Solidarity begins at home: a primer on freedom and equality in families and households. Trust Kids! weaves together essays, interviews, poems, and artwork from scholars, activists, and artists about our relationships with children in all areas of our lives. At the heart of the book are conversations about all the ways that children can be included, loved, and cared for in more generative, just, and egalitarian ways. Its essays explore the liberatory potential of consent and autonomy in relationships among children, youth, and the adults in their lives. They also trace how oppressive attitudes toward children, far from being “natural” forms of kinship with the youngest members of our families and communities, have identifiable social and historical roots. The contributors, writing from different backgrounds, genders, ages, and sexualities, combine past lineages with more recent child-rearing ideas to offer a fresh, inspiring perspective. Many works on parenting and families wind up re-inscribing hierarchies by declaring how kids should be liberated. Trust Kids! insists on youth autonomy, listening to youth, and questioning adult supremacy on every page.

Suppose you knew that, though you yourself would live your life to its natural end, the earth and all its inhabitants would be destroyed thirty days after your death. To what extent would you remain committed to your current projects and plans? Would scientists still search for a cure for cancer? Would couples still want children? In Death and the Afterlife , philosopher Samuel Scheffler poses this thought experiment in order to show that the continued life of the human race after our deaths--the "afterlife" of the title--matters to us to an astonishing and previously neglected degree. Indeed, Scheffler shows that, in certain important respects, the future existence of people who are as yet unborn matters more to us than our own continued existence and the continued existence of those we love. Without the expectation that humanity has a future, many of the things that now matter to us would cease to do so. By contrast, the prospect of our own deaths does little to undermine our confidence in the value of our activities. Despite the terror we may feel when contemplating our deaths, the prospect of humanity's imminent extinction would pose a far greater threat to our ability to lead lives of wholehearted engagement. Scheffler further demonstrates that, although we are not unreasonable to fear death, personal immortality, like the imminent extinction of humanity, would also undermine our confidence in the values we hold dear. His arresting conclusion is that, in order for us to lead value-laden lives, what is necessary is that we ourselves should die and that others should live. Death and the Afterlife concludes with commentary by four distinguished philosophers--Harry Frankfurt, Niko Kolodny, Seana Shiffrin, and Susan Wolf--who discuss Scheffler's ideas with insight and imagination. Scheffler adds a final reply.

What is death? Do people survive death? What do we mean when we say that someone is "dying"? Presenting a clear and engaging discussion of the classic philosophical questions surrounding death, this book studies the great metaphysical and moral problems of death. In the first part, Feldman shows that a definition of life is necessary before death can be defined. After exploring several of the most plausible accounts of the nature of life and demonstrating their failure, he goes on to propose his own conceptual scheme for death and related concepts. In the second part, Feldman turns to ethical and value-theoretical questions about death. Addressing the ancient Epicurean ethical problem about the evil of death, he argues that death can be a great evil for those who die, even if they do not exist after death, because it may deprive them of the goods they would have enjoyed if they had continued to live. Confrontations with the Reaper concludes with a novel consequentialist theory about the morality of killing, applying it to such thorny practical issues as abortion, suicide, and euthanasia.

A boy living on Mars unexpectedly becomes a dragon rider in this first book in the sci-fi and fantasy mash-up The Dragonships series, sure to delight fans of Skandar and Eragon.Keep your eyes down and your feet moving, or this planet will rust you. That’s what Lunar Jones tells the other kids at the relocation clinic. All of them were born on Mars, a planet that never wanted people in the first place. With resources scarce and hope even scarcer, it’s easy to get distracted looking up. After all, their ancestors descended from the stars. Martian history always starts with Earth. The first astronauts discovered that space was already occupied. Not by little green men or flying saucers. It was full of dragons. One for every moon, every planet, every star. When humanity discovered that Earth’s dragon had sacrificed herself to make their home planet habitable, they set their sights on Mars. If one dead dragon could breathe life into a world, why not create another one? Mankind won the war that followed, but with one catch. As the dragon died, he whispered a curse over Mars. The first settlers found their crops wouldn’t grow. Animals hunted them. Storms raged endlessly. It took three generations to figure out the Mars was doomed. Lunar knows all the old stories about dragons and space, but no one up there’s planning to help him or his crew. Instead, he focuses on scrapping valuable gear that the storms uncover in the war zone. Until one day, a salvaging run goes wrong. Desperate to find shelter, Lunar goes underground in a restricted zone. What he finds there, buried in the Martian dust, might just be the only hope left for a dying planet.

In Bodyminds Reimagined Sami Schalk traces how black women's speculative fiction complicates the understanding of bodyminds—the intertwinement of the mental and the physical—in the context of race, gender, and (dis)ability. Bridging black feminist theory with disability studies, Schalk demonstrates that this genre's political potential lies in the authors' creation of bodyminds that transcend reality's limitations. She reads (dis)ability in neo-slave narratives by Octavia Butler ( Kindred ) and Phyllis Alesia Perry ( Stigmata ) not only as representing the literal injuries suffered under slavery, but also as a metaphor for the legacy of racial violence. The fantasy worlds in works by N. K. Jemisin, Shawntelle Madison, and Nalo Hopkinson—where werewolves have obsessive-compulsive-disorder and blind demons can see magic—destabilize social categories and definitions of the human, calling into question the very nature of identity. In these texts, as well as in Butler’s Parable series, able-mindedness and able-bodiedness are socially constructed and upheld through racial and gendered norms. Outlining (dis)ability's centrality to speculative fiction, Schalk shows how these works open new social possibilities while changing conceptualizations of identity and oppression through nonrealist contexts.

