Who is Mister Magic? Former child stars reunite to uncover the tragedy that ended their show—and discover the secret of its enigmatic host—in this dark supernatural thriller from the #1 New York Times bestselling author of Hide. Thirty years after a tragic accident shut down production of the classic children’s program Mister Magic, the five surviving cast members have done their best to move on. But just as generations of cultishly devoted fans still cling to the lessons they learned from the show, the cast, known as the Circle of Friends, have spent their lives searching for the happiness they felt while they were on it. The friendship. The feeling of belonging. And the protection of Mister Magic. But with no surviving video of the show, no evidence of who directed or produced it, and no records of who—or what—the beloved host actually was, memories are all the former Circle of Friends has. Then a twist of fate brings the castmates back together at the remote desert filming compound that feels like it’s been waiting for them all this time. Even though they haven’t seen each other for years, they understand one another better than anyone has since. After all, they’re the only ones who hold the secret of that circle, the mystery of the magic man in his infinitely black cape, and, maybe, the answers to what really happened on that deadly last day. But as the Circle of Friends reclaim parts of their past, they begin to wonder: Are they here by choice, or have they been lured into a trap? Because magic never forgets the taste of your friendship. . . .

Josie is at rock bottom. Burned out and recovering from an abusive relationship, she lives a haunted existence after returning to her isolated hometown on the edge of the Forest of Dean. But the tall, dense pine trees are not the only things casting shadows across her skin. When Josie stumbles across a dead woman's decaying, ant-infested body in the woods, she plummets into a downward spiral, facing uncomfortable truths about the victim and her own past - all whilst battling the swarming black ants that seem to have burrowed into her mind . . . and her flesh. Struggling with infestations of all kinds, Josie scratches the surface of an age-old mystery - a masked predator stalks the forest around Ellwood, a place deeply gripped by folklore and strange customs. As the village prepares for its annual festival, Josie gets closer and closer to unveiling a monster, and begins to ask Are these dark crawling insects leading her to uncover the truth? Or is she their next victim?

“A brash, unapologetic, and often funny novel with a delightful nasty streak. I enjoyed the hell out of this one.”—Ronald Malfi, bestselling author of Small Town HorrorDisturbed pre-med student Keely Rexroth is unable to take ‘no’ for an answer when she is denied entry into a prestigious research program. As her ambition curdles into dark mania, she embarks on her own curriculum of twisted experimentation, fighting to keep her secrets from a campus priest who is too perceptive for his own good. If she can’t get what she deserves on her own merit, she’ll eliminate her competition. This horror-thriller is a chilling mix of dark academia, psychological terror, gallows humor, and revenge fantasy that is perfect for fans of Gone Girl, Maeve Fly, Darkly Dreaming Dexter, and You. "Viggy Parr Hampton’s Much Too Vulgar crackles with deftly crafted motives, intensely high stakes, and characters as sharply written as the scalpels they wield. Add to this a dose of black humor on par with Brett Easton Ellis and you’ve got yourself a horror novel you will not want to miss.” —Christa Carmen, Bram Stoker Award-winning and Shirley Jackson Award-nominated author of The Daughters of Block Island “Much Too Vulgar is a delightfully fun roller-coaster ride through a depraved mind. Never before have I rooted so hard for the villain to come out on top! Viggy Parr Hampton has such an incredible way of painting a vivid world filled with characters you love to hate and hate to love. This was a fast-paced page turner that I couldn't put down! It crawled itself into my mind with each new word I read and it sits there still, well after I've finished. I can't recommend this book enough! It's so good!”—Angel Van Atta, author of In The Tall Trees “Move over Dexter. Meet Keely. Part thriller, part savage satirical takedown of pre-med academia, Much Too Vulgar is rich with comedic terror. Viggy writes with a razor-sharp wit that would leave Carl Hiaasen’s jaw on the floor. I haven’t had this much fun following a character since Jeff Lindsay’s Darkly Dreaming Dexter. This is going to be the year’s can’t miss hit.” —Gage Greenwood, author of Bunker Dogs

From Vulture's "master of horror" Clay McLeod Chapman, a relentless and emotionally charged social horror novel about a family on the run from a demonic possession epidemic that spreads through media, for fans of The Last of Us and When Evil LurksNoah Fairchild has been losing his formerly polite Southern parents to far-right cable news for years, so when his mother leaves him a voicemail warning him that the “Great Reawakening” is here, he assumes it’s related to one of the many conspiracy theories she believes in. But when his own phone calls go unanswered, Noah makes the long drive from Brooklyn to Richmond, Virginia. There, he discovers his childhood home in shambles, a fridge full of spoiled food, and his parents locked in a terrifying trance-like state in front of the TV. Panicked, Noah attempts to snap them out of it and get medical help.Then Noah’s mother brutally attacks him.But Noah isn’t the only person to be attacked by a loved one. Families across the country are tearing each other apart-–literally-–as people succumb to a form of possession that gets worse the more time they spend watching particular channels, using certain apps, or visiting certain websites. In Noah’s Richmond-based family, only he and his young nephew Marcus are unaffected. Together, they must race back to the safe haven of Brooklyn–-but can they make it before they fall prey to the violent hordes?This ambitious, searing novel from "one of horror's modern masters" holds a mirror to our divided nation, and will shake readers to the core.

