Hernan Diaz meets Ottessa Moshfegh in this madcap road trip chronicle; a moving display of human connection in the face of violence and climate destruction from a remarkable new voice in fiction.Beatrice works at Twin Bridge, a chronically underfunded residential treatment center in near-future East Texas, teeming with enraged teenage girls on either too many or not enough drugs. On a normal day, it’s difficult for Beatrice and the other staff—Arda, Carmen, and Linda—to keep their cool. Now, she’s in charge of overseeing the drug trial being conducted most of the girls are on heavy doses of BeZen, which produces wonderfully calming effects on (almost) everybody, except her most difficult charge, Teresa. If the trial goes well, the pharmaceutical company will pay for a swanky new facility far away from dust-blown Askewn. No stranger to the power of a well-placed lie, Beatrice just needs to fudge a few numbers on her BeZen report and all of Twin Bridge will get their ticket out of Texas. Then the lights go out. A heat wave triggers a massive, sustained blackout. In the ensuing chaos and dust storm, a heavily medicated Teresa commits a shocking act of violence. Beatrice keeps this secret as the staff and residents leave town in a stolen van, hoping to reach the new facility in Atlanta. Meanwhile, Beatrice’s thoughts spiral deeper into the chain of events that drove her from Carolina when she herself was a how her parents joined a bizarre new religion, and how their house burned down under mysterious circumstances. Now, facing police brutality, sweltering heat, panicked evacuees, the girls’ mounting withdrawal, and the consequences of her lies, Beatrice, her colleagues, and the strange but handsome handyman Frank must keep the group safe while searching for a route out of the blackout zone. Met with state violence as they try to cross a bridge to Mississippi, the group reroutes to the now-flooded bayous of southern Louisiana, where in the region's neglected margins they find a refuge and the possibility of hope.

2014: A great poem is read aloud and never heard again. For generations, people speculate about its message, but no copy has yet been found. 2119: The lowlands of the UK have been submerged by rising seas. Those who survive are haunted by the richness of the world that has been lost.Tom Metcalfe, an academic at the University of the South Downs, part of Britain’s remaining island archipelagos, pores over the archives of that distant era, captivated by the freedoms and possibilities of human life at its zenith. When he stumbles across a clue that may lead to the lost poem, a story is revealed of entangled loves and a crime that destroy his assumptions about people he thought he knew intimately well.What We Can Know is a masterpiece, a fictional tour de force that reclaims the present from our sense of looming catastrophe, and imagines a future world where all is not quite lost.

Megha Majumdar’s electrifying follow-up to her acclaimed New York Times Bestseller A Burning—longlisted for the National Book Award—is set in a near-future Kolkata ravaged by climate change and social disharmony in which the lives of five characters collide and their fates become inextricably linked—a propulsive and shattering tour de force. In a near-future Kolkata beset by flooding and blight, Ma, her two year old daughter Mishti, and her elderly father Dadu are just days from leaving the collapsing city behind to join Ma’s husband in the home he has been building for them in Ann Arbor, Michigan. After procuring long-awaited passports and visas from the consulate, they pack their bags for the flight to America. But in the morning they awaken to discover that Ma’s purse, with all the treasured documents within it, has been stolen. A Guardian and a Thief tells two the story of Ma and her family, their struggle to emigrate to America, and their devastation in the wake of the theft that changes their fate to one of implacable tragedy; and Boomba, the thief, whose hunger and desperation to care for his family drive him to commit a crime whose consequences he cannot fathom. With stunning control and command, Megha Majumdar paints a kaleidoscopic portrait of two families whose destinies become inexorably entangled, wresting compassion from each narrative as the complexities of each character’s circumstances—their helplessness in the face of poverty and corruption, and the need to stave off encroaching catastrophe—are captured with clarity and piercing empathy. A masterful new work from one of the most exciting voices of her generation.

2014: A great poem is read aloud and never heard again. For generations, people speculate about its message, but no copy has yet been found. 2119: The lowlands of the UK have been submerged by rising seas. Those who survive are haunted by the richness of the world that has been lost.Tom Metcalfe, an academic at the University of the South Downs, part of Britain’s remaining island archipelagos, pores over the archives of that distant era, captivated by the freedoms and possibilities of human life at its zenith. When he stumbles across a clue that may lead to the lost poem, a story is revealed of entangled loves and a crime that destroy his assumptions about people he thought he knew intimately well.What We Can Know is a masterpiece, a fictional tour de force that reclaims the present from our sense of looming catastrophe, and imagines a future world where all is not quite lost.

