3.20 average · 1732 reviews
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What a ride. Whitehead's writing sashays, dabs, checks its reflection in the pawnshop window (looking good, baby), then slips a switchblade into the last aside just to keep everybody honest.
Would there were more writers able to dance words together, weave their prose and tangle it up again to be somehow confounding and clear and creating places we can feel with all our senses and people we want to smack upside the head like that unruly relative you worry might show up but if he don't you know he's lit up or locked up and your momma's likely cryin'
Harlem Shuffle is all wing-tip glide and side-eye, a jukebox sermon on cash, class, upholstery, survival, and grift (put together like a sectional sofa bought on lay-away). Ray Carney is part furniture man, part accidental gangster, part shady cousin who says “strictly legitimate” a shade too fast. He hustles through a Harlem so alive you can smell the fryer grease baked into the wallpaper.
Under all the wisecracks and urban-renewal pamphlets (heavy paper stock, light moral footing) runs the old warning: no eminent domain for private gain. They leveled whole neighborhoods for glittering trade palaces and official visions of progress (artist’s rendering available upon request), and then the towers went down too. But the ghost knows. The ghost always knows. It remembers where the rent parties shook the floorboards, where the numbers men vanished into alleyways, where somebody’s aunt sold bean pies out the window on Lenox because capitalism had once again failed to read the room. Harlem remembers even when the planners misplace the file.
I'll spend my life wishing I could read this again for the first time.


This is going to be a long review. I typically write a review right away but I just couldn't with this one. I have lots of thoughts and have been digesting it for a couple of days.
I thought this was going to be a book about grocery stores. It turns out it's a book about all the things we force other people to suffer through so we can buy strawberries in January (I'm old enough to recall NOT being able to buy soft fruit or berries in winter).
It starts out with a lot of benign but interesting innovations: cardboard, shopping carts, branding, all the small inventions (aisles were a new idea at one time, aisles!) that made the modern supermarket feel like it does today (instead of like Olsen's Mercantile in Little House of the Prairie). Then it shifts into people and specific store chains. The author spent a ton of time talking about Joe Coulombe and the early story of Trader Joe’s (which was super interesting, but I did have to double check to see if I'd missed something and the subtitle maybe mentioned Trader Joe's (It hadn't)). This part was told with a way warmer tone than what comes later (farther down the supply chain, where he didn't use super respectful language and very obviously had less admiration for the humans doing the work). That contrast started to nag at me. (It’s interesting how the “visionaries” are often easiest to admire, even if they helped create the current problems (maybe its an unconscious bias on the author's part).
From there the book widens, and the mood changes with it (I didn't feel like the author was abusing the reader's trust even though it was clear that he had a way he wanted us to feel (he picked some pretty severe examples, but they weren't fictional)). What looked like harmless efficiency at inception starts to reveal itself as a chain of pressures distributed across distance, with each step trying to deflect that pressure down the chain: truck brokerage systems designed so that risk lands on the least protected party, supply chains with deliberate opacity, and an entire industry built on the assumption that someone else will absorb the friction. It isn’t one villain; it’s just incentives doing what incentives do when nobody is looking too closely, and everyone is trying to make sure they get theirs.
None of this was entirely new to me-- I’ve seen first hand how quickly working conditions can shift when ownership changes hands, how benefits disappear in increments that are sold as “policy adjustments” but feel like erosion. But the scale here was different. I didn’t know, for example, how deeply broken the trucking brokerage system is (though I have a cousin who is a truck broker for a food manufacturer and he's a d-bag so I should've guessed), or how far removed some of the worst labor conditions are from anything most consumers ever have to imagine.
And then there are parts of the supply chain that are fully immoral-- criminal, even. The accounts of Thai fishing labor practices (kidnapping, debt bondage, de facto slavery) are the kind of thing that made me re-check whether I was still reading the same book I started. (It was like the frog in the pot of water-- the author did a good job hooking me in with the benign stuff and then sliding steadily into increasingly awful parts of the system).
The book left me with a kind of structural discomfort. There's something big here that I can't quite touch... I find myself thinking about growing more of my own food, of shifting my consumption habits in small ways, and then immediately running into the limits of that framing... Why am I looking for personal solutions to systemic problems? Maybe they are adaptations within the system rather than exits from it (I go from feeling helpless to wanting to burn it all down pretty quickly)?
Even the desire to “opt out” begins to feel like another expression of the same structure-- an attempt to locate a clean boundary where one probably does not exist. There's no ethical consumption under capitalism-- but maybe there's harm reduction? (probably not)




Are Prisons Obsolete?
Angela Y. Davis




clackamaslee commented...
I read this early in the year and 100+ books later it is still my top new read for 2026.

EllClaire TBR'd a book
2w

The Reformatory
Tananarive Due
A gripping, page-turning novel set in Jim Crow Florida that follows Robert Stephens Jr. as he’s sent to a segregated reform school that is a chamber of terrors where he sees the horrors of racism and injustice, for the living, and the dead. Gracetown, Florida June 1950 Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie’s journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory. Robbie has a talent for seeing ghosts, or haints. But what was once a comfort to him after the loss of his mother has become a window to the truth of what happens at the reformatory. Boys forced to work to remediate their so-called crimes have gone missing, but the haints Robbie sees hint at worse things. Through his friends Redbone and Blue, Robbie is learning not just the rules but how to survive. Meanwhile, Gloria is rallying every family member and connection in Florida to find a way to get Robbie out before it’s too late. The Reformatory is a haunting work of historical fiction written as only American Book Award–winning author Tananarive Due could, by piecing together the life of the relative her family never spoke of and bringing his tragedy and those of so many others at the infamous Dozier School for Boys to the light in this riveting novel.


clackamaslee commented...
The Stand
Stephen King
"Her breasts jiggled fetchingly"
I wish "her boobs boobed boobily" were just a meme but it's REAL 😭


clackamaslee commented...
I just miss the era of "highly anticipated" books, which I suppose means the HP/Twilight/Hunger Games sequel eras. I miss the big book release parties that libraries and book stores would have, where we would all dress up and be a community, playing themed games and eating themed snacks. I'm really glad my kids got to be children during that era.
What's one book trend/era you would bring back?
Say the Twilight era, Mortal Instruments, Fallen Angels that kind of thing