Get a close-up look at the world of insects with the fifth book in Julia Rothman's Anatomy a delightfully illustrated guide to the fascinating insects, bugs, arachnids, and other creatures that populate our planet by the billions. Millions of species of insects fly, crawl, dig, swarm, and eat on every continent. Our very existence depends on them; without pollinators, we would have no food, and without decomposers, the world would be covered in decaying plant and animal material. With her signature style, Julia Rothman delves into this incredible world, uncovering amazing facts about bees, beetles, butterflies, and so much more.

Producer, editor, and writer behind the highly addictive, informative, and popular YouTube channel The Nerdwriter , Evan Puschak presents “a brilliant, wide-ranging essay collection that explores meaning and how we make it with the thoughtfulness and open-hearted generosity that have long been hallmarks of Puschak’s writing” (John Green, New York Times bestselling author). As YouTube’s The Nerdwriter , Evan Puschak plays the polymath, posing questions and providing answers across a wide range of fields—from the power of a split diopter shot in Toy Story 4 to the political dangers of schadenfreude. Now, he brings that same insatiable curiosity and striking wit to this engaging and unputdownable essay collection. Perfect for fans of Trick Mirror and the writing of John Hodgman and Chuck Klosterman, Escape into Meaning is “a passionate, perceptive” (Hua Hsu, author of Stay True ) compendium of fascinating insights into obsession. Whether you’re interested in the philosophy of Jerry Seinfeld or how Clark Kent is the real hero, there’s something for everyone in this effervescent collection.

From the legendary music producer, a master at helping people connect with the wellsprings of their creativity, comes a beautifully crafted book many years in the making that offers that same deep wisdom to all of us. "A gorgeous and inspiring work of art on creation, creativity, the work of the artist. It will gladden the hearts of writers and artists everywhere, and get them working again with a new sense of meaning and direction. A stunning accomplishment." --Anne Lamott "I set out to write a book about what to do to make a great work of art. Instead, it revealed itself to be a book on how to be." --Rick Rubin Many famed music producers are known for a particular sound that has its day. Rick Rubin is known for something else: creating a space where artists of all different genres and traditions can home in on who they really are and what they really offer. He has made a practice of helping people transcend their self-imposed expectations in order to reconnect with a state of innocence from which the surprising becomes inevitable. Over the years, as he has thought deeply about where creativity comes from and where it doesn't, he has learned that being an artist isn't about your specific output, it's about your relationship to the world. Creativity has a place in everyone's life, and everyone can make that place larger. In fact, there are few more important responsibilities. The Creative Act is a beautiful and generous course of study that illuminates the path of the artist as a road we all can follow. It distills the wisdom gleaned from a lifetime's work into a luminous reading experience that puts the power to create moments--and lifetimes--of exhilaration and transcendence within closer reach for all of us.

A young professor grapples with homophobia in Muslim Senegal in this searching, heart-wrenching novel from the National Book Award–longlisted author of The Most Secret Memory of Men. A viral video makes the rounds in Dakar, showing an incensed crowd that gathers to dig up a grave and drag the corpse from holy ground. When Ndéné, a French literature teacher, watches it, he’s surprisingly affected. Who was this man, and what could he have done to deserve such a fate? The answer soon becomes clear: he was a “góor-jigéen,” one of the so-called “men-women,” the shameful label given to homosexuals, cross-dressers, or any man who lives outside the accepted norm. Haunted by the video, Ndéné sets out to learn more. With the help of a friend who works in night life, he explores a hidden side of Dakar, away from the rigid Islam of his family and university. Although he feels a certain disgust for homosexuality, he’s moved by the suffering and resilience of the people he meets. But the further he goes, the more he doubts his own identity, threatening to become an object of suspicion and scorn himself. A powerful, nuanced portrait of queerness in a conservative society, Pure Men asks the fundamental question of how to find the courage to be true to yourself, whatever the cost.

