In The Marquise of O-, a virtuous widow finds herself unaccountably pregnant. And although the baffled Marquise has no idea when this happened, she must prove her innocence to her doubting family and discover whether the perpetrator is an assailant or lover. Michael Kohlhaas depicts an honourable man who feels compelled to violate the law in his search for justice, while other tales explore the singular realm of the uncanny, such as The Beggarwoman of Locarno, in which an old woman's ghost drives a heartless nobleman to madness, and St Cecilia, which portrays four brothers possessed by an uncontrollable religious mania. The stories collected in this volume reflect the preoccupations of Heinrich von Kleist (1777-1811) with the deceptiveness of human nature and the unpredictability of the physical world.

Social convention may have prevented Renaissance women writers from openly taking part in the political and religious debates of their day, but they found varied and innovative ways to intervene. Collecting the work of three great poets-Isabella Whitney, Mary Sidney, and Aemilia Lanyer-this volume repositions women writers of the Renaissance by presenting their poems in the context of their history and culture. Whitney's poems offer the only glimpse into her life, express a concern for women's lack of social and economic power, and powerfully evoke sixteenth-century London. Sidney produced potent translations of Petrarch's works and the Psalms, as well as original verse. Lanyer wrote poems that advocate and praise female virtue and Christian piety, but reflect a desire for an idealized, classless world. The strong and original voices of these three women-each from different social, cultural, and historical strata-demonstrate the emergence of a new female identity during the Renaissance and broaden the common notions of English Literature's golden age.

E. T. A. Hoffmann dwelt in the realm of "things that seem to not exist but live just the same." The truth of these words of Balzac's about Germany's greatest Romantic storyteller is confirmed by all five tales in this volume, each representing a different facet of Hoffmann's genius, yet bearing its unmistakable signature. The impact of these stories is all the more stunning because they are variations on a single theme: the pursuit of a man by a dark fate he nurtures within himself. Long before the advent of psychoanalysis, Hoffmann was aware of the threat of eruption from the unconscious. The weird lands he explores lie within ourselves. The Sandman One of the tales selected by Offenbach for his opera Tales of Hoffmann. Nathanael, presented in childhood with a gruesome picture of the "bringer of sleep," flees all his life from a man who wants his eyes. Mademoiselle de Scudery In which a victim of split personality baffles the police of 17th century France. Datura Fastuosa Of the awful consequences of repression and a mother fixation. The King's Bride Such delightful whimsy! Yet it does not spare us an encounter with the more dubious aspects of ourselves. Gambler's Luck A suggestion of Edgar Allan Poe and perhaps Robert Louis Stevenson, and is there a touch of O. Henry?

Cain's first novel - the subject of an obscenity trial in Boston and the inspiration for Camus's The Stranger - is the fever-pitched tale of a drifter who stumbles into a job, into an erotic obsession, and into a murder.

It was in Rome during the autumn of 1877; a friend then living there but settled now in a South less weighted with appeals and memories happened to mention -- which she might perfectly not have done -- some simple and uninformed American lady of the previous winter, whose young daughter, a child of nature and of freedom, accompanying her from hotel to hotel, had "picked up" by the wayside, with the best conscience in the world, a good-looking Roman, of vague identity, astonished at his luck, yet (so far as might be, by the pair) all innocently, all serenely exhibited and introduced: this at least till the occurrence of some small social check, some interrupting incident, of no great gravity or dignity, and which I forget I had never heard, save on this showing, of the amiable but not otherwise eminent ladies, who weren't in fact named, I think, and whose case had merely served to point a familiar moral; and it must have been just their want of salience that left a margin for the small pencil-mark inveterately signifying, in such connections, "Dramatize, dramatize!" The result of my recognizing a few months later the sense of my pencil-mark was the short chronicle of DAISY MILLER. -- Henry James