A genre-defying novel about immortality and hunger from V. E. Schwab, the #1 New York Times bestselling author of The Invisible Life of Addie LaRue. This is a story about hunger. 1532. Santo Domingo de la Calzada. A young girl grows up wild and wily—her beauty is only outmatched by her dreams of escape. But María knows she can only ever be a prize, or a pawn, in the games played by men. When an alluring stranger offers an alternate path, María makes a desperate choice. She vows to have no regrets. This is a story about love. 1827. London. A young woman lives an idyllic but cloistered life on her family’s estate, until a moment of forbidden intimacy sees her shipped off to London. Charlotte’s tender heart and seemingly impossible wishes are swept away by an invitation from a beautiful widow—but the price of freedom is higher than she could have imagined. This is a story about rage. 2019. Boston. College was supposed to be her chance to be someone new. That’s why Alice moved halfway across the world, leaving her old life behind. But after an out-of-character one-night stand leaves her questioning her past, her present, and her future, Alice throws herself into the hunt for answers . . . and revenge. This is a story about life—how it ends, and how it starts.

A thrilling book about the abounding queerness of the natural world that challenges our expectations of what is normal, beautiful, and possible.Growing up, Patricia Kaishian felt most at home in the swamps and culverts near her house in the Hudson Valley. A child who frequently felt out of place, too much of one thing or not enough of another, she found acceptance in these settings, among other amphibious beings. In snakes, snails, and, above all, fungi, she saw her own developing identities as a queer, neurodivergent person reflected back at her—and in them, too, she found a personal path to a life of science.In Forest Euphoria, Kaishian shows us this making of a scientist and introduces readers to the queerness, literal and otherwise, of all the life around us. Fungi, we learn, commonly have more than two biological sexes—and some as many as twenty-three thousand. Some intersex slugs mutually fire calcium carbonate “love darts” at each other during courtship. Glass eels are sexually undetermined until their last year of life, which stumped scientists once dubbed “the eel question.” Nature, Kaishian shows us, is filled with the unusual, the overlooked, and the marginalized—and they have lessons for us all.Wide-ranging, richly observant, and full of surprise, Forest Euphoria will open your eyes and change how you look at the world around you.

KJ Parker's new novella is a darkly witty historical fantasy. A group of scholars are asked to do the impossible by a ruthless king. The cost of refusal being death, of course.History isn't truth...it's propaganda.Academics can be cocky. Atop their perches of authority high above the thrumming masses of the unquestioning world they can begin to think themselves gods. It is extremely rare for this authority to be tested. But a challenge from an idiotic, power-hungry king—that'll do it.Our narrator is one of a dozen professors at the University of the Kingdom of Aelia. Early one morning, all of them are rounded up for an audience with their dictator, Gyges. You see, Gyges is new to the job—he only just invaded Aelia last year—and like any good tyrant, he's looking to expand his empire. But he doesn't think his public image can take the hit of (another) unjustified assault. No problem, he's come up with a plan—have the scholars construct an ancient city from scratch that justifies his right to the lands of the neighboring city-state.Now these bookworms must put their heads together to do the impossible. They must make history. Because if they don't, they'll lose their heads all-together.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

From the bestselling author of the Truly Devious books, Maureen Johnson, comes a new stand-alone YA about a teen who uncovers a mystery while working as a tour guide on an island and must solve it before history repeats itself. The fire wasn’t Marlowe Wexler’s fault. Dates should be hot, but not hot enough to warrant literal firefighters. Akilah, the girl Marlowe has been in love with for years, will never go out with her again. No one dates an accidental arsonist. With her house-sitting career up in flames, it seems the universe owes Marlowe a new summer job, and that’s how she ends up at Morning House, a mansion built on an island in the 1920s and abandoned shortly thereafter. It’s easy enough, giving tours. Low risk of fire. High chance of getting bored talking about stained glass and nut cutlets and Prohibition. Oh, and the deaths. Did anyone mention the deaths? Maybe this job isn’t such a gift after all. Morning House has a horrific secret that’s been buried for decades, and now the person who brought her here is missing. All it takes is one clue to set off a catastrophic chain of events. One small detail, just like a spark, could burn it all down—if someone doesn’t bury Marlowe first.

“A wise, tremendously moving exploration of what it means to seek companionship and understanding, in books and in life.”—Hua Hsu, author of Stay True “A must for the obsessive reader.”—Elif Batuman, author of Either/Or and The Idiot Books can seduce you. They can, Sarah Chihaya believes, annihilate, reveal, and provoke you. And anyone incurably obsessed with books understands this kind of unsettling literary encounter. Sarah calls books that have this effect “Life Ruiners”. Her Life Ruiner, Toni Morrison’s The Bluest Eye, became a talisman for her in high school when its electrifying treatment of race exposed Sarah’s deepest feelings about being Japanese American in a predominantly white suburb of Cleveland. But Sarah had always lived through her books, seeking escape, self-definition, and rules for living. She built her life around reading, wrote criticism, and taught literature at an Ivy League University. Then she was hospitalized for a nervous breakdown, and the world became an unreadable blank page. In the aftermath, she was faced with a question. Could we ever truly rewrite the stories that govern our lives? Bibliophobia is an alternately searing and darkly humorous story of breakdown and survival told through books. Delving into texts such as Anne of Green Gables, Possession, A Tale for the Time Being, The Last Samurai, Chihaya interrogates her cultural identity, her relationship with depression, and the intoxicating, sometimes painful, ways books push back on those who love them.

