In this swashbuckling, feminist timeslip retelling of Arthurian legend complete with a 21st century queen, Merlin lore, magic potions, dashing knights, daring maidens, heart wrenching romance, and just the right amount of snark, England’s Once and Future Queen Vera must save Camelot as dark forces threaten the kingdom. Back in the 21st century, Vera was a young waitress struggling to find a sense of purpose and direction until her winding path led to a time portal and a trip to medieval England, where she is Queen Guinevere, wife of Arthur, King of the Britons. Loved by her liege, befriended by Sir Lancelot, and guided by the magician Merlin, Vera discovers a kingdom far removed from the myths she has always known. For starters, Sir Gawain has been kidnapped, and his powerful magic-detecting device is nowhere to be found. Sir Percival is minding the throne, doing his best to ignore the many nagging questions of the court. And, in the farthest reaches of his kingdom, King Arthur has been slain by the mysterious Mordred. Well, very nearly slain. Vera has uncovered an incredible gift of healing and has restored Arthur to life. She’s also uncovered shocking secrets about the kingdom’s power and the real reason for her own return to Camelot. To protect the country he fought to unite, Arthur’s resurrection must remain secret—even from Merlin—lest his enemies learn the truth. For Camelot is under siege. The Knights of the Round Table are preparing for war with the High Council of Mages, who seek to control all magic in the realm. And Vera and her friends must work together to keep both the throne and the legacy of King Arthur from falling into the wrong hands. Keeper of the Grail continues the Lives of Guinevere saga, a heartfelt story of swashbuckling adventure, selfless courage, and true love.

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it’s the early 1960s and her all-male team at Hastings Research Institute takes a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant, Nobel–prize nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results. But like science, life is unpredictable. Which is why a few years later Elizabeth Zott finds herself not only a single mother, but the reluctant star of America’s most beloved cooking show Supper at Six. Elizabeth’s unusual approach to cooking (“combine one tablespoon acetic acid with a pinch of sodium chloride”) proves revolutionary. But as her following grows, not everyone is happy. Because as it turns out, Elizabeth Zott isn’t just teaching women to cook. She’s daring them to change the status quo. Laugh-out-loud funny, shrewdly observant, and studded with a dazzling cast of supporting characters, Lessons in Chemistry is as original and vibrant as its protagonist.

Two graduate students must set aside their rivalry and journey to Hell to save their professor’s soul, perhaps at the cost of their own. Alice Law has only ever had one goal: to become one of the brightest minds in the field of Magick. She has sacrificed everything to make that a reality—her pride, her health, her love life, and most definitely her sanity. All to work with Professor Jacob Grimes at Cambridge, the greatest magician in the world—that is, until he dies in a magical accident that could possibly be her fault. Grimes is now in Hell, and she’s going in after him. Because his recommendation could hold her very future in his now incorporeal hands, and even death is not going to stop the pursuit of her dreams. Nor will the fact that her rival, Peter Murdoch, has come to the same conclusion.

"The struggle from late youth on, with and without God, agony, narcotics and love is a torment rarely recorded with such sustained eloquence and passion as you will find in this collection." —Fanny Howe This highly-anticipated debut boldly confronts addiction and courses the strenuous path of recovery, beginning in the wilds of the mind. Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight. “In Calling a Wolf a Wolf, Kaveh Akbar exquisitely and tenaciously braids astonishment and atonement into a singular lyric voice. The desolation of alcoholism widens into hard-won insight: ‘the body is a mosque borrowed from Heaven.’ Doubt and fear spiral into grace and beauty. Akbar’s mind, like his language, is perpetually in motion. His imagery—wounded and resplendent—is masterful and his syntax ensnares and releases music that’s both delicate and muscular. Kaveh Akbar has crafted one of the best debuts in recent memory. In his hands, awe and redemption hinge into unforgettable and gorgeous poems.” —Eduardo C. Corral

The narrator of Cold Nights of Childhood grows up in a rapidly changing Turkey, where the atmosphere is nationalist, patriarchal, technocratic. As a misfit in search of freedom, love and happiness, she escapes to Berlin, is overcome by depression on her return, and trapped in a psychiatry clinic for five years. After electroshock therapy and inhumane treatment, she is released into the care of friends and family, making tentative steps in a halting journey towards recovery. In her unique, unstructured style, Tezer Özlü explores the extremity of her inner life and the painful pleasures of memory. Translated into English for the first time by Maureen Freely, this novel is a classic akin to The Bell Jar and Good Morning, Midnight.

Nina is a Lipan girl in our world. She's always felt there was something more out there. She still believes in the old stories. Oli is a cottonmouth kid, from the land of spirits and monsters. Like all cottonmouths, he's been cast from home. He's found a new one on the banks of the bottomless lake. Nina and Oli have no idea the other exists. But a catastrophic event on Earth, and a strange sickness that befalls Oli's best friend, will drive their worlds together in ways they haven't been in centuries. And there are some who will kill to keep them apart. Darcie Little Badger introduced herself to the world with Elatsoe. In A Snake Falls to Earth, she draws on traditional Lipan Apache storytelling structure to weave another unforgettable tale of monsters, magic, and family. It is not to be missed.

The followup novel to International Booker-shortlisted Boulder is a story of queer motherhood and survival deep in the countryside Mammoth ’s protagonist is a disenchanted young lesbian. She’s inexperienced, irritated by life, eager to gestate, and determined to strip everything else down to essentials. She seduces men at random, swaps her urban habitat for an isolated farmhouse, befriends a shepherd, nurses lambs, battles stray cats, waits tables, cleans house, and dabbles in sex work—all in pursuit of life in the raw.  This small bomb of a novel, not remotely pastoral, builds to a howling crescendo of social despair, leaving us at the mercy of Eva Baltasar’s wild voice.