Aspiring reporter Jerri Bartman is furious when she's demoted to hosting the nightly Creature Feature at her small-town TV station. But Jerri quickly learns that there is more to horror hosting than just introducing bad B-movies. Her first night in the costume of her missing predecessor, Count Crowley, finds her face to face with a living, breathing . . . werewolf. Or was she just that drunk? Featuring the dynamic creative team of David Dastmalchian and Lukas Ketner! The perfect comic for the Halloween season!

What lurks in the corners of the house originates in the corners of the mind. When Kim inherits an old family house in rural Sweden, there are notes posted everywhere. On the walls, the doors, even the ceiling. Reminders. And drawings. Of the monsters that still haunt this house and the land on which it sits. But the monsters aren’t just outside; they’re in Kim’s head, in the traumatic memories of an upbringing as different, other, alone. Dive into this stunning graphic novel full of darkness, reconciliation, and exploration of the self. From acclaimed creators Anders Fager and Peter Bergting.

A fascinating, vivid global history of witch trials across Europe, Africa, and the Americas, told through thirteen distinct trials that illuminate the pattern of demonization and conspiratorial thinking that has profoundly shaped human history. Witchcraft is a dramatic journey through thirteen witch trials across history, some famous—like the Salem witch trials—and some on Vardø island, Norway, in the 1620s, where an indigenous Sami woman was accused of murder; in France in 1731, during the country’s last witch trial, where a young woman was pitted against her confessor and cult leader; in Pennsylvania in 1929 where a magical healer was labelled a “witch”; in Lesotho in 1948, where British colonial authorities executed local leaders. Exploring how witchcraft became feared, decriminalized, reimagined, and eventually reframed as gendered persecution, Witchcraft takes on the intersections between gender and power, indigenous spirituality and colonial rule, and political conspiracy and individual resistance. Offering a vivid, compelling, and dramatic story, unspooling through centuries, about the men and women who were accused—some of whom survived their trials, and some who did not— Witchcraft empowers the people who were and are victimized and marginalized, giving a voice to those who were silenced by history.

Citizen Illegal is a revealing portrait of life as a first generation immigrant, a celebration of Chicano joy, a shout against erasure, and a vibrant re-imagining of Mexican American life. In this stunning debut, poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in. Olivarez has a unique voice that makes him a poet to watch.

Lenora made a mistake. She trusted the wrong man, and in a moment of weakness, he stole a family heirloom from her. Her only chance to get it back will be during Samhain, when the Shadow Market opens and magical folk gather for three days to celebrate, and unfortunately she can’t do it alone. She needs a demon. Ramanu’s entire existence is making bargains. They’re a bargainer demon, after all. They’ve had their eye on Lenora for some time now, so they’re pleased when she summons them to help with her little thief problem…especially because it means spending time in close proximity with her. Lenora thought she could get away with a bargain that didn’t require seven years of service, but when Ramanu informs her those are the terms, she decides to go it alone…even though the demon wants to tag along to the market. But as the clock ticks down and all Lenora’s attempts to reclaim her amulet fail, making a deal with Ramanu might be the only option she has… And they might take her heart right along with her soul. Author's note: For all tropes, tags, and CWs, please check the author website.

"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams. I watched a lion eat a man like a piece of fruit, peel tendons from fascialike pith from rind, then lick the sweet meat from its hard core of bones.The man had earned this feast and his own deliciousness by ringing a stickagainst the lion's cage, calling out Here, Kitty Kitty, Meow! With one swipe of a paw much like a catcher's mitt with fangs, the lionpulled the man into the cage, rattling his skeleton against the metal bars. The lion didn't want to do it—He didn't want to eat the man like a piece of fruit and he told the crowdthis: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.

"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams. I watched a lion eat a man like a piece of fruit, peel tendons from fascialike pith from rind, then lick the sweet meat from its hard core of bones.The man had earned this feast and his own deliciousness by ringing a stickagainst the lion's cage, calling out Here, Kitty Kitty, Meow! With one swipe of a paw much like a catcher's mitt with fangs, the lionpulled the man into the cage, rattling his skeleton against the metal bars. The lion didn't want to do it—He didn't want to eat the man like a piece of fruit and he told the crowdthis: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.

A fascinating, vivid global history of witch trials across Europe, Africa, and the Americas, told through thirteen distinct trials that illuminate the pattern of demonization and conspiratorial thinking that has profoundly shaped human history. Witchcraft is a dramatic journey through thirteen witch trials across history, some famous—like the Salem witch trials—and some on Vardø island, Norway, in the 1620s, where an indigenous Sami woman was accused of murder; in France in 1731, during the country’s last witch trial, where a young woman was pitted against her confessor and cult leader; in Pennsylvania in 1929 where a magical healer was labelled a “witch”; in Lesotho in 1948, where British colonial authorities executed local leaders. Exploring how witchcraft became feared, decriminalized, reimagined, and eventually reframed as gendered persecution, Witchcraft takes on the intersections between gender and power, indigenous spirituality and colonial rule, and political conspiracy and individual resistance. Offering a vivid, compelling, and dramatic story, unspooling through centuries, about the men and women who were accused—some of whom survived their trials, and some who did not— Witchcraft empowers the people who were and are victimized and marginalized, giving a voice to those who were silenced by history.

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.As indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.” As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”