A learned and serious manual to Witchcraft for the mature practitioner, by one of the craft's leading teachers.

A skeptic’s year-long quest to find spiritual fulfillment through modern Witchcraft, perfect for fans of A.J. Jacobs and Mary Roach. Diana Helmuth, thirty-three, is skeptical of organized religion. She is also skeptical of disorganized religion. But, more than anything, she is tired of God being dead. So, she decides to try on the fastest growing, self-directed faith in Witchcraft. The result is 366 days of observation, trial, error, wit, and back spasms. Witches today are often presented as confident and finished, proud and powerful. Diana is eager to join them. She wants to follow all the rules, memorize all the incantations, and read all the liturgy. But there’s one glaring problem: no Witch can agree on what the right rules, liturgy, and incantations are. As with life, Diana will have to define the craft for herself, looking past the fashionable and figuring out how to define the real. Along the way, she travels to Salem and Edinburgh (two very Crafty hubs) and attends a week-long (clothing optional) Witch camp in Northern California. Whether she’s trying to perform a full moon ritual on a cardboard box, summon an ancient demon with scotch tape and a kitchen trivet, or just trying to become a calmer, happier person, her biggest question Will any of this really work? The Witching Year follows in the footsteps of celebrated memoirs by journalists like A.J. Jacobs, Mary Roach, and Caitlin Doughty, who knit humor and reportage together in search of something worth believing.

46 hrs 50 mind The year is 1984 and the city is Tokyo. A young woman named Aomame follows a taxi driver's enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 - "Q" is for "question mark". A world that bears a question. Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled. As Aomame's and Tengo's narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector. A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell's, 1Q84 is Haruki Murakami's most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers. BONUS AUDIO: Audible interviews the translators of 1Q84, Jay Rubin and Philip Gabriel.

Emily Henry meets Grady Hendrix in the funniest and most and original romantic comedy of the year: a monstrously feel good cozy fantasy full of love, laughter, lore, and limbs. Darla Drake, Duchess of Death, is a legendary monster who has haunted the woods around Camp Clear Creek for years. Until an existential crisis forces her to take a sabbatical from wreaking havoc on pimply teens while she figures out what she really wants from the rest of her (possibly infinite) life. But what does a monster do when her malevolent days are over? For Darla, it’s spending time with the decapitated―yet still overbearing―head of her mother, reading romance novels she steals from campers, and struggling with one monstrous case of melancholy. Until Jarko Murkvale arrives in Clear Creek and turns Darla’s life upside down. Jarko is a conceited, arrogant, infuriating, and unfortunately for Darla, kind of hot. And with the Duchess of Death on the shelf, Jarko has staked his claim on Camp Clear Creek. But Darla refuses to go down without a fight, and so in order to reclaim her territory she challenges Jarko to a series of hunts to see who the most fearsome monster really is. But the more mayhem they cause, the more Darla begins to realize there’s more to this brash monster than she believed…and that Jarko may just be the antidote to her ennui. But there’s a reason Jarko came to Clear Creek, and in order to fill her nine-chambered heart, Darla will have to unravel the mystery of who this closed-off monster really is. And if they can manage to not literally tear each other limb from limb, Darla and Jarko just might find that couples who slay together, stay together.

Dinosaurs and portals, and a girl who can find both in the latest book in the Hugo and Nebula Award-Winning series. Antsy is the latest student to pass through the doors at Eleanor West's School for Wayward Children. When her fellow students realize that Antsy's talent for finding absolutely anything may extend to doors, she's forced to flee in the company of a small group of friends, looking for a way back to the Shop Where the Lost Things Go to be sure that Vineta and Hudson are keeping their promise. Along the way, temptations are dangled, decisions are reinforced, and a departure to a world populated by dinosaurs brings untold dangers and one or two other surprises! A story that reminds us that finding what you want doesn't always mean finding what you need.

Giant turtles, impossible ships, and tidal rivers ridden by a Drowned girl in search of a family in the latest in the bestselling Hugo and Nebula Award-Winning Wayward Children series from Seanan McGuire. Nadya had three mothers: the one who bore her, the country that poisoned her, and the one who adopted her. Nadya never considered herself less than whole, not until her adoptive parents fitted her with a prosthetic arm against her will, seeking to replace the one she'd been missing from birth. It was cumbersome; it was uncomfortable; it was wrong. It wasn't her. Frustrated and unable to express why, Nadya began to wander, until the day she fell through a door into Belyrreka, the Land Beneath the Lake--and found herself in a world of water, filled with child-eating amphibians, majestic giant turtles, and impossible ships that sailed as happily beneath the surface as on top. In Belyrreka, she found herself understood for who she was: a Drowned Girl, who had made her way to her real home, accepted by the river and its people. But even in Belyrreka, there are dangers, and trials, and Nadya would soon find herself fighting to keep hold of everything she had come to treasure.

A young girl discovers an infinite variety of worlds in this standalone tale in the Hugo and Nebula Award-winning Wayward Children series from Seanan McGuire, Lost in the Moment and Found.Welcome to the Shop Where the Lost Things Go.If you ever lost a sock, you’ll find it here.If you ever wondered about favorite toy from childhood... it’s probably sitting on a shelf in the back.And the headphones that you swore that this time you’d keep safe? You guessed it….Antoinette has lost her father. Metaphorically. He’s not in the shop, and she’ll never see him again. But when Antsy finds herself lost (literally, this time), she finds that however many doors open for her, leaving the Shop for good might not be as simple as it sounds.And stepping through those doors exacts a price.Lost in the Moment and Found tells us that childhood and innocence, once lost, can never be found.

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.