Thousands of them have lived underground. They've lived there so long, there are only legends about people living anywhere else. Such a life requires rules. Strict rules. There are things that must not be discussed. Like going outside. Never mention you might like going outside.Or you'll get what you wish for.

A hilarious and heartfelt novel about how loves and lives are never truly lost, for fans of Rebecca Serle and Taylor Jenkins Reid. With a leading role on a hit TV show and a relationship with Hollywood's latest heartthrob, Meg Bryan appears to have everything she ever wanted. But underneath the layers of makeup and hairspray, her happiness is as fake as her stage name, Lana Lord. Following a small breakdown at her thirtieth birthday party, she books an impromptu trip where she knows the grass is greener: Ireland. Specifically, the quaint little village where she and her best friend Aimee always dreamt of moving—a dream that fell apart when an accident claimed Aimee’s life a decade ago. When Meg arrives, the people in town are so nice, treating her not as a stranger, but a friend. Except for the (extremely hot) bartender giving her the cold shoulder. Meg writes it all off as jetlag until she looks in the mirror. Her hair is no longer bleached within an inch of its life, her skin has a few natural fine lines, and her nose looks like… well, her old nose. Her real nose. Her phone reveals hundreds of pictures of her life in this little town: with an adorable dog she doesn’t know; with the bartender who might be her (ex?) boyfriend; and at a retail job unrelated to acting. Eventually, she comes to accept that she somehow made a quantum slide into an alternate version of her life. But the most shocking realization of all? In this life, her best friend Aimee is alive and well…but wants nothing to do with Meg. Despite her bewilderment, Meg is clear-eyed about one thing: this is a once-in-a-lifetime chance to reconnect with her friend and repair what she broke. She finagles an opportunity to act in the play Aimee is writing and directing and as the project unfolds, Meg realizes that events as she remembers them may not be the only truth, and that an impossible choice looms before her.

Galaxy “Alex” Stern is the most unlikely member of Yale’s freshman class. Raised in the Los Angeles hinterlands by a hippie mom, Alex dropped out of school early and into a world of shady drug dealer boyfriends, dead-end jobs, and much, much worse. By age twenty, in fact, she is the sole survivor of a horrific, unsolved multiple homicide. Some might say she’s thrown her life away. But at her hospital bed, Alex is offered a second chance: to attend one of the world’s most elite universities on a full ride. What’s the catch, and why her? Still searching for answers to this herself, Alex arrives in New Haven tasked by her mysterious benefactors with monitoring the activities of Yale’s secret societies. These eight windowless “tombs” are well-known to be haunts of the future rich and powerful, from high-ranking politicos to Wall Street and Hollywood’s biggest players. But their occult activities are revealed to be more sinister and more extraordinary than any paranoid imagination might conceive.

A mesmerizing portrait of an aging man’s last pilgrimage, from the New York Times best selling author of The Girls and The Guest. A private plane cuts through the winter night, somewhere over Greenland. David, a retired executive, sits back in his leather seat, playing solitaire on his phone. Click. Click. Drag. Click. The notebook in his jacket pocket is filled with familiar phrases, urgent reminders to himself, but he struggles to recognize his own handwriting. A mystery, among many mysteries. The world, once so knowable, has been rendered inscrutable.This is what David Cody, his assistant, asleep in the seat next to him, will shepherd him along the voyage. A stopover in London. Dinner with his adult daughter. A meeting in France with an old friend, estranged for decades. His final destination is Zurich. David glides through hotel rooms and airports and foreign cities, running out the clock on his mortal life. His grasp on the present slips away, and the past rushes the Sunday roasts of childhood. The stiff clothes meant only for church. A summer at a school friend’s house. The losses and missteps that punctuate a life. As David’s arrival in Zurich looms, an exquisitely rendered portrait of an unraveling mind emerges, both darkly humorous and profoundly moving. Hypnotic and startlingly original, Switzy probes the depths of human consciousness, revealing what a man is left with when the accomplishments and compromises that have defined him, and the illusions he's relied on, vanish.

