those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she will plot revenge - against the man who tried to kill her, and the corrupt government institutions that very nearly destroyed her life. Once upon a time, she was a victim. Now Salander is fighting back. ~from the jacket

The Expose Millenium publisher Mikael Blomkvist has made his reputation exposing corrupt establishment figures. So when a young journalist approaches him with an investigation into sex trafficking, Blomkvist cannot resist waging war on the powerful figures who control this lucrative industry. The Murder When a young couple is found dead in their Stockholm apartment, it's a straightforward job for Inspector Bublanski and his team. The killer left the weapon at the scene - and the fingerprints on the gun point in only one direction. The Girl Who Played with Fire Ex-security analyst Lisbeth Salander is wanted for murder. Her history of unpredictable and vengeful behaviour makes her an official danger to society - but no-one can find her. The only way Salander can be reached is by computer. But she can break into almost any network she chooses...

It’s a Friday night in a campus bar in Berkeley, fall of 2000, and Percy Marks is pontificating about music again. Hall and Oates is on the jukebox, and Percy—who has no talent for music, just lots of opinions about it—can’t stop herself from overanalyzing the song, indulging what she knows to be her most annoying habit. But something is different tonight. The guy beside her at the bar, fellow student Joe Morrow, is a songwriter. And he could listen to Percy talk all night. Joe asks Percy for feedback on one of his songs—and the results kick off a partnership that will span years, ignite new passions in them both, and crush their egos again and again. Is their collaboration worth its cost? Or is it holding Percy back from finding her own voice? Moving from Brooklyn bars to San Francisco dance floors, Deep Cuts examines the nature of talent, obsession, belonging, and above all, our need to be heard.

Much-anticipated non-fiction from the author of the Giller-longlisted, GG-shortlisted and Canada Reads-winning novel Jonny Appleseed. In the last few years, following the publication of his debut novel Jonny Appleseed, Joshua Whitehead has emerged as one of the most exciting and important new voices on Turtle Island. Now, in this first non-fiction work, Whitehead brilliantly explores Indigeneity, queerness, and the relationships between body, language and land through a variety of genres (essay, memoir, notes, confession). Making Love with the Land is a startling, heartwrenching look at what it means to live as a queer Indigenous person in the rupture between identities. In sharp, surprising, unique pieces--a number of which have already won awards--Whitehead illuminates this particular moment, in which both Indigenous and non-Indigenous peoples are navigating new (and old) ideas about the land. He asks: What is our relationship and responsibility towards it? And how has the land shaped our ideas, our histories, our very bodies? Here is an intellectually thrilling, emotionally captivating love song--a powerful revelation about the library of stories land and body hold together, waiting to be unearthed and summoned into word.

It’s a Friday night in a campus bar in Berkeley, fall of 2000, and Percy Marks is pontificating about music again. Hall and Oates is on the jukebox, and Percy—who has no talent for music, just lots of opinions about it—can’t stop herself from overanalyzing the song, indulging what she knows to be her most annoying habit. But something is different tonight. The guy beside her at the bar, fellow student Joe Morrow, is a songwriter. And he could listen to Percy talk all night. Joe asks Percy for feedback on one of his songs—and the results kick off a partnership that will span years, ignite new passions in them both, and crush their egos again and again. Is their collaboration worth its cost? Or is it holding Percy back from finding her own voice? Moving from Brooklyn bars to San Francisco dance floors, Deep Cuts examines the nature of talent, obsession, belonging, and above all, our need to be heard.

Two extraordinary people. A love that draws them together. A plague that threatens to tear them apart. England, 1580. A young Latin tutor—penniless, bullied by a violent father—falls in love with an eccentric young woman: a wild creature who walks her family's estate with a falcon on her shoulder and is known throughout the countryside for her unusual gifts as a healer. Agnes understands plants and potions better than she does people, but once she settles on the Henley Street in Stratford she becomes a fiercely protective mother and a steadfast, centrifugal force in the life of her young husband. His gifts as a writer are just beginning to awaken when their beloved twins, Hamnet and Judith, are afflicted with the bubonic plague, and, devastatingly, one of them succumbs to the illness. A luminous portrait of a marriage, a shattering evocation of a family ravaged by grief and loss, and a hypnotic recreation of the story that inspired one of the greatest literary masterpieces of all time, Hamnet is mesmerizing and seductive, an impossible-to-put-down novel from one of our most gifted writers.

