How to Keep House While Drowning will introduce you to six life-changing principles that will revolutionize the way you approach home care—without endless to-do lists. Presented in 31 daily thoughts, this compassionate guide will help you begin to get free of the shame and anxiety you feel over home care. Inside you will learn: · How to shift your perspective of care tasks from moral to functional; · How to stop negative self-talk and shame around care tasks; · How to give yourself permission to rest, even when things aren’t finished; · How to motivate yourself to care for your space.

In the tradition of Station Eleven, a literary thriller set partly on the roof of New York’s Museum of Natural History in a flooded future. All the Water in the World is told in the voice of a girl gifted with a deep feeling for water. In the years after the glaciers melt, Nonie, her older sister and her parents and their researcher friends have stayed behind in an almost deserted New York City, creating a settlement on the roof of the American Museum of Natural History. The rule: Take from the exhibits only in dire need. They hunt and grow their food in Central Park as they work to save the collections of human history and science. When a superstorm breaches the city’s flood walls, Nonie and her family must escape north on the Hudson. They carry with them a book that holds their records of the lost collections. Racing on the swollen river towards what may be safety, they encounter communities that have adapted in very different and sometimes frightening ways to the new reality. But they are determined to find a way to make a new world that honors all they've saved. Inspired by the stories of the curators in Iraq and Leningrad who worked to protect their collections from war, All the Water in the World is both a meditation on what we save from collapse and an adventure story—with danger, storms, and a fight for survival. In the spirit of From the Mixed-Up Files of Mrs. Basil E. Frankweiler and Parable of the Sower, this wild journey offers the hope that what matters most – love and work, community and knowledge – will survive.

What do cinematic “universes,” cloud archiving, and voice cloning have in common? They’re in the business of foreverizing – the process of revitalizing things that have degraded, failed, or disappeared so that they can remain active in the present. To foreverize something is to reanimate it, to enclose and protect it from time and the elements, and to eradicate the feeling of nostalgia that accompanies loss. Foreverizing is a bulwark against instability, but it isn’t an infallible enterprise. That which is promised to last forever often does not, and that which is disposed of can sometimes last, disturbingly, forever. In this groundbreaking book, American philosopher Grafton Tanner develops his theory of an anti-nostalgic discourse that promises growth without change and life without loss. Engaging with pressing issues from the ecological impact of data storage to the rise of reboot culture, Tanner tracks the implications of a society averse to nostalgia and reveals the new weapons we have for eliminating it.

This is what it looks like when coral dies. Present day. Marine biologist Hana Ishikawa is racing against time to save the coral of the Great Barrier Reef, but struggles to fight for a future in a world where so much has already been lost. 1839. Seventeen-year-old Judith Holliman escapes the monotony of Sydney Town when her naval captain father lets her accompany him on a voyage, unaware of the wonders and dangers she will soon encounter. The sun-scorched 22nd century. Telma Velasco is hunting for a miracle: a leafy seadragon, long believed extinct, has been sighted. But as Telma investigates, she finds hope in unexpected places. Three women: divided by time, connected by the ocean. Past, present and future collide in E. J. Swift’s The Coral Bones, a powerful elegy to a disappearing world – and a vision of a more hopeful future.

A woman turns herself into a forest after long being co-opted to serve as the subject of her husband’s novels—this surrealist fable challenges traditional gender attitudes and exploitation in the literary world Nowatari Rui has long been the subject of her husband’s novels, depicted as a pure woman who takes great pleasure in sex. With her privacy and identity continually stripped away, she has come to be seen by society first and foremost as the inspiration for her husband’s art. When a decade’s worth of frustrations reaches its boiling point, Rui consumes a bowl of seeds, and buds and roots begin to sprout all over her body. Instead of taking her to a hospital, her husband keeps her in an aquaterrarium, set to compose a new novel based on this unsettling experience. But Rui breaks away from her husband by growing into a forest—and in time, she takes over the entire city. As fantasy and reality bleed together, The Forest Brims Over challenges unconscious gender biases and explores the boundaries between art and exploitation—muse abuse—in the literary world.

24/7: Late Capitalism and the Ends of Sleep explores some of the ruinous consequences of the expanding non-stop processes of twenty-first-century capitalism. The marketplace now operates through every hour of the clock, pushing us into constant activity and eroding forms of community and political expression, damaging the fabric of everyday life. Jonathan Crary examines how this interminable non-time blurs any separation between an intensified, ubiquitous consumerism and emerging strategies of control and surveillance. He describes the ongoing management of individual attentiveness and the impairment of perception within the compulsory routines of contemporary technological culture. At the same time, he shows that human sleep, as a restorative withdrawal that is intrinsically incompatible with 24/7 capitalism, points to other more formidable and collective refusals of world-destroying patterns of growth and accumulation.

