The first biography of Ericka Huggins, a queer Black woman who brought spiritual self-care practices to the Black Panther Party.In this groundbreaking biography, Mary Frances Phillips immerses readers in the life and legacy of Ericka Huggins, a revered Black Panther Party member, as well as a mother, widow, educator, poet, and former political prisoner. In 1969, the police arrested Ericka Huggins along with Bobby Seale and fellow Black Panther Party members, who were accused of murdering Alex Rackley. This marked the beginning of her ordeal, as she became the subject of political persecution and a well-planned FBI COINTELPRO plot.Drawing on never-before-seen archival sources, including prison records, unpublished letters, photographs, FBI records, and oral histories, Phillips foregrounds the paramount role of self-care and community care in Huggins’s political journey, shedding light on Ericka’s use of spiritual wellness practices she developed during her incarceration. In prison, Huggins was able to survive the repression and terror she faced while navigating motherhood through her unwavering commitment to spiritual practices. In showcasing this history, Phillips reveals the significance of spiritual wellness in the Black Panther Party and Black Power movement.Transcending the traditional male-centric study of the Black Panther Party, Black Panther Woman offers an innovative analysis of Black political life at the intersections of gender, motherhood, and mass incarceration. This book serves as an invaluable toolkit for contemporary activists, underscoring the power of radical acts of care as well as vital strategies to thrive in the world.

From the author of The Postmortal, a fantasy saga unlike any you’ve read before, weaving elements of folk tale and video game into a riveting, unforgettable adventure of what a man will endure to return to his family  When Ben, a suburban family man, takes a business trip to rural Pennsylvania, he decides to spend the afternoon before his dinner meeting on a short hike. Once he sets out into the woods behind his hotel, he quickly comes to realize that the path he has chosen cannot be given up easily. With no choice but to move forward, Ben finds himself falling deeper and deeper into a world of man-eating giants, bizarre demons, and colossal insects.  On a quest of epic, life-or-death proportions, Ben finds help comes in some of the most unexpected forms, including a profane crustacean and a variety of magical objects, tools, and potions. Desperate to return to his family, Ben is determined to track down the “Producer,” the creator of the world in which he is being held hostage and the only one who can free him from the path.   At once bitingly funny and emotionally absorbing, Magary’s novel is a remarkably unique addition to the contemporary fantasy genre, one that draws as easily from the world of classic folk tales as it does from video games. In The Hike, Magary takes readers on a daring odyssey away from our day-to-day grind and transports them into an enthralling world propelled by heart, imagination, and survival.

Ethshar and the Northern Empire have been at war for hundreds of years. Hardly anyone alive remembers why, or over what. The tempest, turmoil, and war are endless, and the killing more endless still. The war has become not just a way of life, but an institution; no one dares to dream that it could end. Not even Valder of Kardoret, Ethsharitic Scout, trapped behind enemy lines. But now everything has changed: at a moment of great need, a hermit wizard crafted Valder a magic sword called Wirikidor - a blade at once cursed and enchanted, a misenchanted blade that makes him unbeatable. Soon the tides of battle will turn, and once they've turned they'll turn forever.

The award-winning poet Anne Carson reinvents a genre in Autobiography of Red, a stunning work that is both a novel and a poem, both an unconventional re-creation of an ancient Greek myth and a wholly original coming-of-age story set in the present. Geryon, a young boy who is also a winged red monster, reveals the volcanic terrain of his fragile, tormented soul in an autobiography he begins at the age of five. As he grows older, Geryon escapes his abusive brother and affectionate but ineffectual mother, finding solace behind the lens of his camera and in the arms of a young man named Herakles, a cavalier drifter who leaves him at the peak of infatuation. When Herakles reappears years later, Geryon confronts again the pain of his desire and embarks on a journey that will unleash his creative imagination to its fullest extent. By turns whimsical and haunting, erudite and accessible, richly layered and deceptively simple, Autobiography of Red is a profoundly moving portrait of an artist coming to terms with the fantastic accident of who he is. "A profound love story . . . sensuous and funny, poignant, musical and tender." -- The New York Times Book Review "A deeply odd and immensely engaging book. . . . [Carson] exposes with passionate force the mythic underlying the explosive everyday."  -- The Village Voice A NEW YORK TIMES NOTABLE BOOK OF THE YEAR National book Critics Circle Award Finalist

