A dazzling postcolonial inversion of Heart of Darkness set during the Great Indian Famine of 1878 that recounts its devastating cost to both life and human dignity.It is 1878, and Aiden Byrne, an Irish police officer in Madrasapatnam, loyal servant to the crown and Queen Victoria, knows that there is no danger that he ought to fear in this heatblasted and famine-devastated land.But when he discovers two laborers from Tudor Ice Company being brutally whipped in the countryside, he is dragged into a world whose surface he has only skimmed before. He sees the horrific conditions under which the local workers, members of the lowest rung of the caste system, process the mammoth blocks of ice that are carved out of frozen New England lakes and transported to India for use in the drinks and iceboxes of the colonial forces.When the two workers disappear—presumably killed—Byrne is approached by Kathavarayan, a charismatic young activist belonging to a lower caste, who is looking to put things right. He sets Byrne off on a journey that brings him face-to-face with the bloody toll of the famine raging through the country—one that would kill more than eight million people before it was done—and forces him to grapple with his own precarious and complicated role in the machinery of the British empire.In White Elephant, Jeyamohan uses surreal prose and vivid imagery to deliver a searing account of a crucial moment in the history of a nation, a city, and a people.

“Page for page, The Summer Game contains not only the classiest but also the most resourceful baseball writing I have ever read.” —New York Times Book Review The Summer Game , Roger Angell’s first book on the sport, changed baseball writing forever. Thoughtful, funny, appreciative of the elegance of the game and the passions invested by players and fans, it goes beyond the usual sports reporter’s beat to examine baseball’s complex place in our American psyche. Between the miseries of the 1962 expansion Mets and a classic 1971 World Series between the Pirates and the Orioles, Angell finds baseball in the 1960s as a game in transition—marked by league expansion, uprooted franchises, the growing hegemony of television, the dominance of pitchers, uneasy relations between players and owners, and mounting competition from other sports for the fans’ dollars. Willie Mays, Roberto Clemente, Brooks Robinson, Bob Gibson, Sandy Koufax, Carl Yastrzemski, Tom Seaver, Jim Palmer, and Casey Stengel are seen here with fresh clarity and pleasure. Here is California baseball in full flower, the once-mighty Yankees in collapse, baseball in French (in Montreal), indoor baseball (at the Astrodome), and sweet spring baseball (in Florida)—as Angell observes, “Always, it seems, there is something more to be discovered about this game.” 

This all-new definitive guide to writing imaginative fiction takes a completely novel approach and fully exploits the visual nature of fantasy through original drawings, maps, renderings, and exercises to create a spectacularly beautiful and inspiring object. Employing an accessible, example-rich approach, Wonderbook energizes and motivates while also providing practical, nuts-and-bolts information needed to improve as a writer. Aimed at aspiring and intermediate-level writers, Wonderbook includes helpful sidebars and essays from some of the biggest names in fantasy today, such as George R. R. Martin, Lev Grossman, Neil Gaiman, Michael Moorcock, Catherynne M. Valente, and Karen Joy Fowler, to name a few. Praise for “Jammed with storytelling wisdom.” — Fast Company ’s Co.Create blog “This is the kind of book you leave sitting out for all to see . . . and the kind of book you will find yourself picking up again and again.” — Kirkus Reviews online “If you’re looking for a handy guide to not just crafting imaginative fiction like sci-fi, fantasy, and horror, but to writing in general, be sure to pick up a copy of Steampunk Bible author Jeff Vandermeer’s lovingly compiled Wonderbook ." —Flavorwire “Jeff Vandermeer and Jeremy Zerfoss have created a kaleidoscopically rich and beautiful book about fiction writing.” — Star Tribune “Because it is so layered and filled with text, tips, and links to online extras, this book can be read again and again by both those who want to learn the craft of writing and those interested in the process of others.” — Library Journal

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists -- he a photographer, she a dancer -- trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence. At once an achingly beautiful love story and a potent insight into race and masculinity, Open Water asks what it means to be a person in a world that sees you only as a Black body, to be vulnerable when you are only respected for strength, to find safety in love, only to lose it. With gorgeous, soulful intensity, Caleb Azumah Nelson has written the most essential British debut of recent years.

Maurice is heartbroken over unrequited love, which opened his heart and mind to his own sexual identity. In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics. Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come). Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.

"What is required if men and women are to feel at home in society and are to recover their vitality? Into wrestling with that question, Simone Weil put the very substance of her mind and temperament. The apparently solid edifices of our prepossessions fall down before her onslaught like ninepins, and she is as fertile and forthright in her positive suggestions . . . she can be relied upon to toss aside the superficial and to come to grips with the essential and the profound." -- Time Literary Supplement

Gravity and Grace was the first ever publication by the remarkable thinker and activist, Simone Weil. In it Gustave Thibon, the farmer to whom she had entrusted her notebooks before her untimely death, compiled in one remarkable volume a compendium of her writings that have become a source of spiritual guidance and wisdom for countless individuals. On the fiftieth anniversary of the first English edition - by Routledge & Kegan Paul in 1952 - this Routledge Classics edition offers English readers the complete text of this landmark work for the first time ever, by incorporating a specially commissioned translation of the controversial chapter on Israel. Also previously untranslated is Gustave Thibon's postscript of 1990, which reminds us how privileged we are to be able to read a work which offers each reader such 'light for the spirit and nourishment for the soul'. This is a book that no one with a serious interest in the spiritual life can afford to be without.

In this wide-ranging and accessible work, Jason M. Baxter puts our contemporary culture in conversation with literature and its “sister arts” to make the compelling—and sometimes chilling—case not just for the relevance but urgency of the humane tradition as we enter our “digital apocalypse.” Baxter draws on his areas of expertise, Dante and C.S. Lewis; his background in teaching the great books, art history, and music history; as well as his own travel literature to give his readers an almost sensuous feeling for what the alternative to our tech-obsessed culture is.

If on a Winter's Night a Traveler is a marvel of ingenuity, an experimental text that looks longingly back to the great age of narration—"when time no longer seemed stopped and did not yet seem to have exploded." Italo Calvino's novel is in one sense a comedy in which the two protagonists, the Reader and the Other Reader, ultimately end up married, having almost finished If on a Winter's Night a Traveler. In another, it is a tragedy, a reflection on the difficulties of writing and the solitary nature of reading. The Reader buys a fashionable new book, which opens with an exhortation: "Relax. Concentrate. Dispel every other thought. Let the world around you fade." Alas, after 30 or so pages, he discovers that his copy is corrupted, and consists of nothing but the first section, over and over. Returning to the bookshop, he discovers the volume, which he thought was by Calvino, is actually by the Polish writer Bazakbal. Given the choice between the two, he goes for the Pole, as does the Other Reader, Ludmilla. But this copy turns out to be by yet another writer, as does the next, and the next. The real Calvino intersperses 10 different pastiches—stories of menace, spies, mystery, premonition—with explorations of how and why we choose to read, make meanings, and get our bearings or fail to. Meanwhile the Reader and Ludmilla try to reach, and read, each other. If on a Winter's Night is dazzling, vertiginous, and deeply romantic. "What makes lovemaking and reading resemble each other most is that within both of them times and spaces open, different from measurable time and space."