marissa commented on crybabybea's update
crybabybea started reading...

An Education in Malice
S.T. Gibson
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marissa commented on marissa's review of Masters of Death
Masters of Death is one of those books that reminds you why you love stories in the first place. Itās weird and wonderful and full of heart. The cast of supernatural characters is vivid and unforgettable, and the dialogue absolutely sparkles with wit and depth. The story flows across time and dimensions, weaving multiple perspectives into a kind of tapestry thatās intricate, surprising, and so utterly satisfying. Blakeās writing is sharp, elegant, and full of those āoh wowā moments that really make you pause and soak it all in.
But at its heart, this book isnāt about vampires, demons, or even Death, itās about what it truly means to live. The immortal characters play their āgameā as a reflection of human nature, full of love, loss, betrayal, and connection. Itās a meditation on life and love, on choices and consequences, all told through characters who feel so achingly real and romances that break and mend your heart in equal measure.
This is story isn't linear and is definitely not spoon-fed to you, itās layered, interwoven, and poetic, and demands your attention, but it's rewarding. Every sentence carries weight, every twist resonates, and by the end, you feel both crushed and uplifted. Itās heartbreaking, hilarious, thought-provoking, and luminous. It's a story that reminds you of meaning, connection, and all of the fleeting emotions that come with being human and what you're willing to do to feel alive.
marissa commented on a post
āI think people are all big mess and the sooner we realize that, the betterā Couldnāt have said it better myself
marissa commented on marissa's update
marissa started reading...

The Staircase in the Woods
Chuck Wendig
marissa wrote a review...
Masters of Death is one of those books that reminds you why you love stories in the first place. Itās weird and wonderful and full of heart. The cast of supernatural characters is vivid and unforgettable, and the dialogue absolutely sparkles with wit and depth. The story flows across time and dimensions, weaving multiple perspectives into a kind of tapestry thatās intricate, surprising, and so utterly satisfying. Blakeās writing is sharp, elegant, and full of those āoh wowā moments that really make you pause and soak it all in.
But at its heart, this book isnāt about vampires, demons, or even Death, itās about what it truly means to live. The immortal characters play their āgameā as a reflection of human nature, full of love, loss, betrayal, and connection. Itās a meditation on life and love, on choices and consequences, all told through characters who feel so achingly real and romances that break and mend your heart in equal measure.
This is story isn't linear and is definitely not spoon-fed to you, itās layered, interwoven, and poetic, and demands your attention, but it's rewarding. Every sentence carries weight, every twist resonates, and by the end, you feel both crushed and uplifted. Itās heartbreaking, hilarious, thought-provoking, and luminous. It's a story that reminds you of meaning, connection, and all of the fleeting emotions that come with being human and what you're willing to do to feel alive.
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Whether you love to hate or hate to love 'em, these literary bad girls are anything but well-behaved. *Disclaimer: we do not literally support the illegal and oft cruel behavior of these protagonists (usually); we support the authors bold enough to write them (always).
marissa commented on karigan's review of Lights Out
To start, this is my first and last dark romance, however this review is solely based on the book and not my dislike of the genre.
I was warned that the book is very unserious and is not claiming to be any kind of literary genius. I can appreciate a good funny book but I really donāt feel like this was all that good?
The characters meshed well together but only because they were the male/female versions of each other. Neither had any unique qualities. They were funny at times, however most of their interactions were super cringy.
The only scenes that were well written were the ones with smut. (For reference, I am not a smut reader so this is saying a lot lol) In all honesty, it feels as if this book started as a bunch of really well thought out sex scenes that were later strung together by lazy and shallow plot. Itās unfortunate because the actual storyline suffered when it could have added so much more depth to our charactersā more intimate moments.
marissa started reading...

The Staircase in the Woods
Chuck Wendig
marissa finished a book

White Tears/Brown Scars: How White Feminism Betrays Women of Color
Ruby Hamad
marissa commented on a post
A book to sit back, listen, and reflect on, specifically for white women. I did not have lots of thoughts to share, other than my own inner personal deconstructing and reflective thinking about my own whiteness and active/passive participation in it, and I did not want to flood the forum with that. Here are a few of the most impactful quotes for me:
Chapter 2. Angry Sapphires, Bad Arabs, Dragon Ladies: Boxed in by the Binary: "...that this is is the foundation of our modern notions not only of race but of gender. The sex binary is not only about biology, it is about assigning character traits according to sex and using these in-turn to rationalize racism."
Chapter 4. When Tears Become Weapons: White Womanhood's Silent War on Women of Color: "I call McCain's bluff, just as I call the bluff of all white women who claim to above racism. Not necessarily because they are consciously and avowedly racist, but because it is simple impossible for any white women to be genuinely not okay with racism when we as a society have not yet reckoned with the fact that this model of strategic white womanhood, that has been honed and entrenched by centuries of colonialism, is itself a racist concept."
Chapter 5. There Is No Sisterhood: White Women and Racism: "[...] white women who voted for Trump had sided with their race over their gender, that they prioritized their whiteness over sisterhood. But we were wrong. These women are not gender traitors, choosing whiteness over womanhoodārather they are performing their version of womanhood."
"[...] white women were not passive bystanders to the racial crimes of white men. They were conspirators."
Chapter 7. The Rise of Righteous Racism: From Classwashing to the Lovejoy Trap: "In the words of Stewart Hall, race is the modality in which class is lived."
Conclusion: "Race and racism have always been about identifying, exaggerating, and even inventing points of difference to justify brute power and economic oppression."
"It's not that the women are anymore racist than the men, it's that white womanhood consolidates white domination."
Post from the Duskbound forum
Genuinely so pleasantly surprised over how much the writing quality has improved from Riftborne. Feels like a major step up in pretty much every way. I really struggled and didn't overly enjoy Riftborne, but the story was interesting enough for me to get through. I wasn't going to continue the series until I've been seeing The Ascended everywhere and it's recommended to finish Duskbound before starting so I was very concerned, but wow. The writing is tighter, the pacing is smoother and flowing better, and I'm having so much more fun with this cast of characters. There's even magical creatures!!
For those of who may have DNF'd or didn't like Riftborne like me, please give Duskbound a try, there's a recap at the beginning of the book so you don't have to re-read Riftborne.
marissa commented on seema's update
marissa commented on a post
Reading the fetishistic way Arthur talks about and describes Good Stab is certainly an experience.
marissa commented on baileyisbooked's update
baileyisbooked made progress on...