Celaena Sardothien is her kingdom’s most feared assassin. Though she works for the powerful and ruthless Assassin’s Guild, Celaena yields to no one and trusts only her fellow killer for hire, Sam. When Celaena's scheming master, Arobynn Hamel, dispatches her on missions that take her from remote islands to hostile deserts, she finds herself acting independently of his wishes—and questioning her own allegiance. Along the way, she makes friends and enemies alike, and discovers that she feels far more for Sam than just friendship. But by defying Arobynn’s orders, Celaena risks unimaginable punishment, and with Sam by her side, he is in danger, too. They will have to risk it all if they hope to escape Arobynn’s clutches—and if they fail, they’ll lose not just a chance at freedom, but their lives . . . A prequel to Throne of Glass, this collection of five novellas offers readers a deeper look into the history of this cunning assassin and her enthralling—and deadly—world. Included in this volume: The Assassin and the Pirate Lord The Assassin and the Healer The Assassin and the Desert The Assassin and the Underworld The Assassin and the Empire

For readers of Han Kang and Sheila Heti, an atmospheric, melancholic novel about a successful sculptor who decides to commit suicide by artfully preparing and deliberately eating a lethal dish of blowfish. Blowfish is a postmodern novel in four parts, alternating between the respective stories of a female sculptor and a male architect. Death is the motif connecting these parallel lives. The sculptor’s grandmother killed herself by eating poisonous blowfish in front of her husband and child, while the architect’s elder brother leapt to his death from the fifth floor of an apartment building. Now, both protagonists are contemplating their own suicides. The sculptor and architect cross paths once in Seoul, and meet again in Tokyo, while the sculptor is learning to prepare a fatal serving of blowfish. The narrative loosely approximates a love story, but this is no romance in the normal sense. For the woman, the man is a pitstop on the road to her own suicide. For the man, the woman forestalls death and offers him a final chance. Through the conflicting impressions they have of one another, the characters look back on their lives; it is only the desire to create art that calls them back from death. Evoking the heterogeneous urban spaces of Seoul and Tokyo, Blowfish delves into the inner life of a woman contemplating her failures in love and art. Jo’s fierce will to write animates the novel; the lethal taste of blowfish, which one cannot help but eat even though one may die in doing so, approximates the inexorable pains of writing a novel.

Finally returned to print in a beautiful new trade paperback edition, American Appetites is classic Joyce Carol Oates—a suspenseful thriller in which the happy facade of an affluent suburban couple crumbles under the weight of tragedy and scandal. For twenty-six years, Ian McCullough, a demographics researcher at a social science think tank, has been happily married to Glynnis, a successful cookbook writer and a brilliant hostess. When a drunken argument about a suspected infidelity turns physical, Ian accidentally pushes Glynnis through a plate glass window—or did she fall? Now, Glynnis is dead, Ian is charged with murder, and their American dream is shattered. And soon, in a courtroom where guilt and responsibility become two very separate issues, Ian will stand trial, fighting for his life. A sophisticated, witty, and chilling novel from the incomparable Joyce Carol Oates, American Appetites explores our insatiable hunger for power, love, and success, and how comfortable, privileged lives—and the course of fate—can be dramatically transformed in an instant.

A wealthy and notorious clan, the Bellefleurs live in a region not unlike the Adirondacks, in an enormous mansion on the shores of mythic Lake Noir. They own vast lands and profitable businesses, they employ their neighbors, and they influence the government. A prolific and eccentric group, they include several millionaires, a mass murderer, a spiritual seeker who climbs into the mountains looking for God, a wealthy noctambulist who dies of a chicken scratch. Bellefleur traces the lives of several generations of this unusual family. At its center is Gideon Bellefleur and his imperious, somewhat psychic, very beautiful wife, Leah, their three children (one with frightening psychic abilities), and the servants and relatives, living and dead, who inhabit the mansion and its environs. Their story offers a profound look at the world's changeableness, time and eternity, space and soul, pride and physicality versus love. Bellefleur is an allegory of caritas versus cupiditas, love and selflessness versus pride and selfishness. It is a novel of change, baffling complexity, mystery. Written with a voluptuousness and startling immediacy that transcends Joyce Carol Oates's early works, Bellefleur is widely regarded as a masterwork—a feat of literary genius.