The remaining members of a ghost hunting show return to the haunted manor that may have killed their friend in this atmospheric, contemporary gothic debut perfect for fans of She Is a Haunting and Delicious Monsters. In July, Georgia Perry and Jules Park—secret girlfriends, covert art thieves, and cohosts of a popular YouTube ghost hunting show—step into a haunted house to steal a priceless painting. A few short hours later, there’s a knife in Jules’s chest and Georgia is waking up in a pool of blood with no painting and no memory of how she got there. Now it’s October, and Georgia is underwater. She hasn’t been to class in weeks, and she’s avoiding her old crew—and only friends—like the plague. But when the three remaining thieves get a call from the man who paid a hefty sum to keep them out of jail, demanding that they return to finish the job, Georgia has no choice but to return to her old life. As the estranged friends scramble to steal the painting with no cover story and no leader, they quickly realize that something is very, very wrong, and it’s not just the suffocating memory of Jules or the prying eyes of their viewers. Between the strange shadows that begin to trail them and the nightmares plaguing Georgia’s sleep, only one thing is certain: something followed them home from De Lys manor, and it will do anything to keep them from going back.

A wondrous, tender novel about a young girl grappling with her role in a tragic loss—and attempting to reshape the narrative of her life—from PEN/Faulkner Award nominee Claire Oshetsky Margaret Murphy is a weaver of fantastic tales, growing up in a world where the truth is too much for one little girl to endure. Her first memory is of the day her friend Agnes died. No one blames Margaret. Not in so many words. Her mother insists to everyone who will listen that her daughter never even left the house that day. Left alone to make sense of tragedy, Margaret wills herself to forget these unbearable memories, replacing them with imagined stories full of faith and magic—that always end happily. Enter Poor Deer: a strange and formidable creature who winds her way uninvited into Margaret’s made-up tales. Poor Deer will not rest until Margaret faces the truth about her past and atones for her role in Agnes’s death. Heartrending, hopeful, and boldly imagined, Poor Deer explores the journey toward understanding the children we once were and the stories we tell ourselves to make sense of life’s most difficult moments.

Rayne has always known that she is different. From the clothes that she wears to the rare illness that haunts her, she has always been set apart in her rural town of Bury—a place she thought she had escaped forever. But the sudden death of her parents drags her back to the shadows of her childhood home, where dark secrets linger, and whispers of the past refuse to die. There, amidst a spirit-drenched forest, she encounters Hawthorne—a captivating and terrifying figure that awakens something within her that she can’t ignore. Their connection is electric, drawing Rayne into a world where desire and fear entwine. A world where promises are made and kept in blood. As their bond deepens, so does the threat looming over them. Powerful forces conspire to keep them apart, and the ties that draw them together may condemn them to a fate worse than they could ever imagine. A Hemorrhage of Us is a stand-alone, character-driven, dark, folk horror romance filled with steamy tension, angst, and magic that bites back.

A breathtaking reimagining of Cinderella, as told through the eyes of its iconic "evil" stepmother, revealing a propulsive love story about the lengths a mother will go to for her childrenA widow twice-over, Etheldreda is now saddled with the care of her two children, a priggish stepdaughter, and a razor-taloned peregrine falcon. Her entire life has become a ruse, just like the manor hall they live grand and ornate on the exterior, but crumbling, brick by brick, inside. Fierce in the face of her misfortune, Ethel clings to her family’s respectability, the lifeboat that will float her daughters straight into the secure banks of marriage.When a royal ball offers the chance to secure the future she desperately desires, Etheldreda must risk her secrets, pride, and limited resources in pursuit of an invitation for her daughters—only to see her hopes fulfilled by the wrong one. As an engagement to the heir of the kingdom unfolds with unnerving speed, she discovers a sordid secret hidden in the depths of the royal family, forcing her to choose between the security she’s sought for years and the wellbeing of the feckless stepdaughter who has rebuffed her at every turn.As if Bridgerton met Circe, and exhilarating to its core, Lady Tremaine reimagines the myth of the evil stepmother at the heart of the world’s most famous fairytale. It is a battle cry for a mother’s love for her daughters, and a celebration of women everywhere who make their own fortunes.