An alternate cover edition can be found here. A novel of breathtaking sweep and emotional power that traces three hundred years in Ghana and along the way also becomes a truly great American novel. Extraordinary for its exquisite language, its implacable sorrow, its soaring beauty, and for its monumental portrait of the forces that shape families and nations, Homegoing heralds the arrival of a major new voice in contemporary fiction. Two half-sisters, Effia and Esi, are born into different villages in eighteenth-century Ghana. Effia is married off to an Englishman and lives in comfort in the palatial rooms of Cape Coast Castle. Unbeknownst to Effia, her sister, Esi, is imprisoned beneath her in the castle's dungeons, sold with thousands of others into the Gold Coast's booming slave trade, and shipped off to America, where her children and grandchildren will be raised in slavery. One thread of Homegoing follows Effia's descendants through centuries of warfare in Ghana, as the Fante and Asante nations wrestle with the slave trade and British colonization. The other thread follows Esi and her children into America. From the plantations of the South to the Civil War and the Great Migration, from the coal mines of Pratt City, Alabama, to the jazz clubs and dope houses of twentieth-century Harlem, right up through the present day, Homegoing makes history visceral, and captures, with singular and stunning immediacy, how the memory of captivity came to be inscribed in the soul of a nation. Generation after generation, Yaa Gyasi's magisterial first novel sets the fate of the individual against the obliterating movements of time, delivering unforgettable characters whose lives were shaped by historical forces beyond their control. Homegoing is a tremendous reading experience, not to be missed, by an astonishingly gifted young writer.

An Instant New York Times Bestseller“Excellent and deeply reported.” —Tim Wu, The New York Times“Startling and intensely researched . . . an essential account of how OpenAI and ChatGPT came to be and the catastrophic places they will likely take us.” —Vulture“Hao’s reporting inside OpenAI is exceptional, and she’s persuasive in her argument that the public should focus less on A.I.’s putative ‘sentience’ and more on its implications for labor and the environment.” —Benjamin Wallace-Wells, New YorkerFrom a brilliant longtime AI insider with intimate access to the world of Sam Altman's OpenAI from the beginning, an eye-opening account of arguably the most fateful tech arms race in history, reshaping the planet in real time, from the cockpit of the company that is driving the frenzyWhen AI expert and investigative journalist Karen Hao first began covering OpenAI in 2019, she thought they were the good guys. Founded as a nonprofit with safety enshrined as its core mission, the organization was meant, its leader Sam Altman told us, to act as a check against more purely mercantile, and potentially dangerous, forces. What could go wrong?Over time, Hao began to wrestle ever more deeply with that question. Increasingly, she realized that the core truth of this massively disruptive sector is that its vision of success requires an almost unprecedented amount of the “compute” power of high-end chips and the processing capacity to create massive large language models, the sheer volume of data that needs to be amassed at scale, the humans “cleaning up” that data for sweatshop wages throughout the Global South, and a truly alarming spike in the usage of energy and water underlying it all. The truth is that we have entered a new and ominous age of only a small handful of globally scaled companies can even enter the field of play. At the head of the pack with its ChatGPT breakthrough, how would OpenAI resist such temptations?Spoiler it didn’t. Armed with Microsoft’s billions, OpenAI is setting a breakneck pace, chased by a small group of the most valuable companies in human history—toward what end, not even they can define. All this time, Hao has maintained her deep sourcing within the company and the industry, and so she was in intimate contact with the story that shocked the entire tech industry—Altman’s sudden firing and triumphant return. The behind-the-scenes story of what happened, told here in full for the first time, is revelatory of who the people controlling this technology really are. But this isn’t just the story of a single company, however fascinating it is. The g forces pressing down on the people of OpenAI are deforming the judgment of everyone else too—as such forces do. Naked power finds the ideology to cloak itself; no one thinks they’re the bad guy. But in the meantime, as Hao shows through intrepid reporting on the ground around the world, the enormous wheels of extraction grind on. By drawing on the viewpoints of Silicon Valley engineers, Kenyan data laborers, and Chilean water activists, Hao presents the fullest picture of AI and its impact we’ve seen to date, alongside a trenchant analysis of where things are headed. An astonishing eyewitness view from both up in the command capsule of the new economy and down where the real suffering happens, Empire of AI pierces the veil of the industry defining our era.

Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. So she barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies halt operations. The subways squeak to a halt. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost. Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers? A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a quirky coming-of-adulthood tale and satire.

Bill Buford—author of the highly acclaimed best-selling Among the Thugs— had long thought of himself as a reasonably comfortable cook when in 2002 he finally decided to answer a question that had nagged him every time he prepared a meal: What kind of cook could he be if he worked in a professional kitchen? When the opportunity arose to train in the kitchen of Mario Batali’s three-star New York restaurant, Babbo, Buford grabbed it. Heat is the chronicle—sharp, funny, wonderfully exuberant—of his time spent as Batali’s “slave” and of his far-flung apprenticeships with culinary masters in Italy. In a fast-paced, candid narrative, Buford describes the frenetic experience of working in Babbo’s kitchen: the trials and errors (and more errors), humiliations and hopes, disappointments and triumphs as he worked his way up the ladder from slave to cook. He talks about his relationships with his kitchen colleagues and with the larger-than-life, hard-living Batali, whose story he learns as their friendship grows through (and sometimes despite) kitchen encounters and after-work all-nighters. Buford takes us to the restaurant in a remote Appennine village where Batali first apprenticed in Italy and where Buford learns the intricacies of handmade pasta . . . the hill town in Chianti where he is tutored in the art of butchery by Italy’s most famous butcher, a man who insists that his meat is an expression of the Italian soul . . . to London, where he is instructed in the preparation of game by Marco Pierre White, one of England’s most celebrated (or perhaps notorious) chefs. And throughout, we follow the thread of Buford’s fascinating reflections on food as a bearer of culture, on the history and development of a few special dishes (Is the shape of tortellini really based on a woman’s navel? And just what is a short rib?), and on the what and why of the foods we eat today. Heat is a marvelous hybrid: a richly evocative memoir of Buford’s kitchen adventure, the story of Batali’s amazing rise to culinary (and extra-culinary) fame, a dazzling behind-the-scenes look at the workings of a famous restaurant, and an illuminating exploration of why food matters. It is a book to delight in—and to savor.

How can we explain that Israel, despite its genocidal attacks in Gaza and its violation of international law, remains immune to criticism? Why do many feminists in the Global North, so quick to denounce the impact of "Islamic fundamentalism" on Palestinian women, remain silent when it comes to decrying the gendered impact of Israeli apartheid in Palestine? In Palestine and Feminist Liberation, Palestinian scholar-activist Nada Elia argues that Palestinian women, far from being powerless and submissive, have long played an important role in resisting their people’s dispossession, first by the British Mandate, then by Israel. Elia discusses the challenges diaspora Palestinian feminists face when organizing on Turtle Island, where the dominant discourse has long upheld the Zionist narrative, steeped in Orientalism and anti-Palestinian racism. She articulates a vision for liberation grounded in Indigenous feminism, with its focus on collective empowerment, rather than individual advancement.

