In this riveting dark fantasy debut, a woman with missing memories fights to survive a war-torn world of necromancy and alchemy—and the man tasked with unearthing the deepest secrets of her past. “What is it you think you’re protecting in that brain of yours? The war is over. Holdfast is dead. The Eternal Flame extinguished. There’s no one left for you to save.” Once a promising alchemist, Helena Marino is now a prisoner—of war and of her own mind. Her Resistance friends and allies have been brutally murdered, her abilities suppressed, and the world she knew destroyed. In the aftermath of a long war, Paladia’s new ruling class of corrupt guild families and depraved necromancers, whose vile, undead creatures helped bring about their victory, holds Helena captive. According to Resistance records, she was a healer of little importance within their ranks. But Helena has inexplicable memory loss of the months leading up to her capture, making her enemies wonder: Is she truly as insignificant as she appears, or are her lost memories hiding some vital piece of the Resistance’s final gambit? To uncover the memories buried deep within her mind, Helena is sent to the High Reeve, one of the most powerful and ruthless necromancers in this new world. Trapped on his crumbling estate, Helena’s fight—to protect her lost history and to preserve the last remaining shreds of her former self—is just beginning. For her prison and captor have secrets of their own . . . secrets Helena must unearth, whatever the cost.

Just when you thought it was safe to go back into the teahouse... Miss Charlotte Pettifer belongs to a secret league of women skilled in the subtle arts. That is to say—although it must never be said—witchcraft. The League of Gentlewomen Witches strives to improve the world in small ways. Using magic, they tidy, correct, and manipulate according to their notions of what is proper, entirely unlike those reprobates in the Wisteria Society. When the long lost amulet of Black Beryl is discovered, it is up to Charlotte, as the future leader of the League, to make sure the powerful talisman does not fall into the wrong hands. Therefore, it is most unfortunate when she crosses paths with Alex O'Riley, a pirate who is no Mr. Darcy. With all the world scrambling after the amulet, Alex and Charlotte join forces to steal it together. If only they could keep their pickpocketing hands to themselves! If Alex's not careful, he might just steal something else—such as Charlotte's heart.

Just when you thought it was safe to go back into the teahouse... Miss Charlotte Pettifer belongs to a secret league of women skilled in the subtle arts. That is to say—although it must never be said—witchcraft. The League of Gentlewomen Witches strives to improve the world in small ways. Using magic, they tidy, correct, and manipulate according to their notions of what is proper, entirely unlike those reprobates in the Wisteria Society. When the long lost amulet of Black Beryl is discovered, it is up to Charlotte, as the future leader of the League, to make sure the powerful talisman does not fall into the wrong hands. Therefore, it is most unfortunate when she crosses paths with Alex O'Riley, a pirate who is no Mr. Darcy. With all the world scrambling after the amulet, Alex and Charlotte join forces to steal it together. If only they could keep their pickpocketing hands to themselves! If Alex's not careful, he might just steal something else—such as Charlotte's heart.

The Ladies Paradise (Au Bonheur des Dames) recounts the rise of the modern department store in late nineteenth-century Paris. The store is a symbol of capitalism, of the modern city, and of the bourgeois family: it is emblematic of changes in consumer culture, and the changes in sexual attitudes and class relations taking place at the end of the century. This new translation of the eleventh novel in Zola's Rougon-Macquart cycle captures the spirit of one of his greatest works.

The Ladies Paradise (Au Bonheur des Dames) recounts the rise of the modern department store in late nineteenth-century Paris. The store is a symbol of capitalism, of the modern city, and of the bourgeois family: it is emblematic of changes in consumer culture, and the changes in sexual attitudes and class relations taking place at the end of the century. This new translation of the eleventh novel in Zola's Rougon-Macquart cycle captures the spirit of one of his greatest works.