An urgent call for a new politics of neurodiversity that supports difference rather than demands uniformityNeurodiversity is one of the most urgent political issue of our times. As the number of diagnoses of Autism, Aspergers, ADHD, Dyslexia and Dyspraxia rise, we are starting to understand that there is no such thing as a normal brain. But society is still organised around neuro-normalcy, and autism is treated as a social disease. Jodie Hare, diagnosed with autism at twenty-three, argues that it is time to redefine the politics of who we are.Today, neurodiversity is often discriminated against. Life expectancy is 36 years old, and cases of death by suicide are high. Sufferers are 30% more likely to suffer severe trauma in their lives. A 2020 study found that 66% of households in the US with autistic children experience material hardships such as difficulty affording food or healthcare. And in a time of austerity, social care is often insufficient and patchy. In the UK only 6% of neurodivergent pupils get the support to which they are entitled. Only 22% of autistic people in any kind of employment.What is to be done to promote a fairer, more neuro-inclusive society? Alongside a disability justice campaign, Hare calls for the recognition of diversity as part of natural, biological variation, rather than sameness, and to commit to build a world where all can thrive equally. Hare also acknowledges that this works alongside struggles based on class, gender and race. This campaign therefore confronts the systems that continue to harm disabled people more widely, locating this harm along an axis of oppression that impacts all marginalised groups across society.

Common People is a collection of essays, poems and pieces of personal memoir, bringing together sixteen well-known writers from working class backgrounds with an equal number of brand new as-yet-unpublished writers from all over the UK. Too often, working class writers find that the hurdles they have to leap are higher and harder to cross than for writers from more affluent backgrounds. Common People will see writers who have made that leap reach back to give a helping hand to those coming up behind. We read because we want to experience lives and emotions beyond our own, to learn, to see with others’ eyes – without new working class voices, without the vital reflection of real lives, or role models for working class readers and writers, literature will be poorer. Working-class stories are not always tales of the underprivileged and dispossessed. Common People is a collection of essays, poems and memoir written in celebration, not apology: these are narratives rich in barbed humor, reflecting the depth and texture of working-class life, the joy and sorrow, the solidarity and the differences, the everyday wisdom and poetry of the woman at the bus stop, the waiter, the hairdresser. Here, Kit de Waal brings together thirty-three established and emerging writers who invite you to experience the world through their eyes, their voices loud and clear as they reclaim and redefine what it means to be working class. Original Pieces Contributed by: Damian Barr Malorie Blackman OBE Lisa Blower Jill Dawson Louise Doughty Stuart Maconie Chris McCrudden Lisa McInerney Paul McVeigh Daljit Nagra Dr Dave O’Brien Cathy Rentzenbrink Anita Sethi Adelle Stripe Tony Walsh Alex Wheatle and more

How does it feel to be constantly regarded as a potential threat, strip-searched at every airport? Or be told that, as an actress, the part you’re most fitted to play is ‘wife of a terrorist’? How does it feel to have words from your native language misused, misappropriated and used aggressively towards you? How does it feel to hear a child of colour say in a classroom that stories can only be about white people? How does it feel to go ‘home’ to India when your home is really London? What is it like to feel you always have to be an ambassador for your race? How does it feel to always tick ‘Other’? Bringing together 21 exciting black, Asian and minority ethnic voices emerging in Britain today, The Good Immigrant explores why immigrants come to the UK, why they stay and what it means to be ‘other’ in a country that doesn’t seem to want you, doesn’t truly accept you – however many generations you’ve been here – but still needs you for its diversity monitoring forms. Inspired by discussion around why society appears to deem people of colour as bad immigrants – job stealers, benefit scroungers, undeserving refugees – until, by winning Olympic races or baking good cakes, or being conscientious doctors, they cross over and become good immigrants, editor Nikesh Shukla has compiled a collection of essays that are poignant, challenging, angry, humorous, heartbreaking, polemic, weary and – most importantly – real.

Panopticon

First published in serial form as Der Golem in the periodical Die weissen Blätter in 1913–14, The Golem is a haunting Gothic tale of stolen identity and persecution, set in a strange underworld peopled by fantastical characters. The red-headed prostitute Rosina; the junk-dealer Aaron Wassertrum; puppeteers; street musicians; and a deaf-mute silhouette artist. Lurking in its inhabitants’ subconscious is the Golem, a creature of rabbinical myth. Supposedly a manifestation of all the suffering of the ghetto, it comes to life every 33 years in a room without a door. When the jeweller Athanasius Pernath, suffering from broken dreams and amnesia, sees the Golem, he realises to his terror that the ghostly man of clay shares his own face... The Golem, though rarely seen, is central to the novel as a representative of the ghetto's own spirit and consciousness, brought to life by the suffering and misery that its inhabitants have endured over the centuries. Perhaps the most memorable figure in the story is the city of Prague itself, recognisable through its landmarks such as the Street of the Alchemists and the Castle.

Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.

In this classic work, Herbert Marcuse takes as his starting point Freud's statement that civilization is based on the permanent subjugation of the human instincts, his reconstruction of the prehistory of mankind - to an interpretation of the basic trends of western civilization, stressing the philosophical and sociological implications.