A debut collection of stories set in a hauntingly reimagined Lagos where characters vie for freedom from ancestral ties. ’Pemi Aguda opens her collection of twelve stories with the chilling tale of a woman who uncannily resembles her sinister, deceased grandmother. When the woman shows a capacity for deadly violence, she wonders—can evil be genetic, passed from generation to generation? Set in Lagos, Nigeria, Aguda’s stories unfold against a spectral cityscape where the everyday business of living—the birth of a baby, a market visit, a conversation between mothers and daughters—is charged with an air of supernatural menace. In “Breastmilk” a new mother’s inability to lactate takes on preternatural overtones. In “24, Alhaji Williams Street” a mysterious disease wreaks havoc with frightening precision. In “The Hollow,” an architect stumbles on a vengeful house. Evocative, strange, and yet familiar, “the speculative conceits of these stories are elegantly balanced with the gorgeous fullness of human emotion, all the hunger and longing and fear and delight of being a human in the world” (Lauren Groff).

From award-winning and USA Today bestselling author Kosoko Jackson comes his adult fantasy debut, a stand-alone novel blending of art history, time- and globe-hopping adventure, and dark horror and fantasy about ten cursed paintings and the lengths people will go to collect them, destroy them…or be destroyed. ?A picture is worth a thousand nightmares. A struggling painter, Lewis Dixon is shocked when the British Museum shows an unusual interest in his art. While he’s always felt there’s something powerful about what he puts on canvas, he also felt there was something disturbing just under the surface—especially as he was compelled to make a painting of a painting—one that he has a connection the object of his art is one of the ten paintings his great-grandfather created over a hundred years ago. Only Lewis’s version is surreal…and maybe just a touch horrific. Still, he accepts the invitation, only to find not a curated show, but a to see if he not only has the magic necessary to enter the paintings, but also the strength to escape them. Because unbeknownst to Lewis, there is power in his art, just as the ten paintings carry with them both immense eldritch abilities and a terrible curse—making them, perhaps, the most valuable works of art in the world. And Lewis has been asked to destroy them all. With orders from a mysterious museum official, Evangeline, and partnered with an alluring agent in her employ, Noah Rao, Lewis must plunge into a world of black markets, gothic magic, ancient history, and unspeakable terror to save those unlucky enough to call any of the paintings their own, and to hopefully locate the tenth painting in the series, long missing, the powers of which are suspected to be most devastating of all…

A cast of characters trapped within their roles of dragon hunter, princess, and more must come together to take their fates into their own hands. Dragons are common in the backwater kingdom of Bellemontagne, coming in sizes from mouse-like vermin all the way up to castle-smashing monsters. Gaius Aurelius Constantine Heliogabalus Thrax (who would much rather people call him Robert) has recently inherited his deceased dad’s job as a dragon catcher/exterminator, a career he detests with all his heart in part because he likes dragons, feeling a kinship with them, but mainly because his dream has always been the impossible one of transcending his humble origin to someday become a prince's valet. Needless to say, fate has something rather different in mind…

The follow-up to the internationally bestselling sensation The Lost Words, The Lost Spells is a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world. Since its publication in 2017, The Lost Words has enchanted readers with its poetry and illustrations of the natural world. Now, The Lost Spells, a book kindred in spirit and tone, continues to re-wild the lives of children and adults. The Lost Spells evokes the wonder of everyday nature, conjuring up red foxes, birch trees, jackdaws, and more in poems and illustrations that flow between the pages and into readers’ minds. Robert Macfarlane’s spell-poems and Jackie Morris’s watercolour illustrations are musical and magical: these are summoning spells, words of recollection, charms of protection. To read The Lost Spells is to see anew the natural world within our grasp and to be reminded of what happens when we allow it to slip away.

I want to tear these thoughts out of my flesh. How could I forget just how rotten I am?' In this collection of contemplative and cathartic short comics, the pomegranate Anar and the woman Guli exist as reflections of each other - repellent to one another and yet inexorably drawn together once more. As they evolve through each story, proceeding through the stages of the plant life cycle, they take on new roles: muse and artist, gardener and seed, lover and fruit. The iterations reveal new revelations, exploring the themes of shame, grief, destiny, and survival at each turn. Abedifard's comic form evokes Persianate storytelling and draws on stylistic elements found in illuminated manuscripts, building an experience as rich and complex as the taste of pomegranate on one's tongue.

A collection of three powerfully disturbing novellas by multiple award-winning author, Stephen Graham Jones. There are lines that probably shouldn't be crossed, doors that should stay shut, thoughts that shouldn't be considered. In these three novellas by Stephen Graham Jones, the dead talk, ancient evil opens its eyes, and that guy across the parking lot, he's watching you, and has been for a while now. Lock the door, tell yourself it's nothing, turn the radio up. It won't matter. You're already three miles past where you meant to stop. “My hat is off to Stephen Graham Jones, because he is the kind of author that makes the frustrated writer inside every book reviewer cringe with self-doubt.” -PopMatters

Waking up in Purgatory, a young woman is forced to take part in a lottery, which she wins. Unfortunately for her, since she has had enough of life, the prize is to return to the world of the living and continue her life from where she had left it, with one significant this time, she can see and communicate with ghosts—her own included. Her dull, monotonous life carries on, though her profound solitude is now mitigated by the presence of the ghosts of the dead, most notably her own. She discovers that living with her ghost has its advantages, until this relationship suddenly turns into a spectral triangle...By turns compassionate and cruel, All the Living is a quiet, melancholy story full of delicate details, and unexpected humor. It's a slow and subtle meditation on loneliness, rendered in Muradov's shifting style, full of finesse and sensuality. A parable — at the same time gentle, penetrating, and occasionally profane — that marks the return of a master of the modern graphic novel.

The story goes like this: There was once a girl named Dawa. Having lost her family to sickness, she found herself with an emptiness inside that she did not know how to fill. Alas, in all her endeavours, nothing she tried ever left her feeling so full as the art -of trickery.

For lovers of Through the Woods,Blackwater, and Squad, comes a dark, sapphic retelling of a classic tale.Red, a fiercely loyal hunter, has dedicated her life to protecting her witch Grand Mother. Monsters have been roaming the forest that they call home, bringing forth a mysterious illness that has devastated the land and chased every living soul away. Until Red stumbles upon an injured wolf-girl named Sil. Red is cautiously optimistic to befriend someone new, but the more their relationship deepens, the more she begins to uncover the sinister truths behind everything she’s ever known. Red must make the difficult decision of who to defend, before catastrophe consumes them all. This graphic novel that's an apocalyptic fantasy meets queer love story turns the classic Little Red Riding Hood fairytale on its head.