A love worth fighting for. A dream worth dying for. An ending worth waiting for. It’s been two months since the Fates were freed from a deck of cards, two months since Legend claimed the throne for his own, and two months since Tella discovered the boy she fell in love with doesn’t really exist. With lives, empires, and hearts hanging in the balance, Tella must decide if she’s going to trust Legend or a former enemy. After uncovering a secret that upends her life, Scarlett will need to do the impossible. And Legend has a choice to make that will forever change and define him. Caraval is over, but perhaps the greatest game of all has begun. There are no spectators this time—only those who will win, and those who will lose everything. Welcome, welcome to Finale . . . all games must come to an end.

A heart to protect. A debt to repay. A game to win. After being swept up in the magical world of Caraval, Donatella Dragna has finally escaped her father and saved her sister, Scarlett, from a disastrous arranged marriage. The girls should be celebrating, but Tella isn’t yet free. She made a desperate bargain with a mysterious criminal, and what Tella owes him no one has ever been able to deliver: Caraval Master Legend’s true name. The only chance of uncovering Legend’s identity is to win Caraval, so Tella throws herself into the legendary competition once more—and into the path of the murderous heir to the throne, a doomed love story, and a web of secrets…including her sister's. Caraval has always demanded bravery, cunning, and sacrifice, but now the game is asking for more. If Tella can’t fulfill her bargain and deliver Legend’s name, she’ll lose everything she cares about—maybe even her life. But if she wins, Legend and Caraval will be destroyed forever... Welcome, welcome to Caraval . . . the games have only just begun.

A chilling historical horror novel set in the American west in 1912 following a Lutheran priest who transcribes the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

Amidst the devastation of Ireland’s Great Famine, a young woman is salvaged from certain death when offered a mysterious position at a remote manor house haunted by a strange power and the horror of her own memories in this chillingly evocative historical novel braided with gothic horror and supernatural suspense for readers of Katherine Arden’s The Warm Hands of Ghosts and The Silence Factory by Bridget Collins.County Clare, 1848: In the scant few years since the potato blight first cast its foul shadow over Ireland, Maggie O’Shaughnessy has lost everything—her entire family and the man she trusted with her heart. Toiling in the Ennis Workhouse for paltry rations, she can see no future either within or outside its walls—until the mysterious Lady Catherine arrives to whisk her away to an old mansion in the stark limestone landscape of the Burren. Lady Catherine wants Maggie to impersonate her late daughter, Wilhelmina, and hoodwink solicitors into releasing Wilhelmina’s widow pension so that Lady Catherine can continue to provide for the villagers in her care. In exchange, Maggie will receive freedom from the workhouse, land of her own, and the one thing she wants more than a chance to fulfill the promise she made to her brother on his deathbed—to live to spite them all. Launching herself into the daunting task, Maggie plays the role of Wilhelmina as best she can while ignoring the villagers’ tales of ghostly figures and curses. But more worrying are the whispers that come from within. Something in Lady Catherine’s house is reawakening long-buried memories in Maggie—of a foe more terrifying than hunger or greed, of a power that calls for blood and vengeance, and of her own role in a nightmare that demands the darkest sacrifice . . .

Mallory Greenleaf is done with chess. Every move counts nowadays. After the sport led to the destruction of her family four years earlier, Mallory's focus is on her mom, her sisters, and the dead-end job that keeps the lights on. That is, until she begrudgingly agrees to play in one last charity tournament and inadvertently wipes the board with notorious "Kingkiller" Nolan Sawyer: current world champion and reigning bad boy of chess. Nolan's loss to an unknown rook-ie shocks everyone—especially Mallory. What's even more confusing? His desire to cross pawns again. What kind of gambit is Nolan playing? The smart move would be to walk away. Resign. Game over. But Mallory's victory opens the door to sorely needed cash prizes and, despite everything, she can't help feeling drawn to the enigmatic strategist.... As she rockets up the ranks, Mallory struggles to keep her family safely separated from the game that wrecked it in the first place. And as her love for the sport she so desperately wanted to hate begins to rekindle, Mallory quickly realizes that the games aren't only on the board, the spotlight is hotter than she imagined, and the competition can be fierce(-ly attractive. And intelligent...and infuriating...)

Books are dangerous things in Collins's alternate universe, a place vaguely reminiscent of 19th-century England. It's a world in which people visit book binders to rid themselves of painful or treacherous memories. Once their stories have been told and are bound between the pages of a book, the slate is wiped clean and their memories lose the power to hurt or haunt them. After having suffered some sort of mental collapse and no longer able to keep up with his farm chores, Emmett Farmer is sent to the workshop of one such binder to live and work as her apprentice. Leaving behind home and family, Emmett slowly regains his health while learning the binding trade. He is forbidden to enter the locked room where books are stored, so he spends many months marbling end pages, tooling leather book covers, and gilding edges. But his curiosity is piqued by the people who come and go from the inner sanctum, and the arrival of the lordly Lucian Darnay, with whom he senses a connection, changes everything.

In this third book of the USA Today and #1 New York Times mega-bestselling They Both Die at the End series, two strangers—each with their own complicated relationship to Death-Cast—help each other learn to live. Paz Dario stays up every night, waiting for the Death-Cast call that would mean he doesn’t have to keep faking his way through this lonely life. After a devastating day, Paz decides he’s done waiting around for Death-Cast. If they say he’s not dying, he’ll just have to prove them wrong. But right before Paz can die, a boy saves his life. Alano Rosa is heir to the Death-Cast empire that encourages everyone to live their best lives, but he doesn’t feel in control of his own existence thanks to his father. And with a violent organization called the Death Guard threatening Alano, his End Day might be closer than he thinks. It’s time to live. Fate brings Paz and Alano together, but it’s now up to the boys to survive the tragic trials ahead so no one dies at the end. This book contains themes that some readers may find difficult.