It has been four months since a mysterious obsidian stone fell into Kell's possession. Four months since his path crossed with Delilah Bard. Four months since Prince Rhy was wounded, and since the nefarious Dane twins of White London fell, and four months since the stone was cast with Holland's dying body through the rift--back into Black London. Now, restless after having given up his smuggling habit, Kell is visited by dreams of ominous magical events, waking only to think of Lila, who disappeared from the docks as she always meant to do. As Red London finalizes preparations for the Element Games--an extravagant international competition of magic meant to entertain and keep healthy the ties between neighboring countries--a certain pirate ship draws closer, carrying old friends back into port. And while Red London is caught up in the pageantry and thrills of the Games, another London is coming back to life. After all, a shadow that was gone in the night will reappear in the morning. But the balance of magic is ever perilous, and for one city to flourish, another London must fall.

Five years after a suspicious fire killed his ornithologist mother, a closeted Syrian American trans boy sheds his birth name and searches for a new one. He has been unable to paint since his mother’s ghost has begun to visit him each evening. As his grandmother’s sole caretaker, he spends his days cooped up in their apartment, avoiding his neighborhood masjid, his estranged sister, and even his best friend (who also happens to be his longtime crush). The only time he feels truly free is when he slips out at night to paint murals on buildings in the once-thriving Manhattan neighborhood known as Little Syria. One night, he enters the abandoned community house and finds the tattered journal of a Syrian American artist named Laila Z, who dedicated her career to painting the birds of North America. She famously and mysteriously disappeared more than sixty years before, but her journal contains proof that both his mother and Laila Z encountered the same rare bird before their deaths. In fact, Laila Z’s past is intimately tied to his mother’s—and his grandmother’s—in ways he never could have expected. Even more surprising, Laila Z’s story reveals the histories of queer and transgender people within his own community that he never knew. Realizing that he isn’t and has never been alone, he has the courage to officially claim a new name: Nadir, an Arabic name meaning rare. As unprecedented numbers of birds are mysteriously drawn to the New York City skies, Nadir enlists the help of his family and friends to unravel what happened to Laila Z and the rare bird his mother died trying to save. Following his mother’s ghost, he uncovers the silences kept in the name of survival by his own community, his own family, and within himself, and discovers the family that was there all along. Featuring Zeyn Joukhadar’s signature storytelling, The Thirty Names of Night is a timely exploration of how we all search for and ultimately embrace who we are.

A sharp and timely book about the dark art of manipulation through weaponized storytelling Best-selling author Annalee Newitz traces the way disinformation, propaganda, and violent threats—the essential tool kit for psychological warfare—have evolved from military weapons used against foreign adversaries into tools used in domestic culture wars. Newitz delves into America’s deep-rooted history with psychological operations, beginning with Benjamin Franklin’s Revolutionary War–era fake newspaper and reaching its apotheosis with disinformation during twenty-first–century elections. The nation’s secret weapon has long been coercive storytelling, fashioned by operatives who drew on their experiences in the ad industry and as science-fiction writers. Now, through a weapons-transfer program long unacknowledged, it has found its way into the hands of culture warriors, in conflicts from school-board fights over LGBTQ+ students to campaigns against feminist viewpoints. Stories Are Weapons delivers a powerful counter-narrative, as Newitz highlights the process of psychological disarmament, speaking with Indigenous archivists preserving their histories in new ways, activist storytellers, and technology experts transforming social media.

