lucyPagebound commented on a post
Y'all we have a cover! And blurb! And summary! And we can preorder for September 30! I've never preordered a book in my life and I just did for this one! I am beyond FERAL!!! (Now how do I get Pagebound to update with the cover and summary?)
lucyPagebound commented on a post
Who else is following all this movie cast drama?? And what side are we on? š Personally, Iām a fan of Justināheās had a genuine, deeply thought out take on the movie in all his interviews
lucyPagebound commented on a post
Of course the patients and their stories had to be altered a ton to be included, but I canāt help but wonder about John specifically and which TV shows he works on (Iām sure Lori truly did have a TV writer as a patient). And since the majority of details here had to be altered (or, more likely, are completely works of fiction inspired by real life) it makes me wonder about the line between memoir and auto-fiction - can this truly be a memoir when so much is fiction? Yes, the lessons and feelings are real, but isnāt that also true of auto-fiction?
lucyPagebound commented on a post
Charlie had seen and loved each of them for who they were. When any of his girlsāincluding Roseāhad come into view, heād always given them the same welcome, calling out, Hello beautiful! Oh this made me cry š
lucyPagebound wants to read...
Only For The Week
Natasha Bishop
lucyPagebound commented on a post
If you could rewrite and change your favorite Greek myth, what would you change? What would you have the characters do differently? How would that affect their fate?
lucyPagebound commented on LaurasLibraryCard's review of Bright Young Women
"They will call you hysterical no matter how much dignity you have." This novel is historical fiction, but also so much of it was full of actual facts from a real case, so it felt familiar to me as someone who has read about the original case. I really liked that the killer was never named in this book, he has never deemed worthy of being treated as a person who has a name in the eyes of Pamela and Tina. I felt that the time setting was exemplified well with the constant sexism and misogyny present throughout the book, which I found to be very aggravatingš”. It's hard to know exactly how realistic this is, but my gut says that it was quite realistic for 1978, and I think it was meant to enrage the contemporary reader. I think it was meant to show how there were expectations for Pamela despite her situation and devastating emotional state. There were judgments made about all of the characters: Ruth was a victim-- why, what did she do (victim blaming)? Pamela was a young female witness, could her perspective be trusted as evidence? It seems like the authorities were quick to dismiss or disparage her. The Defendant was male and well spoken and some thought good looking, so he was afforded many privileges and leeway despite the murder charges against him. I loved seeing Pamela's strength of character and sense of justice, her desire to help out her sorority sisters and do what was best for her dead best friend's memory. I found Ruth's point of view tough to read for a lot of pages, but it was nice to see her grow into herself and discover more about who she is and start her own life. I loved that this book shows the complex inner thoughts and feelings of both of our main two female characters, and especially Pamela who was also a victim in her own way. I liked that this focused more on characters we don't hear a ton about, neither an obsession with the perpetrator nor a glorification of angelic dead victims. One element that we see is how Tina has to behave and hold herself a certain way when she is working on getting her therapy education and is doing a demonstration in a room full of men. Then we see how Pamela must manage the emotions of everyone but especially the men around her instead of being the one taken care of. This really hit home for me and was quite impactful to read. The reporter Carl sucked, Ruth's life was pretty depressing. I felt that when the time jumped forward to more current years with Pamela that this was a relatively weaker plot line. I saw some complaints in the reviews that this book mixed true facts with fiction and that the whole thing would have worked better had it been all fiction, so as to not dismiss any true actual real life victims, but also to be something new and different for people who are already know the case. Some reviewers also felt that the time jumps and perspective jumps were too confusing. I also saw some commentary about how though the author discusses all of the media glorifying or constantly rehashing the real life killer, her critique was that this is not good, and her book focuses more on the victims over the killer. However some point out that essentially this book is still more media that is contributing to the overall oeuvre on this killer? š¤ I like this quote that I read in a review: "Because the story truly is about the young women here who are the bright ones, finally recognizing their own worth and intelligence. But it's also a story about male incompetence; men wanting The Defendant to be smart to mask their own mistakes... Or to use as a stepping stone to his own fame and glory."
lucyPagebound commented on kindleandilluminate's review of The Party
Was this the worst book I've ever read? No. Was it internally consistent or even, frankly, coherent? Again, no.
lucyPagebound commented on Fantasy's update
lucyPagebound commented on Allyyys's update
Allyyys started reading...
Fates and Furies
Lauren Groff
lucyPagebound wants to read...
Alchemy of Secrets
Stephanie Garber
lucyPagebound commented on deepa_alwaysbookedup's update
deepa_alwaysbookedup started reading...
Martyr!
Kaveh Akbar
lucyPagebound commented on a post
With all the description of name-brand products and how that reflects on the characters it really gives me American Psycho vibes. Or maybe this is just a common trait of New Yorkers, who knows
lucyPagebound commented on a post
A couple things I saw today really got me wondering whether there's an implicit obligation for movie adaptations to remain authentic to the book and authors intentions, and if so - to what degree of closeness, and who is responsible for it? I am sure there are a variety of thoughts on the matter, and I'd love to hear them!! The two things inspiring this line of thought: 1. It Ends with Us drama continuing to swirl, and noticing included within it an allegation that a lead actor who also substantially contributed to both the scripts and overall production had actually not read the book, which I found shocking. Whether or not the allegation is true (don't want to make this post about that particular situation, go to the books page for a thread for that haha) the idea itself made me realize I absolutely carry a belief that someone in that kind of a position has an obligation to have read the book being adapted. 2. I finished watching Killing Eve and upon some googling discovered that it was actually based on a book series, and (trying to avoid spoilers here) included some MAJOR changes which the writer in interviews being very proud of taking the creative liberty to make those changes that fundamentally impacted the story, while many viewers seem to be really upset by it. While I haven't read it, I was pretty frustrated to see what was changed and think the reasons for folks being upset are entirely justified (will probably start my own thread on that books page to get other thoughts); again, apparently being someone who values sticking to the book.
lucyPagebound commented on a post
lucyPagebound wants to read...
Dinner for Vampires: Life on a Cult TV Show (While Also in an Actual Cult!)
Bethany Joy Lenz
lucyPagebound commented on a post
Really curious about this as the cover and vibes give true crime non-fic to me but this is a fiction book with court transcripts and jury deliberations. I hope it's as good as it has the potential to be.
lucyPagebound wrote a review...
Though I didn't enjoy being in Naomi's head...and I wasn't surprised at the ending...Caitlin Barasch must've been doing something right because I still felt compelled to finish. Not really sure how to categorize this book as it's kind of weird girl litfic but also sort of mystery/thriller and yet, not enough of any of those. There was a low level tension that petered out in the middle since the stakes weren't high enough, and it takes a long time for consequences to develop. Naomi's behavior was more entitled than unhinged, and while her past traumas could've led the reader to empathize with her, they felt random since these traumas didn't quite connect to her actions in the present.
lucyPagebound finished a book
A Novel Obsession
Caitlin Barasch
Post from the book forum
love how meta and accurate Rosemary's critique of Naomi's pages are...I find Naomi so š & hard to relate to because she is so privileged