Called "fascinating" by the New York Times upon its first publication in 1984, Native Tongue won wide critical praise and cult status, and has often been compared to the futurist fiction of Margaret Atwood. Set in the twenty-second century, the novel tells of a world where women are once again property, denied civil rights and banned from public life. Earth's wealth depends on interplanetary commerce with alien races, and linguists--a small, clannish group of families--have become the ruling elite by controlling all interplanetary communication. Their women are used to breed perfect translators for all the galaxies' languages. Nazareth Chornyak, the most talented linguist of the family, is exhausted by her constant work translating for trade organizations, supervising the children's language education, running the compound, and caring for the elderly men. She longs to retire to the Barren House, where women past childbearing age knit, chat, and wait to die. What Nazareth comes to discover is that a slow revolution is going on in the Barren Houses: there, word by word, women are creating a language of their own to free them from men's control.

A debut linked story collection of gritty, streetwise, and wickedly funny fiction from Mexico. Life’s a bitch. That’s why you gotta rattle her cage, even if she’s foaming at the mouth. In the linked stories of Reservoir Bitches, thirteen Mexican women prod the bitch that is Life as they fight, sew, skirt, cheat, cry, and lie their way through their tangled circumstances. From the all-powerful daughter of a cartel boss to the victim of transfemicide, from a houseful of spinster seamstresses to a socialite who supports her politician husband by faking Indigenous roots, these women spit on their own reduction and invent new ways to survive, telling their stories in bold, unapologetic voices. At once social critique and black comedy, Reservoir Bitches is a raucous debut from one of Mexico’s most thrilling new writers.

From the Sunday Times bestselling author of Starling House, Alix E. Harrow, comes a moving and genre-defying adventure through time – as a reluctant lady knight and a not-so-heroic-historian will fight through time and space to rewrite their tragic fates . . . and finally reveal the truths hidden beneath the greatest legend ever told. It begins where it ends: beneath the yew tree – a girl not yet a knight, and a boy without a story. It is where she pulls a sword from the heartwood and becomes a legend. And it is where, more than a thousand years later, he will find her – and lose her – and find her – and lose her again. It is where a new story will be written – but whose will it be?

In The End of the World is a Cul de Sac the political is intertwined with the personal, as Louise Kennedy reveals how ordinary lives can get caught up in a wider, national drama. Sarah, abandoned by her partner, sits alone in their brand new house. Orla, facing the strange revenge of her husband, is forced to judge a contest in the local fête. Peter raises his daughter in rural seclusion, at what might as well be the end of the world. Louise Kennedy started writing at the age of forty-seven, and her prose is instilled with a clarity and wisdom born of her own experience. This collection announces a major new voice in literary fiction for the twenty-first century.

In The End of the World is a Cul de Sac the political is intertwined with the personal, as Louise Kennedy reveals how ordinary lives can get caught up in a wider, national drama. Sarah, abandoned by her partner, sits alone in their brand new house. Orla, facing the strange revenge of her husband, is forced to judge a contest in the local fête. Peter raises his daughter in rural seclusion, at what might as well be the end of the world. Louise Kennedy started writing at the age of forty-seven, and her prose is instilled with a clarity and wisdom born of her own experience. This collection announces a major new voice in literary fiction for the twenty-first century.

By the internationally acclaimed author of Cursed Bunny, in another thrilling translation from the Korean by Anton Hur, Your Utopia is full of tales of loss and discovery, idealism and dystopia, death and immortality. These stories are suffused with Chung's inimitable wry humour and surprisingly tender moments, too — often between unexpected subjects. In ‘The Center for Immortality Research’, a low-level employee runs herself ragged planning a fancy gala for donors, only to be blamed for a crime she witnessed during the event, under the noses of the mysterious celebrity benefactors hoping to live forever. But she can’t be fired — no one can. In ‘One More Kiss, Dear’, a tender, one-sided love blooms in the AI-elevator of an apartment complex; as in, the elevator develops a profound affection for one of the residents. In ‘Seeds’, we see the final frontier of capitalism’s destruction of the planet and the GMO companies who rule the agricultural industry in this bleak future, but nature has ways of creeping back to life. If you haven’t yet experienced the fruits of this singular imagination, Your Utopia is waiting.