Ken Follett is known worldwide as the master of split-second suspense, but his most beloved and bestselling book tells the magnificent tale of a twelfth-century monk driven to do the seemingly impossible: build the greatest Gothic cathedral the world has ever known. Everything readers expect from Follett is here: intrigue, fast-paced action, and passionate romance. But what makes The Pillars of the Earth extraordinary is the time the twelfth century; the place feudal England; and the subject the building of a glorious cathedral. Follett has re-created the crude, flamboyant England of the Middle Ages in every detail. The vast forests, the walled towns, the castles, and the monasteries become a familiar landscape. Against this richly imagined and intricately interwoven backdrop, filled with the ravages of war and the rhythms of daily life, the master storyteller draws the reader irresistibly into the intertwined lives of his characters into their dreams, their labors, and their loves: Tom, the master builder; Aliena, the ravishingly beautiful noblewoman; Philip, the prior of Kingsbridge; Jack, the artist in stone; and Ellen, the woman of the forest who casts a terrifying curse. From humble stonemason to imperious monarch, each character is brought vividly to life. The building of the cathedral, with the almost eerie artistry of the unschooled stonemasons, is the center of the drama. Around the site of the construction, Follett weaves a story of betrayal, revenge, and love, which begins with the public hanging of an innocent man and ends with the humiliation of a king. For the TV tie-in edition with the same ISBN go to this Alternate Cover Edition <bar<

The Fisherman can't fathom why anyone would want to be human. Small wonder. They've been ripped from their underwater home under Europa's ice, and stripped of their skin--the nebulous outer layer that enables them to shapeshift for survival. Imprisoned on a ship that's hunting for a mad undersea god, they must help the crew find it if they want to retrieve their skin and return home. Dame Isobel, an insane young heiress, owns the ship, desperate to find the god in the hopes that it will heal her lobotomized girlfriend. The Fisherman is stuck in a female human form. They're pulled into a toxic, codependent sexual relationship with Dame Isobel-- in a world where homosexuality is punishable by death. In the midst of this insanity, it's quite clear to the Fisherman: Humanity is confusing, inefficient, and messy. When Isobel reveals that she will never let the Fisherman go, even if they find the mad god, the Fisherman knows: It's time to get violent.

When a fall from the mast leaves Alba Marsh unable to sail, he finally has the chance to run away from his family debts in search of a better life. He hopes to reunite with his mother, Edythe, where they always promised to meet if things went awry, but finding the small, secluded, secretive town of Moon Harbor proves a greater challenge than Alba ever expected. Worse, upon arriving, no one seems to know anyone by the name Edythe Marsh at all. Taking a job as the local lighthouse keeper while waiting for her to come, Alba attempts to find peace in his stolen freedom--but the sea has other plans. First come the shadows, then the voices, then watery trails left on the floor while he sleeps. He's inundated with erotic dreams of sirens calling out to him, and distant singing haunts his waking hours, all while the townspeople claim to hear nothing. After a debtor catches up with him and he's forced to dispose of their body in the harbor, Alba is interrupted by Eridanys, the last merrow of Moon Harbor, who curses him from leaving until he can find out what happened to the other merrow that once filled those waters. Eridanys' demands, both mental and physical, are exhausting and endless--but as their relationship deepens, and Moon Harbor’s long-kept secrets are butterflied open to see, it becomes clear they may both be prey to the town in ways neither of them ever anticipated. A BONE IN HIS TEETH is an adult, queer, trans/M dark fantasy/romance with horror elements. Coming May 17, 2024.

They're beautiful. They're alluring. But don't get too close. The women of the sea are starving... Georgia Woodrow isn't winning any prizes for Daughter of the Year--it's been far too long since she last visited home, for starters. But after receiving a late-night phone call from her father, she finds it impossible to stay away... Georgia's sister has gone missing. Sixteen years old, vanished in the dead of night, and hardly a clue to go on. No friends, no lovers, no belongings taken. However, after flying home to be with their father, Georgia soon uncovers a strange secret of her sister's--a dark fascination Georgia can't begin to understand, but which leads her to the dark shores at the edge of town... ...to the ocean deep, where a blood-soaked mystery threatens to claim Georgia just as it's claimed so many lives before her.

2021 LODESTAR AWARD for BEST YOUNG ADULT BOOK Fourteen-year-old Mona isn’t like the wizards charged with defending the city. She can’t control lightning or speak to water. Her familiar is a sourdough starter and her magic only works on bread. She has a comfortable life in her aunt’s bakery making gingerbread men dance. But Mona’s life is turned upside down when she finds a dead body on the bakery floor. An assassin is stalking the streets of Mona’s city, preying on magic folk, and it appears that Mona is his next target. And in an embattled city suddenly bereft of wizards, the assassin may be the least of Mona’s worries…