A celestial overseer observes—and is continually confounded by—a young woman’s path into adulthood in this uncanny and darkly humorous novel, unpublished until now and accompanied by a selection of the author’s stories. Susan Taubes’s novella “Lament for Julia” is the story of a young woman coming of age in the twentieth century as seen through the eyes of a sexless spirit who supposes himself to be charged with her oversight. What is this spirit? An operator from on high (though hardly holy), a narrative I , and a guiding presence that is more than a bit of a voyeur, who remains entirely unknown to Julia herself. About her, the spirit knows both a good deal and very little, since Julia’s emotional and physical and sexual being are all baffling, if also fascinating, to an entity that is pure mind. The I and Julia are a mismatched couple, set up for failure from the start, it seems, even if they do somehow manage to deal in their different ways with childhood and Mother and Father Klopps and ugly pink outfits and dances and crushes for a while. After which come love and marriage, not necessarily in that order, at which point things really start to go wrong. Unpublished during Taubes’s lifetime, “Lament for Julia” appears here with a selection of her stories. A brilliant metaphorical exploration of a woman’s double consciousness that is also a masterpiece of the grotesque, it is a novel like no other, a book, as Samuel Beckett wrote to his French publisher, “full of erotic touches of an emphatic sort [and] raw language,” the product of an “authentic talent,” adding, “I shall reread it.”

"But you do," he went on, not waiting for contradiction. "You love the boy body and soul, plainly, directly, as he loves you, and no other word expresses it ..." Lucy has her rigid, middle-class life mapped out for her, until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Bertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George. Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Edwardian England, personified in her terminally dull fiancé Cecil Vyse. Will she ever learn to follow her own heart?

“This is your country, this is your world, this is your body, and you must find some way to live within the all of it.” In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden?  Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.

THERE IS ONLY ONE CHER … … and for seven decades she has been showing us why. Cher holds the attention of the world with her voice, her acting, her style, her wit and her unstoppable spirit. Now, for the first time, she tells her story in her own voice – as honest as it is hilarious, as powerful as it is perceptive. Cher’s childhood was anything but normal. As her mother Georgia – blessed with movie-star looks and a knockout voice – moved them around the country over and again in the hope of finding fame, her school life wasn’t straightforward. But she always knew she was going to be somebody when she grew up. Cher’s powerful instinct to keep moving eventually landed her in the arms of Sonny Bono. The duo became famous beyond their wildest dreams, from humble beginnings singing backup in Phil Spector’s studio through to pop stardom as Sonny and Cher, and then on to the television show that made them household names. But as time passed, fame changed the dynamic of their relationship and Cher evolved from a wide-eyed teenager into a woman. She started fighting for herself, breaking away from Sonny’s control – and realising that things were not as they seemed. Taking risks, making headlines, falling in love, Cher struggled and stumbled while trying to become her own woman. The Memoir, Part One brings us to the brink of her next chapter, as she begins to chart her own path, finally claiming her rightful place in the world and becoming CHER.

Marnie Sellick is adrift when she lands a job at the coveted, mysterious beauty brand rytuał cosmetica.The enigmatic founder and CEO, Luna Peters, takes a liking to Marnie, and as the two grow closer Marnie becomes intoxicated by the life that Luna, and rytuał, can offer her.But all is not what it seems at rytuał. Luna has a cult-like hold over the all-female staff, and that’s not to mention what happens at their weekly Friday Night Drinks.As Marnie edges closer to the darkness at the centre of rytuał’s millennial-pink facade, cracks begin to show. Luna is hiding something, but will Marnie uncover the truth – and the role Luna has cast her in – before it’s too late?Both a darkly funny deconstruction of the beauty industry and a gripping examination of identity, beauty and desire, Rytual asks the what if your favourite cult beauty brand … was actually a cult?