A bighearted debut novel about queer yearning, indie musicians, and bushwacking a thorny path back to your first loveJamie is bad at endings, which is why she's stuck at a dead-end Baltimore newspaper job, continuing to have break-up sex with her first-ever hetero partner, and haunted by the what-ifs of her ex-girlfriend Mari—a charismatic and brilliant musician—and their former band together, the Maidenheads. Since they (and their band) broke up a decade ago, Jamie hasn't been able to sing.Then an unexpected opportunity to perform in DC with Mari's successful new band arises, and Jamie jumps at it. What begins as a return to music becomes a reckoning—with the weight of unfinished love, the voice she long buried, and her own complicated past. But as Jamie channels more of her energy into the band, other threads in her life begin to fray, and she must make some urgent choices about her future. Electric, spine-tingling, and filled to the brim with tenderness and honesty, The Maidenheads is a novel about the tenacity of first love, the life-changing power of music, and the difficult, necessary work of becoming yourself.

A young Black gay man reckoning with the death of his father must confront his painful past—and his deepest desires around gender, love, and sex. The venerated Reverend Doctor John Freeman did not raise his son, Davis, to be touched by any man, let alone a white man. He did not raise his son to whisper that man’s name with tenderness. But on the eve of his wedding, all Davis can think about is how beautiful he wants to look when he meets his beloved Everett at the altar. Never mind that his mother, who died decades before, and his father, whose anger drove Davis to flee their home in Ohio for a freer life in New York City, won’t be there to walk him down the aisle. All Davis needs to be happy in this life is Everett, his new family, and his burgeoning career as an award-winning violist. When Davis learns during the wedding reception that his father has died in a terrible car accident, years of childhood trauma and unspoken emotion resurface. Davis must revisit everything that went wrong between them, his fledgling marriage and irresistible self-confidence spiraling into a pit of despair. In resplendent prose, Denne Michele Norris’s When the Harvest Comes fearlessly reveals the pain of inheritance and the heroic power of love, reminding us that in the end we are more than the men who came before us.

   Written in the late 1920s and never before published, this mystery by the author of such early feminist classics as The Yellow Wall-Paper is a major literary find. Gilman's first and only detective novel recounts the murder of a pernicious attorney who has been shot, stabbed, bludgeoned, strangled and poisoned. The husband-and-wife detective team present a model of true partnership, while the unfolding details of the case offer poignant evidence of the injustice that poor and powerless women can suffer at the hands of a brutal man. Gilman weaves her case for women's freedom and empowerment into a mystery rich in twists and turns, colorful characters, red herrings, suspense and wry humor.

David Sawyer and Erin Morrison, two lonely, TV-obsessed suburban teenagers, watch the 2009 analog to digital transition in Erin's family basement. Beneath the static that follows the analog switch-off, Erin catches a glimpse of a mysterious universe, the so-called Public Access Afterworld. Soon after that, she vanishes - breaking David's heart and changing his life forever.Fourteen years later, Bethany Peters slaves away at megacorporation GlobalVill's bleak Austin campus. A trans woman and a content moderator working the night shift, she is confronted by an endless stream of the most hideous videos humanity has to offer. But gradually a pattern emerges from the ocean of digital violence in the form of a young streamer, JulesPAA, who slices into their arms in each video before calling out the same Public Access Afterworld.When Bethany ignores the guidance of her corporate overseers and sets out to rescue Jules, she begins an epic journey that sweeps from rural Texas to the heart of American darkness at 1940s Los Alamos - all the way back to that basement where David and Erin had first encountered a world at the edges of reality itself.Can Bethany travel beyond the gates of Public Access Afterworld? And will they ever be able to make it back?