From the New York Times bestselling author of The Soulmate and Darling Girls comes the story of Mad Mabel. They called it murder. She called it justice.'In 1954, at just fourteen years of age, Mabel Waller became the youngest Australian in history to be convicted of murder.'In 2025, on a quiet Melbourne lane, an elderly man is found dead by his neighbour, 81-year-old Elsie Fitzpatrick. No one suspects any foul play.Until they discover Elsie's past.In the 1950s, her name was not Elsie. It was Mabel.'She is known around the world as Mad Mabel. But is she mad? More importantly, is she guilty?'When the police open a new investigation and the media descend upon her, the elderly Mabel decides it's time to set the record straight.'In a world first, at the age of eighty-one, Mabel Waller is speaking. This is her story.'New York Times bestselling author Sally Hepworth is at her finest in this twisty, compulsive thriller of friendship, family and murder. Or is it justice . . . ?

Titanic meets The Shining in S.A. Barnes’ Dead Silence, a SF horror novel in which a woman and her crew board a decades-lost luxury cruiser and find the wreckage of a nightmare that hasn't yet ended. A GHOST SHIP. A SALVAGE CREW. UNSPEAKABLE HORRORS. Claire Kovalik is days away from being unemployed—made obsolete—when her beacon repair crew picks up a strange distress signal. With nothing to lose and no desire to return to Earth, Claire and her team decide to investigate. What they find at the other end of the signal is a shock: the Aurora, a famous luxury space-liner that vanished on its maiden tour of the solar system more than twenty years ago. A salvage claim like this could set Claire and her crew up for life. But a quick trip through the Aurora reveals something isn’t right. Whispers in the dark. Flickers of movement. Words scrawled in blood. Claire must fight to hold onto her sanity and find out what really happened on the Aurora, before she and her crew meet the same ghastly fate.

From the acclaimed author of The Troop—which Stephen King raved “scared the hell out of me and I couldn’t put it down.…old-school horror at its best”—comes this utterly terrifying novel where The Abyss meets The Shining. A strange plague called the ’Gets is decimating humanity on a global scale. It causes people to forget—small things at first, like where they left their keys…then the not-so-small things like how to drive, or the letters of the alphabet. Then their bodies forget how to function involuntarily…and there is no cure. But now, far below the surface of the Pacific Ocean, deep in the Marianas Trench, an heretofore unknown substance hailed as “ambrosia” has been discovered—a universal healer, from initial reports. It may just be the key to a universal cure. In order to study this phenomenon, a special research lab, the Trieste, has been built eight miles under the sea’s surface. But now the station is incommunicado, and it’s up to a brave few to descend through the lightless fathoms in hopes of unraveling the mysteries lurking at those crushing depths…and perhaps to encounter an evil blacker than anything one could possibly imagine.

Four years after the sudden death of his wife, forty-year-old bestselling novelist Mike Noonan is still grieving. Unable to write, and plagued by vivid nightmares set at the western Maine summerhouse he calls Sara Laughs, Mike reluctantly returns to the lakeside getaway. There, he finds his beloved Yankee town held in the grip of a powerful millionaire, Max Devore, whose vindictive purpose is to take his three-year-old granddaughter, Kyra, away from her widowed young mother, Mattie. As Mike is drawn into Mattie and Kyra's struggle, as he falls in love with both of them, he is also drawn into the mystery of Sara Laughs, now the site of ghostly visitations and escalating terrors. What are the forces that have been unleashed here — and what do they want of Mike Noonan?

From the Flap: NO MORE THAN A DARK PENCIL LINE ON A BLANK PAGE. A HORIZON LINE, MAYBE, BUT ALSO A SLOT FOR BLACKNESS TO POUR THROUGH . . . A terrible construction site accident takes Edgar Freemantle's right arm and scrambles his memory and his mind, leaving him with little but rage as he begins the ordeal of rehabilitation. A marriage that produced two lovely daughters suddenly ends, and Edgar begins to wish he hadn't survived the injuries that could have killed him. He wants out. His psychologist, Dr. Kamen, suggests a "geographic cure," a new life distant from the Twin Cities and the building business Edgar grew from scratch. And Kamen suggests something else. "Edgar does anything make you happy?" "I used to sketch." "Take it up again. You need hedges . . . hedges against the night." Edgar leaves Minnesota for a rented house on Duma Key, a stunningly beautiful, eerily undeveloped splinter of the Florida coast. The sun setting into the Gulf of Mexico and the tidal rattling of shells on the beach call out to him, and Edgar draws. A visit from Ilse, the daughter he dotes on, starts his movement out of solitude. He meets a kindred spirit in Wireman, a man reluctant to reveal his own wounds, and then Elizabeth Eastlake, a sick old woman whose roots are tangled deep in Duma Key. Now Edgar paints, sometimes feverishly, his exploding talent both a wonder and a weapon. Many of his paintings have a power that cannot be controlled. When Elizabeth's past unfolds and the ghosts of her childhood begin to appear, the damage of which they are capable is truly devastating. The tenacity of love, the perils of creativity, the mysteries of memory and the nature of the supernatural--Stephen King gives us a novel as fascinating as it is gripping and terrifying.

A psychological thriller about a group of scientists who investigate a spaceship discovered on the ocean floor. In the middle of the South Pacific, a thousand feet below the surface, a huge vessel is unearthed. Rushed to the scene is a team of American scientists who descend together into the depths to investigate the astonishing discovery. What they find defies their imaginations and mocks their attempts at logical explanation. It is a spaceship, but apparently it is undamaged by its fall from the sky. And, most startling, it appears to be at least three hundred years old, containing a terrifying and destructive force that must be controlled at all costs. 

