Why don’t our schools work? Eve L. Ewing tackles this question from a new angle: What if they’re actually doing what they were built to do? She argues that instead of being the great equalizer, America’s classrooms were designed to do the opposite: to maintain the nation’s inequalities. It’s a task at which they excel.If all children could just get an education, the logic goes, they would have the same opportunities later in life. But this historical tour de force makes it clear that the opposite is true: The U.S. school system has played an instrumental role in creating and upholding racial hierarchies, preparing children to expect unequal treatment throughout their lives.In Original Sins, Ewing demonstrates that our schools were designed to propagate the idea of white intellectual superiority, to “civilize” Native students and to prepare Black students for menial labor. Education was not an afterthought for the Founding Fathers; it was envisioned by Thomas Jefferson as an institution that would fortify the country’s racial hierarchy. Ewing argues that these dynamics persist in a curriculum that continues to minimize the horrors of American history. The most insidious aspects of this system fall below the radar in the forms of standardized testing, academic tracking, disciplinary policies, and uneven access to resources.By demonstrating that it’s in the DNA of American schools to serve as an effective and underacknowledged mechanism maintaining inequality in this country today, Ewing makes the case that we need a profound reevaluation of what schools are supposed to do, and for whom. This book will change the way people understand the place we send our children for eight hours a day.

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

Can they stop hating each other long enough to fall in love? A commitment-phobe and a hopeless romantic clash over and over again--until heartbreak and unexpected chemistry bring them together in this clever enemies-to-friends-to-lovers debut romance. When Ari and Josh first meet, the wrong kind of sparks fly. They hate each other. Instantly. A free-spirited, struggling comedian who likes to keep things casual, Ari sublets, takes gigs, and she never sleeps over after hooking up. Born-and-bred Manhattanite Josh has ambitious plans: Take the culinary world by storm, find The One, and make her breakfast in his spotless kitchen. They have absolutely nothing in common . . . except that they happen to be sleeping with the same woman. Ari and Josh never expect their paths to cross again. But years later, as they're both reeling from ego-bruising breakups, a chance encounter leads to a surprising connection: friendship. Turns out, spending time with your former nemesis is fun when you're too sad to hate each other--and too sad for hate sex. As friends-without-benefits, they find comfort in late-night Netflix binges, swiping through each other's online dating profiles, and bickering across boroughs. It's better than romance. Until one night, the unspoken boundaries of their platonic relationship begin to blur. . . . With sharp observations and sizzling chemistry, You, Again explores the dynamics of co-ed friendship in this sparkling romantic comedy of modern love in all its forms.

"Dylan makes me laugh and makes me brave. I love Paper Doll, and I love this woman.” —Glennon Doyle, #1 New York Times bestselling author of UntamedActress and content creator Dylan Mulvaney’s honest account of her journey through girlhood When Dylan Mulvaney came out as a woman online, she was a viral sensation almost overnight, emerging as a trailblazing voice on social media. Dylan’s personal coming-out story blossomed into a platform for advocacy and empowerment for trans people all over the world. Through her “Days of Girlhood” series, she connected with followers by exploring what it means to be a girl, from experimenting with makeup to story times to spilling the tea about laser hair removal, while never shying away from discussing the transphobia she faced online. Nevertheless, she was determined to be a beacon of positivity. But shortly after she celebrated day 365 of being a girl, it all came screeching to a halt when an innocuous post sparked a media firestorm and right-wing backlash she couldn’t have expected. Despite the vitriolic press and relentless paparazzi, Dylan was determined to remain loud and proud. In Paper Notes from a Late Bloomer, Dylan pulls back the curtain of her “It Girl” lifestyle with a witty and intimate reflection of her life pre- and post-transition. She covers everything from her first big break in theater to the first time her dad recognized her as a girl to how she handled scandals, cancellations, and . . . tucking. It’s both laugh-out-loud funny and powerfully honest—and is a love letter to everyone who stands up for queer joy.