From international drag superstar and pop culture icon RuPaul, comes his most revealing and personal work to date—a brutally honest, surprisingly poignant, and deeply intimate memoir of growing up Black, poor, and queer in a broken home to discovering the power of performance, found family, and self-acceptance. A profound introspection of his life, relationships, and identity, The House of Hidden Meanings is a self-portrait of the legendary icon on the road to global fame and changing the way the world thinks about drag. Central to RuPaul’s success has been his chameleonic adaptability. From drag icon to powerhouse producer of one of the world’s largest television franchises, RuPaul’s ever-shifting nature has always been part of his brand as both supermodel and supermogul. Yet that adaptability has made him enigmatic to the public. In this memoir, his most intimate and detailed book yet, RuPaul makes himself truly known. Stripping away all artifice, RuPaul recounts the story of his life with breathtaking clarity and tenderness, bringing his signature wisdom and wit to his own biography. From his early years growing up as a queer Black kid in San Diego navigating complex relationships with his absent father and temperamental mother, to forging an identity in the punk and drag scenes of Atlanta and New York, to finding enduring love with his husband Georges LeBar and self-acceptance in sobriety, RuPaul excavates his own biography, uncovering new truths and insights in his personal history. Here in RuPaul’s singular and extraordinary story is a manual for living—a personal philosophy that testifies to the value of chosen family, the importance of harnessing what makes you different, and the transformational power of facing yourself fearlessly. If we’re all born naked and the rest is drag, then this is RuPaul totally out of drag. This is RuPaul stripped bare.

The novel is the story of Dreyer, a wealthy and boisterous proprietor of a men's clothing emporium. Ruddy, self-satisfied, and thoroughly masculine, he is perfectly repugnant to his exquisite but cold middle-class wife Martha. Attracted to his money but repelled by his oblivious passion, she longs for their nephew instead, the myopic Franz. Newly arrived in Berlin, Franz soon repays his uncle's condescension in his aunt's bed.

Acclaimed cultural critic bell hooks offers an open-hearted and welcoming vision of gender, sexuality, and society in this inspiring and accessible volume. In engaging and provocative style, bell hooks introduces a popular theory of feminism rooted in common sense and the wisdom of experience. Hers is a vision of a beloved community that appeals to all those committed to equality, mutual respect, and justice. hooks applies her critical analysis to the most contentious and challenging issues facing feminists today, including reproductive rights, violence, race, class, and work. With her customary insight and unsparing honesty, hooks calls for a feminism free from barriers but rich with rigorous debate. In language both eye-opening and optimistic, hooks encourages us to demand alternatives to patriarchal, racist, and homophobic culture, and to imagine a different future.

Four famous siblings throw an epic party to celebrate the end of the summer. But over the course of twenty-four hours, their lives will change forever. Malibu: August, 1983. It’s the day of Nina Riva’s annual end-of-summer party, and anticipation is at a fever pitch. Everyone wants to be around the famous Rivas: Nina, the talented surfer and supermodel; brothers Jay and Hud, one a championship surfer, the other a renowned photographer; and their adored baby sister, Kit. Together, the siblings are a source of fascination in Malibu and the world over—especially as the offspring of the legendary singer, Mick Riva. The only person not looking forward to the party of the year is Nina herself, who never wanted to be the center of attention, and who has also just been very publicly abandoned by her pro tennis player husband. Oh, and maybe Hud—because it is long past time to confess something to the brother from whom he’s been inseparable since birth. Jay, on the other hand, is counting the minutes until nightfall, when the girl he can’t stop thinking about promised she’ll be there. And Kit has a couple secrets of her own—including a guest she invited without consulting anyone. By midnight the party will be completely out of control. By morning, the Riva mansion will have gone up in flames. But before that first spark in the early hours before dawn, the alcohol will flow, the music will play, and the loves and secrets that shaped this family’s generations will all come bubbling to the surface. Malibu Rising is a story about one unforgettable night in the life of a family: the night they each have to choose what they will keep from the people who made them... and what they will leave behind.