Who's got time to think about murder when there's a wedding to plan? It’s been a quiet year for the "Thursday Murder Club". Joyce is busy with table plans and first dances. Elizabeth is grieving. Ron is dealing with family troubles, and Ibrahim is still providing therapy to his favourite criminal. But when Elizabeth meets a wedding guest who’s in trouble, kidnap and death are hot on their heels once more. A villain wants access to an uncrackable code, and will stop at nothing to get it. Plunged back into action once more, can the gang solve the puzzle and a murder in time? Book five in the "Thursday Murder Club" series.

Who's got time to think about murder when there's a wedding to plan? It’s been a quiet year for the "Thursday Murder Club". Joyce is busy with table plans and first dances. Elizabeth is grieving. Ron is dealing with family troubles, and Ibrahim is still providing therapy to his favourite criminal. But when Elizabeth meets a wedding guest who’s in trouble, kidnap and death are hot on their heels once more. A villain wants access to an uncrackable code, and will stop at nothing to get it. Plunged back into action once more, can the gang solve the puzzle and a murder in time? Book five in the "Thursday Murder Club" series.

From the author of Natural Beauty, set in the fiercely competitive art world, a novel about an obsessive friendship upended by a cutting-edge technology purported to enhance empathy and connection Enka meets Mathilde in art school. Mathilde is a dizzyingly talented yet tortured artist whose star is on the rise—and Enka, struggling to make art that feels original, is immediately drawn to her. The two strike up an intense bond that soon turns codependent. But when Mathilde’s fame reaches new heights, Enka becomes desperate to keep her best friend close—no matter the cost.   Enka quickly falls in love with and marries a billionaire whose family’s company is funding an unconventional technology purported to heighten empathy, which could allow someone else to inhabit Mathilde’s mind and absorb the trauma from her brain. Soon, the boundaries between Mathilde and Enka begin to blur even further, setting in motion a disturbing series of events that forever changes their lives. Blisteringly smart, thought-provoking, and shocking, Immaculate Conception deftly navigates big questions of art, technology, authorship, and what makes us human. Ling Ling Huang offers us a portrait of close friendship—achingly tender and twisted—that captures the tenuous line between love and possession that will haunt you long after you turn the final page.

A thrilling book about the abounding queerness of the natural world that challenges our expectations of what is normal, beautiful, and possible.Growing up, Patricia Kaishian felt most at home in the swamps and culverts near her house in the Hudson Valley. A child who frequently felt out of place, too much of one thing or not enough of another, she found acceptance in these settings, among other amphibious beings. In snakes, snails, and, above all, fungi, she saw her own developing identities as a queer, neurodivergent person reflected back at her—and in them, too, she found a personal path to a life of science.In Forest Euphoria, Kaishian shows us this making of a scientist and introduces readers to the queerness, literal and otherwise, of all the life around us. Fungi, we learn, commonly have more than two biological sexes—and some as many as twenty-three thousand. Some intersex slugs mutually fire calcium carbonate “love darts” at each other during courtship. Glass eels are sexually undetermined until their last year of life, which stumped scientists once dubbed “the eel question.” Nature, Kaishian shows us, is filled with the unusual, the overlooked, and the marginalized—and they have lessons for us all.Wide-ranging, richly observant, and full of surprise, Forest Euphoria will open your eyes and change how you look at the world around you.

From the bestselling author of the Truly Devious books, Maureen Johnson, comes a new stand-alone YA about a teen who uncovers a mystery while working as a tour guide on an island and must solve it before history repeats itself. The fire wasn’t Marlowe Wexler’s fault. Dates should be hot, but not hot enough to warrant literal firefighters. Akilah, the girl Marlowe has been in love with for years, will never go out with her again. No one dates an accidental arsonist. With her house-sitting career up in flames, it seems the universe owes Marlowe a new summer job, and that’s how she ends up at Morning House, a mansion built on an island in the 1920s and abandoned shortly thereafter. It’s easy enough, giving tours. Low risk of fire. High chance of getting bored talking about stained glass and nut cutlets and Prohibition. Oh, and the deaths. Did anyone mention the deaths? Maybe this job isn’t such a gift after all. Morning House has a horrific secret that’s been buried for decades, and now the person who brought her here is missing. All it takes is one clue to set off a catastrophic chain of events. One small detail, just like a spark, could burn it all down—if someone doesn’t bury Marlowe first.