From the renowned Palestinian scholar, a memoir of political and queer awakening, of impossible love amidst generations of displacement, and what it means to return home. Both a love story and a coming-of-age tale that spans countries and continents, Fire in Every Direction balances humor and loss, nostalgia and hope, as it takes us from the Middle East to London, and from 1948 to the present. Tareq Baconi crafts a deeply intimate, unforgettable portrait of how a political consciousness—desire and resistance—is passed down through generations. In 1948, Tareq’s grandmother, Eva, would flee Haifa as Zionist militias seized the city. In the late 1970s, she would flee Beirut with her daughter, Rima, as the country was in the throes of a civil war. In Amman, the family would eventually obtain the comfort of middle-class life—still, a young Tareq would feel by cultures of silence, by a sense of not belonging, by his own growing awareness that he is in love with his childhood best friend, Ramzi. After relocating to London for college, Tareq hopes to put aside his past, and begins to work through an understanding of self as a queer man. Yet as Operation Iraqi Freedom radicalizes young people around the world towards anti-war protest, history comes back to hushed whispers overheard, stories of his mother’s years as an activist in Beirut and her return to Palestine during a moment of peace. Living between the region and London, Tareq fits in neither and feels alienated from both. Queerness is policed back in Amman, just as his Palestinian-ness is abroad. These gradual estrangements escalate, forcing him to grapple with what it means to live in liminal spaces, and rethink the meaning of home. Eventually, tracing the journey of his family before him, Tareq returns to Palestine. This is an account of finding oneself through histories of dispossession and reclaiming what has been silenced.

From the New York Times bestselling author of World of Wonders, a lyrical book of short essays about food offering a banquet of tastes, smells, memories, associations, and little-known facts about nature In Bite by Bite, poet and essayist Aimee Nezhukumatathil explores the way food and drink evokes our associations and remembrances – a subtext or layering, a flavor tinged with joy, shame, exuberance, grief, desire, or nostalgia. Here, Nezhukumatathil restores some of our astonishment and wonder about food through her encounter with a range of foods and food traditions. From shave ice to lumpia, mangoes to pecans, rambutan to vanilla, she investigates how food marks our experiences and identities; the boundaries between heritage and memory; and the ethics and environmental pressures around gathering and consuming food. Bite by Bite offers a rich and textured kaleidoscope of vignettes and visions into the world of food and nature, drawn together by intimate and funny personal reflections and Fumi Nakamura’s gorgeous imagery and illustration.

From a #1 Apple podcast host, Lambda Literary fellow, and former dominatrix, a sex-positive, judgement-free cultural deep-dive into the world of kink. When BDSM educator and former dominatrix Tina Horn first launched Why Are People Into That?!, publications from Esquire and Guardian to Vice, Bustle, Buzzfeed, and beyond heralded the undertaking as one of the best podcasts about sex. Each episode centered around a different aspect of kink, erotic fantasy, and human sexuality, thoughtfully and non-judgmentally examining why, exactly, different strokes work for different folks. From sex workers and scientists to artists, writers, and porn stars, Tina’s wide range of guests helped educate fascinated listeners across the world on the wide spectrum of humanity’s sexual appetite. But for every episode she released, with every guest expert she interviewed, she found her listeners more and more insatiable--and she soon realized that the only way to really address the titular question with all the depth and nuance it deserved was to turn that idea into a book. From spanking, bondage, and financial domination, to the most taboo fantasies involving cake, chains, and cannibalism, WHY ARE PEOPLE INTO THAT? explores the universal human drives that shape even the most specific erotic tastes, and the cultural context that molds and is molded by the way we conceptualize sex, pleasure, gender, fantasy, and power. Along the way, Tina invites us to reconsider everything we thought we knew about sex and sexuality. How, for example, should we think about "consensual nonconsent" in a post-#MeToo era? How does cross-dressing, as a sexual fantasy, fit in with our evolving cultural understanding of gender performance and identity? And what do foot fetishists, furries, and “femdoms” have in common? Blending insightful cultural criticism, investigative journalism, psychology, and spicy anecdotes from Tina’s 15+ years of hard-earned expertise in the sex industry and beyond, WHY ARE PEOPLE INTO THAT? is a philosophical-but-fun exploration of the prismatic spectrum of human desire and the expansive possibilities of pleasure. For readers of books like Kink and Sex at Dawn, this raunchy and rousing book is perfect for anyone who is interested not only in the intricacies of what we desire, but in how desire itself really works.