A New York Times Notable Book Empress Dowager Cixi (1835–1908) is the most important woman in Chinese history. She ruled China for decades and brought a medieval empire into the modern age. At the age of sixteen, in a nationwide selection for royal consorts, Cixi was chosen as one of the emperor’s numerous concubines. When he died in 1861, their five-year-old son succeeded to the throne. Cixi at once launched a palace coup against the regents appointed by her husband and made herself the real ruler of China—behind the throne, literally, with a silk screen separating her from her officials who were all male. In this groundbreaking biography, Jung Chang vividly describes how Cixi fought against monumental obstacles to change China. Under her the ancient country attained virtually all the attributes of a modern industries, railways, electricity, the telegraph and an army and navy with up-to-date weaponry. It was she who abolished gruesome punishments like “death by a thousand cuts” and put an end to foot-binding. She inaugurated women’s liberation and embarked on the path to introduce parliamentary elections to China. Chang comprehensively overturns the conventional view of Cixi as a diehard conservative and cruel despot. Cixi reigned during extraordinary times and had to deal with a host of major national the Taiping and Boxer rebellions, wars with France and Japan—and an invasion by eight allied powers including Britain, Germany, Russia and the United States. Jung Chang not only records the Empress Dowager’s conduct of domestic and foreign affairs, but also takes the reader into the depths of her splendid Summer Palace and the harem of Beijing’s Forbidden City, where she lived surrounded by eunuchs—one of whom she fell in love, with tragic consequences. The world Chang describes here, in fascinating detail, seems almost unbelievable in its extraordinary mixture of the very old and the very new. Based on newly available, mostly Chinese, historical documents such as court records, official and private correspondence, diaries and eyewitness accounts, this biography will revolutionize historical thinking about a crucial period in China’s—and the world’s—history. Packed with drama, fast paced and gripping, it is both a panoramic depiction of the birth of modern China and an intimate portrait of a as the concubine to a monarch, as the absolute ruler of a third of the world’s population, and as a unique stateswoman.

The author of It’s Me They Follow chronicles the improbable true story of how she left an abusive past to build a bookshop that survived the Covid pandemic and become an international sensation. Jeannine Cook always thought she’d open a bookshop in her old age. Raised by a blind librarian, books were integral to her life, and she expected she would eventually write one as well. Instead, Jeannine found herself a burnt-out workaholic with three jobs and no time to read or write, feeling like she hadn't fulfilled her purpose. In her journal, Jeannine began an imaginary dialogue with Harriet Tubman, “Q&As” she dubbed Conversations with Harriett. Jeannine wondered how Harriet became a “wade through waist-high water in the type of woman—and how she could become one too. On February 1, 2020, Jeannine fulfilled her dream and opened a bookstore in Philadelphia which she named after her hero and inspiration, Harriet Tubman. Harriett’s Bookshop would be a place to celebrate women authors, artists, and activists. While the name was ironic—Harriet could neither read nor write—it was also fitting. The City of Brotherly love was one of Harriet's first stops to freedom on the Underground Railroad. But in only six weeks, Jeannine would be forced to shut the shop’s doors when Covid turned the world upside down—not knowing whether her dream would survive. Five years later, this small independent bookshop is thriving, with satellite stores in unconventional places, from movie theaters to horse trailers. Despite global death and destruction, book bans, the downward spiral in readership, the lack of physical customers, AI, and more, Jeannine's shops have survived. Shut Up & Read is her story—the story of the little bookseller who could, and of the woman who has been the driving force behind it all.

In the early years of the 20th century, a group of female factory workers in Newark, New Jersey slowly died of radiation poisoning. Around the same time, an Indian elephant was deliberately put to death by electricity in Coney Island. These are the facts. Now these two tragedies are intertwined in a dark alternate history of rage, radioactivity, and injustice crying out to be righted. Prepare yourself for a wrenching journey that crosses eras, chronicling histories of cruelty both grand and petty in search of meaning and justice.

An experimental horror-lit set in the near future about connection and isolation. The Office meets A Clockwork Orange. Set in the world of social media moderators, @Sa>ag3 and @Jun1p3r must survive their first 90 days to qualify for benefits and a life-changing mystery bonus. As they flag a nonstop torrent of the most heinous [NSFW] videos, their coping mechanisms expand to include on-the-job sex, drugs, and a jellyfish. But when copium is no longer an option, @Sa>ag3 & @Jun1p3r turn to a more bizarre form of therapy: intimacy. Meanwhile a stream of ominous warning videos keeps popping up... COMING SOON... hinting at an event that will alter the American landscape. @Sa>ag3 & @Jun1p3r are on the digital front line with their finger on the DELETE button. Will love survive in this new age?

From the Booker-winning author of Shuggie Bain and Young Mungo comes a vivid, moving, and beautifully crafted novel following a young man returning to his Hebridean island home, a portrait of a close-knit community and a fraying family, of a father’s expectations and a son’s desires Out of money and with little to show for his art school education, John-Calum Macleod takes the ferry back home to the island of Harris to find that little has changed except for him. In the windswept croft where he grew up, Cal begrudgingly resumes his old life, stuck between the two poles of his childhood: his father John, a sheep farmer, tweed weaver, and pillar of their local Presbyterian church, and his maternal grandmother Ella, a profanity-loving Glaswegian who has kept a faltering peace with her son-in-law for several decades. Cal wonders if any lonely men might be found on the barren hillsides of home, while John is dismayed by his son’s long hair and how he seems unwilling to be Saved. As lambing season turns to shearing season, everything seems poised to change as the threads holding together the fragile community become increasingly knotted. John of John is a singular novel about duty and patience and the transformative power of the truth. It is a magnificent literary work that shows Douglas Stuart working at an even higher level of artistic creation.