Ed is in trouble with the yakuza. He's gambled away all his money and his family is at risk. But just as he’s about to lose everything, he receives an offer he can’t refuse. A reclusive billionaire is looking for a private chef. The only she has some. . . unusual tastes. As he prepares delicious dishes – fresh crab salad with a panko crumb, lamb shank dripping in red wine juice, sweet, fluffy soufflé pancakes – he realizes that each meal is a test, a challenge to satisfy an insatiable appetite. Caught up in a world more sinister than he could ever have imagined, Ed finds himself entangled in another debt. As the stakes grow, he must make a choice. Will he stay hungry? Or will he be greedy? Dinner is served. Eat up.

Every trad wife needs a baby. Camille will get one - no matter the cost.Camille lives to embody the perfect traditional wife—cooking, cleaning, homesteading, and documenting it all for her followers. But without a baby, her image—and her following—feels incomplete. As Camille's husband begins to withdraw and his attention in her waning, Camille’s desperation deepens.When Camille discovers a crumbling well hidden in the wheat field behind her new house, she is drawn to it, despite its proximity to an intimidating local forest. Unsure of what else to do, she makes a wish.Soon, she’s haunted by vivid dreams she believes are divine. Then something visits her—something not quite angelic. Her belly swells unnaturally fast. Her cravings turn raw. And yet, her announcement goes viral.But as Camille’s influence grows, so does the horror inside her. The life she always wanted is finally within reach… if it doesn’t consume her first.

Life in a small town takes a dark turn when mysterious footage begins appearing on VHS cassettes at the local Video Hut Jeremy works at the counter of Video Hut in Nevada, Iowa. It’s a small town—the first “a” in the name is pronounced ay—smack in the center of the state. This is the late 1990s, pre-DVD, and the Hollywood Video in Ames poses an existential threat to Video Hut. But there are regular customers, a predictable rush in the late afternoon. It’s good enough for Jeremy: It’s a job; it’s quiet and regular; he gets to watch movies; he likes the owner, Sarah Jane; it gets him out of the house, where he and his dad try to avoid missing Mom, who died six years ago in a car wreck. But when Stephanie Parsons, a local schoolteacher, comes in to return her copy of Targets, starring Boris Karloff—an old movie, one Jeremy himself had ordered for the store—she has an odd complaint: “There’s something on it,” she says, but doesn’t elaborate. Two days later, Lindsey Redinius brings back She’s All That, a new release, and complains that there’s something wrong with it: “There’s another movie on this tape.” So Jeremy takes a look. And indeed, in the middle of the movie the screen blinks dark for a moment and She’s All That is replaced by a black-and-white scene, shot in a barn, with only the faint sounds of someone breathing. Four minutes later, She’s All That is back. But there is something profoundly disturbing about that scene; Jeremy’s compelled to watch it three or four times. The scenes recorded onto Targets are similar, undoubtedly created by the same hand. Creepy. And the barn looks a lot like a barn just outside of town. Jeremy doesn’t want to be curious. In truth, it freaks him out, deeply. This has gone far enough, maybe too far already. But Stephanie is pushing, and once Sarah Jane takes a look and becomes obsessed, there’s no more ignoring the disturbing scenes on the videos. And all of a sudden, what had once been the placid, regular old Iowa fields and farmhouses now feels haunted and threatening, imbued with loss and instability and profound foreboding. For Jeremy, and all those around him, life will never be the same . . .

A groundbreaking work that turns a “queer eye” on the criminal legal system Drawing on years of research, activism, and legal advocacy, Queer (In)Justice is a searing examination of queer experiences--as "suspects," defendants, prisoners, and survivors of crime. The authors unpack queer criminal archetypes--like "gleeful gay killers," "lethal lesbians," "disease spreaders," and "deceptive gender benders"--to illustrate the punishment of queer expression, regardless of whether a crime was ever committed. Tracing stories from the streets to the bench to behind prison bars, the authors prove that the policing of sex and gender both bolsters and reinforces racial and gender inequalities. A groundbreaking work that turns a "queer eye" on the criminal legal system, Queer (In)Justice illuminates and challenges the many ways in which queer lives are criminalized, policed, and punished.