A genre-defying novel about immortality and hunger from V. E. Schwab, the #1 New York Times bestselling author of The Invisible Life of Addie LaRue. This is a story about hunger. 1532. Santo Domingo de la Calzada. A young girl grows up wild and wily—her beauty is only outmatched by her dreams of escape. But María knows she can only ever be a prize, or a pawn, in the games played by men. When an alluring stranger offers an alternate path, María makes a desperate choice. She vows to have no regrets. This is a story about love. 1827. London. A young woman lives an idyllic but cloistered life on her family’s estate, until a moment of forbidden intimacy sees her shipped off to London. Charlotte’s tender heart and seemingly impossible wishes are swept away by an invitation from a beautiful widow—but the price of freedom is higher than she could have imagined. This is a story about rage. 2019. Boston. College was supposed to be her chance to be someone new. That’s why Alice moved halfway across the world, leaving her old life behind. But after an out-of-character one-night stand leaves her questioning her past, her present, and her future, Alice throws herself into the hunt for answers . . . and revenge. This is a story about life—how it ends, and how it starts.

“A wise, tremendously moving exploration of what it means to seek companionship and understanding, in books and in life.”—Hua Hsu, author of Stay True “A must for the obsessive reader.”—Elif Batuman, author of Either/Or and The Idiot Books can seduce you. They can, Sarah Chihaya believes, annihilate, reveal, and provoke you. And anyone incurably obsessed with books understands this kind of unsettling literary encounter. Sarah calls books that have this effect “Life Ruiners”. Her Life Ruiner, Toni Morrison’s The Bluest Eye, became a talisman for her in high school when its electrifying treatment of race exposed Sarah’s deepest feelings about being Japanese American in a predominantly white suburb of Cleveland. But Sarah had always lived through her books, seeking escape, self-definition, and rules for living. She built her life around reading, wrote criticism, and taught literature at an Ivy League University. Then she was hospitalized for a nervous breakdown, and the world became an unreadable blank page. In the aftermath, she was faced with a question. Could we ever truly rewrite the stories that govern our lives? Bibliophobia is an alternately searing and darkly humorous story of breakdown and survival told through books. Delving into texts such as Anne of Green Gables, Possession, A Tale for the Time Being, The Last Samurai, Chihaya interrogates her cultural identity, her relationship with depression, and the intoxicating, sometimes painful, ways books push back on those who love them.

In dystopian Hong Kong, a new government program incentivizes physical conjoinment between individuals through a painful and disruptive surgery, promising personal fulfillment and a reduced cost of living. Hon Lai Chu’s unnamed narrator is broke and knee-deep in her dissertation on the subject, critical but increasingly unmoored by the implications—and the possibilities. Surely it is better for society to give up your autonomy if it means taking fewer resources, as the conjoined do, right? Hon Lai Chu, one of the foremost writers working in Hong Kong today, sets her characters loose in a macabre reality animated by sketchy institutions and characters with elusive motivations. Politically and socially allegorical, Mending Bodies, translated by Jacqueline Leung, challenges our safe understandings of people, bodies, and governments.

Everyone in My Family Has Killed Someone meets The Goonies in The Treasure Hunters Club—a rollicking murder mystery set in a seaside town filled with pirate lore, family secrets, unforgiveable grudges, secret societies, and of course, a treasure lost to time.  WELCOME TO MAPLE BAY, NOVA SCOTIA For nearly a century, people have ventured to the idyllic seaside town of Maple Bay in search of a legendary lost pirate treasure, but locals know there’s more than just gold buried in the sand. As the paths of three strangers converge in Maple Bay, the truth is about to be blown wide open. But not before the bodies start to pile up. Peter Barnett is rapidly approaching 40 with little to show for it when a mysterious letter invites him to Maple Bay and the mansion his estranged family has called home for generations. Seventeen-year-old Dandy Feltzen is isolated and adrift following the death of her beloved grandfather, until his final request and a tantalizing clue sets her on a mission to solve the mystery he spent his entire life chasing. Cass Jones has given up on her dream of being a successful author when an unexpected opportunity lands in her a housesitting gig in remote Maple Bay, where she stumbles on the perfect subject matter for her breakout book—and the handsome sailor who might be just the person to help her research it. Peter, Dandy and Cass have never met, but they’re on a collision course with each other and the mystery that has defined Maple Bay for two centuries, and none of them are prepared for the shocking truths that may or may not still be buried there.