From the beloved New York Times opinion writer and bestselling author of Late Migrations comes a “howling love letter to the world” (Ann Patchett): a luminous book that traces the passing of seasons, personal and natural. In The Comfort of Crows , Margaret Renkl presents a literary fifty-two chapters that follow the creatures and plants in her backyard over the course of a year. As we move through the seasons—from a crow spied on New Year’s Day, its resourcefulness and sense of community setting a theme for the year, to the lingering bluebirds of December, revisiting the nest box they used in spring—what develops is a portrait of joy and joy in the ongoing pleasures of the natural world, and grief over winters that end too soon and songbirds that grow fewer and fewer. Along the way, we also glimpse the changing rhythms of a human life. Grown children, unexpectedly home during the pandemic, prepare to depart once more. Birdsong and night-blooming flowers evoke generations past. The city and the country where Renkl raised her family transform a little more with each passing day. And the natural world, now in visible flux, requires every ounce of hope and commitment from the author—and from us. For, as Renkl writes, “radiant things are bursting forth in the darkest places, in the smallest nooks and deepest cracks of the hidden world.” With fifty-two original color artworks by the author’s brother, Billy Renkl, The Comfort of Crows is a lovely and deeply moving book from a cherished observer of the natural world.

Sally Delavega, the best demon-binder the world has ever seen, would do anything to banish the two hundred ghosts trapped in his head—even if it means swimming up from the bottom of his tankard. When the Navy that destroyed his life comes sailing back to offer enough coin to get the job done, Sally agrees. All he has to do is help the crew of the Steadfast track down the ancient abyssal that lies sleeping at the heart of their drowned world. Why the Navy wants the demon isn’t Sally’s problem. But as they sail on, Sally begins to dredge up disturbing truths about how the world flooded and their ancient eldritch quarry that might just want to be found… Imaginative and poignant, funny and bizarre, Demon Engine brings us a bold, queer high-seas adventure that asks how deep we might venture for what we aren’t willing to lose.

If you're not paying for the product, then you are the product.In the past, colonialism was a landgrab of natural resources, exploitative labour and private property from developing countries. It made shiny promises to modernise and civilise, but actually sought to control. It made native populations sign contracts they didn't understand, and took resources just because they were there.Colonialism has not disappeared it has taken a new form. In the new world order where data is the new oil, big Tech companies are grabbing our most basic natural resources - our data - exploiting our labour and connections, and repackaging our information to control our views, track our movements, record our conversations and discriminate against us. They tell us this is for our own good, to build innovation and develop new technology. But in fact every time we unthinkingly click 'Accept' on Terms and Conditions, we allow our most personal information to kept indefinitely, repackaged by big Tech companies to control and exploit us for their own profit.This is the era of data colonialism. The new colonial landgrab is a DATAGRAB.In this searing, cutting-edge guide, two leading global researchers and founders of the concept of data colonialism reveal how history can help us understand the emerging future - and how we can fight back.

In 1600s Amsterdam, two women—a painter and her assistant—defy the norms of their time as they take on the male-dominated art world and fall in love—from “fantastic prose writer” (Vulture) and “true master” (Guernica), Victoria Redel.“I loved it in a way that is no doubt different than other books I have loved. The period and touches on time, sexual politics, art, history, class, women’s rights and the significance of Amsterdam and all the details the author shares of this particularly rich period kept me thoroughly engaged and is a brilliant backdrop to Gerta and Maria’s story.” —Sarah Jessica Parker, SJP Lit At seven years old, Gerta’s hair is lopped off and she’s sent to work for the Oosterwijcks under the name Pieter because it’s a boy they need. As Pieter, she splits wood, minds the hens and rabbits, scrubs the wooden floors of the house, and tends the garden—all while the family’s teenage daughter, Maria, looks on, sketching Pieter’s every movement. A few years later at the dinner table Maria lays Gerta’s deception open alongside a demand that Gerta accompany her to Utrecht, where Maria will apprentice in the workshop of a famous painter.     In Utrecht, Maria learns to paint skilled still lives—though she is the only woman in her workshop and because of her gender will never be accepted into the painters’ guild. As Maria ascends to great heights of skill and fame, the relationship between maid and employer deepens and shifts, and it becomes clear that Gerta, too, possesses abilities far beyond what society expects.    Inspired by the little that is known about Maria van Oosterwijck’s actual life, I Am You is a love story, a meditation on gender—the ways it binds and frees us—and an ode to artistic creation. As beautifully wrought as Oosterwijck’s paintings delicate, blazing in color, and at times enveloped in shadow, Victoria Redel’s new novel brings to life the copious spoils of Amsterdam’s Golden Age, and the perils that lay hidden within them for women like Maria and Gerta.