Squid Game meets The Left Hand of Darkness meets Under the Skin in this radical literary sensation from South Korea about an alien's hunt for food that transforms into an existential crisis about what it means to be human. After crashing their spacecraft in the middle of nowhere, a shapeshifting alien find themself stranded on an unfamiliar planet and disabled by Earth's gravity. To survive, they will need to practice walking. And what better way than to hunt for food? As they discover, humans are delicious. Intelligent, clever, and adaptable, the alien shift their gender, appearance, and conduct to suit a prey's sexual preference, then attack at the pivotal moment of their encounter. They use a variety of hunting tools, including a popular dating app, to target the juiciest prey and carry a backpack filled with torturous instruments and cleaning equipment. But the alien's existence begins to unravel one night when they fail to kill their latest meal. Thrust into an ill-fated chase across the city, the alien is confronted with the psychological and physical tolls their experience on Earth has taken. Questioning what they must do to sustain their own survival, they begin to understand why humans also fight to live. But their hunger is insatiable, and the alien once again targets a new prey, not knowing what awaits. . . . Dolki Min's haunting debut novel is part psychological thriller, part searing critique of the social structures that marginalize those who are different--the disabled, queer, and nonconformist. Walking Practice uncovers humanity in who we consider to be alien, and illuminates how alienation can shape the human experience. Walking Practice features 21 black-and-white line drawings throughout. Translated from the Korean by Victoria Caudle

From evolution to capitalism, ‘survival of the fittest’ has shaped our view of the world. But we got it wrong – and our mistake has brought us to the brink.For the history of life on Earth is much more than a story of competition. The natural world has been forged and sustained by small miracles of co-operation between animals and plants, insects and fungi, fish and bacteria – these partnerships are ubiquitous, lifelong and are an essential guide for a better future.In Togetherness, Rowan Hooper reveals the intimate connectedness of nature through these remarkable stories of symbiosis. From the female wasp venturing deep inside a fig and the intricate relationship between corals and the algae that sustain them to the symbiotic gut microbes that influence our moods, he explores how co-operation is fundamental to life itself and to protecting our shared future.Togetherness will change the way you see the world, our place in it – and our obligation to its hidden wonders.

Michael Warner, one of our most brilliant social critics, argues that gay marriage and other moves toward normalcy are bad not just for the gays but for everyone. In place of sexual status quo, Warner offers a vision of true sexual autonomy that will forever change the way we think about sex, shame, and identity.

What if everyone was family? We need to talk about the family. For those who are lucky, families can be places of love and care, but for many they are sites of pain: from abandonment and neglect, to abuse and violence. In this urgent, incisive pamphlet, leaving feminist critic Sophie Lewis introduces the idea of family abolition as a question of universalizing and generalizing the good things about our families. In this short and exhilarating text, Sophie Lewis takes the reader through the various histories of family abolition, from utopian socialists to queer, Black and indigenous feminists and into the future, imagining what life might be like after the family. Radical and utopian as it undeniably is, family abolition is the real movement working to undo the care austerity that fundamentally structures life under racial capitalism. The argument for family abolition has become even clearer under COVID 19 where the myth of the nuclear unit has been seen to be a fiction. We were told to keep a 'social distance' (from everyone... except family). Consequently, those without family were left alone, isolated and abandoned. There is no justice in these rules, which keep loved ones from being with one another, treat children like property, and shore up wealth (or poverty) within a class. What is the alternative?

Welcome to Lee Young-do’s epic classic series, The Bird That Drinks Tears. The master of Korean fantasy—often cited as the J.R.R. Tolkien of South Korea—Lee Young-do has created a tale of castles built on the backs of flying mantas, giant birdmen, heartless immortals, and a quest that will change the very nature of the world and its gods, available for the first time in English by award-winning translator Anton Hur. Three handles one. The world is divided by the Line of Limit. To the north are the Tokkebi—fire people able to manipulate flames as both weapons and illusions; Rekon—giant birdmen with immense strength and warrior acumen; and the humans—as divided as the other races are unified. To the south are the Nhaga—a reptilian people who relinquish their hearts for immortality. For centuries, the races didn’t cross that line, but change is in the air. A Nhaga is being sent North…and a trio is being dispatched to make sure this agent from the South makes it out alive—one from each race. But the illusion of a simple journey is quickly dispelled by the fact that the Tokkebi is merely a scholar, not an adventurer; the Rekon is deathly afraid of water; and the human hunts and eats Nhaga. And when the Nhaga they’re supposed to be escorting out of the Kiboren forest is murdered, the one sent in his place turns out to very much have a heart—meaning he’s quite vulnerable to the dangerous exodus. The four must quickly forge an alliance and shed the distrust and prejudice that plagues them if they are to survive. And just as crucial, they must figure out what this mission is actually about, because unbeknownst to them, the very fate of the world might rest on this one Nhaga making it to the North intact. A classic not to be missed, The Heart of the Nhaga is epic fantasy at its best, translated into English for the first time ever by award-winning translator Anton Hur.

The New York Times–bestselling author of The Only Good Indians and My Heart Is a Chainsaw makes his comics debut with this time-hopping horror thriller about far-future Indigenous outcasts on a mission to kill Christopher Columbus. The year is 2112, and it’s the apocalypse exactly as rivers receding, oceans rising, civilization crumbling. Humanity has given up hope, except for a group of Indigenous outcasts who have discovered a time travel portal in a cave in the desert and figured out where everything took a turn for the America. Convinced that the only way to save the world is to rewrite its past, they send one of their own—a reluctant linguist named Tad—on a bloody, one-way mission to 1492 to kill Christopher Columbus before he reaches the so-called New World. But there are steep costs to disrupting the timeline, and taking down an icon isn’t an easy task for an academic with no tactical training and only a wavering moral compass to guide him. As the horror of the task ahead unfolds and Tad’s commitment is tested, his actions could trigger a devastating new fate for his friends and the future. Join Stephen Graham Jones and artist Davide Gianfelice for Earthdivers, Vol. 1, the beginning of an unforgettable ongoing sci-fi slasher spanning centuries of America’s Colonial past to explore the staggering forces of history and the individual choices we make to survive it.