Grounded in the reality of the violence and abuse inherent in prostitution – and profoundly affected by the death of a friend to prostitution in Spain – activist and writer Kajsa Ekis Ekman exposes the many lies in the "sex work" scenario in this polemic in which she also criticizes the booming surrogacy industry. The author places the theory that it is possible to separate the "self" from the body, thus making it possible to sell the body for sex without compromising an individual's fundamental human dignity – a key argument of the pro-sex worker narrative – under the microscope. Taking the belief at face value, she extends it to the practice of surrogacy, pointing out that if a woman is neither connected to her body nor to the child that grows within her, surrogacy itself can be viewed as a form or prostitution where the product sold is a baby, rather than sex. If this is the case, Ekis Ekman argues, is surrogacy not a form of child trafficking? Written with a razor-sharp intellect and disarming wit, this illuminating exposé seeks to highlight the dangers of commodifying the human body and presents both prostitution and surrogacy as emotionally fraught enterprises rife with power imbalances and the potential for abuse.

Eleanore of Avignon is the story of a woman who is unwilling to bend to the limitations her society places upon her when she becomes the unlikely apprentice to the pope’s physician at the most challenging and dangerous moment in medieval European history. Provence, 1347. Eleanore (Elea) Blanchet is a midwife and budding herbalist with remarkable skills. But as she knows all too well from her late mother’s fate, she must be careful to stay within her station. So, she quietly accepts her role tending to the pregnant women in her home city of Avignon; spending time with her father and beloved twin sister, Margot; and escaping to the surrounding woods to forage for herbs when she can. At the very least, she is determined to preserve the little freedom she does have by staying unwed—unlike Margot, who is about to marry a man with painful connections to their mother’s death. Then, in a chance encounter, Elea meets Guy de Chauliac, “Guigo,” the enigmatic personal physician to the powerful Pope Clement, who, against all odds, agrees to take her on as his apprentice. Under his tutelage, a whole new world opens to Elea—a world of status, wealth, and fascinating medical cases—but just as she starts to settle into her new position, the much-feared plague hits Europe, making Elea and Guigo's work more urgent than ever. And as if that weren’t enough, the disgraced Queen Joanna of Naples arrives in Avignon to stand trial for her husband’s murder—and she is pregnant and in need of a midwife, a role only Elea can fill. As the Black Death spreads like wildfire, leaving half the city dead in its wake—and as the queen's childbirth approaches—Elea finds herself battling what seems to be an unwinnable war. All the while, the people of Avignon are becoming more and more desperate for a scapegoat, and a group of religious heretics launch a witch hunt, one that could cost her everything.

THE CHURCH OF THE MOUNTAIN OF FLESH is a cosmic horror novel about mad artists, bodies spiralling out of control, and a trans man's merciless desperation. Sole De Gasinis drowns his grief in wine and buries his hatred of his body in twisted sculptures. When, one drunken night on the beach, God orders him to rebuild his village's church, he knows he wasn't chosen for his piety. Instead, he and God make a deal. If Sole rebuilds the church, God will give him the body of a man. As Sole works in a frenzy for salvation, lifelong friendships decay, a village united to tear down its church fractures into pariahs and zealots, and power and grief reshape the prophet into a tyrant. Grief for a boy he fell in love with ten years ago, who claimed to be a virgin birth, who died in agony in the church crypt when the God inside him wanted out -- and whose monstrous remnant Sole must commune with for every piece of his prize.