From the New York Times bestselling author of The Soulmate and Darling Girls comes the story of Mad Mabel. They called it murder. She called it justice.'In 1954, at just fourteen years of age, Mabel Waller became the youngest Australian in history to be convicted of murder.'In 2025, on a quiet Melbourne lane, an elderly man is found dead by his neighbour, 81-year-old Elsie Fitzpatrick. No one suspects any foul play.Until they discover Elsie's past.In the 1950s, her name was not Elsie. It was Mabel.'She is known around the world as Mad Mabel. But is she mad? More importantly, is she guilty?'When the police open a new investigation and the media descend upon her, the elderly Mabel decides it's time to set the record straight.'In a world first, at the age of eighty-one, Mabel Waller is speaking. This is her story.'New York Times bestselling author Sally Hepworth is at her finest in this twisty, compulsive thriller of friendship, family and murder. Or is it justice . . . ?

A NEW YORK TIMES BESTSELLER FINALIST FOR THE 2022 NATIONAL BOOK AWARD FOR NONFICTION Named one of the BEST BOOKS OF 2022 by NPR, The New Yorker, Time, and Vogue “ Remarkable.” –Andrew Solomon, The New York Times Book Review "At once a rigorous work of scholarship and a radical act of empathy.” — Esquire "A ray of light into those isolated cocoons of darkness that, at one time or another, may afflict us all.” —The Wall Street Journal "Essential."— The Boston Globe A landmark exploration of one of the most consequential and mysterious issues of our time: the rise of chronic illness and autoimmune diseases A silent epidemic of chronic illnesses afflicts tens of millions of Americans: these are diseases that are poorly understood, frequently marginalized, and can go undiagnosed and unrecognized altogether. Renowned writer Meghan O’Rourke delivers a revelatory investigation into this elusive category of “invisible” illness that encompasses autoimmune diseases, post-treatment Lyme disease syndrome, and now long COVID, synthesizing the personal and the universal to help all of us through this new frontier.   Drawing on her own medical experiences as well as a decade of interviews with doctors, patients, researchers, and public health experts, O’Rourke traces the history of Western definitions of illness, and reveals how inherited ideas of cause, diagnosis, and treatment have led us to ignore a host of hard-to-understand medical conditions, ones that resist easy description or simple cures. And as America faces this health crisis of extraordinary proportions, the populations most likely to be neglected by our institutions include women, the working class, and people of color.   Blending lyricism and erudition, candor and empathy, O’Rourke brings together her deep and disparate talents and roles as critic, journalist, poet, teacher, and patient, synthesizing the personal and universal into one monumental project arguing for a seismic shift in our approach to disease. The Invisible Kingdom offers hope for the sick, solace and insight for their loved ones, and a radical new understanding of our bodies and our health.

Exploring the psychological dynamics of the relationship between a precocious yet naïve teenage girl and her magnetic and manipulative teacher, a brilliant, all-consuming read that marks the explosive debut of an extraordinary new writer. 2000. Bright, ambitious, and yearning for adulthood, fifteen-year-old Vanessa Wye becomes entangled in an affair with Jacob Strane, her magnetic and guileful forty-two-year-old English teacher. 2017. Amid the rising wave of allegations against powerful men, a reckoning is coming due. Strane has been accused of sexual abuse by a former student, who reaches out to Vanessa, and now Vanessa suddenly finds herself facing an impossible choice: remain silent, firm in the belief that her teenage self willingly engaged in this relationship, or redefine herself and the events of her past. But how can Vanessa reject her first love, the man who fundamentally transformed her and has been a persistent presence in her life? Is it possible that the man she loved as a teenager—and who professed to worship only her—may be far different from what she has always believed? Alternating between Vanessa’s present and her past, My Dark Vanessa juxtaposes memory and trauma with the breathless excitement of a teenage girl discovering the power her own body can wield. Thought-provoking and impossible to put down, this is a masterful portrayal of troubled adolescence and its repercussions that raises vital questions about agency, consent, complicity, and victimhood. Written with the haunting intimacy of The Girls and the creeping intensity of Room, My Dark Vanessa is an era-defining novel that brilliantly captures and reflects the shifting cultural mores transforming our relationships and society itself.

In Atlas of the Heart, Brown takes us on a journey through eighty-seven of the emotions and experiences that define what it means to be human. As she maps the necessary skills and an actionable framework for meaningful connection, she gives us the language and tools to access a universe of new choices and second chances—a universe where we can share and steward the stories of our bravest and most heartbreaking moments with one another in a way that builds connection. Over the past two decades, Brown's extensive research into the experiences that make us who we are has shaped the cultural conversation and helped define what it means to be courageous with our lives. Atlas of the Heart draws on this research, as well as on Brown's singular skills as a storyteller, to show us how accurately naming an experience doesn't give the experience more power, it gives us the power of understanding, meaning, and choice. Brown shares, "I want this book to be an atlas for all of us, because I believe that, with an adventurous heart and the right maps, we can travel anywhere and never fear losing ourselves."

"A clinical psychologist and award-winning researcher explores the ways many of us inherit a broken and unhealthy understanding of the body and offers a more compassionate, healthy, and holistic perspective on embodied life"--

Our earliest experiences shape our lives far down the road, and What Happened to You? provides powerful scientific and emotional insights into the behavioral patterns so many of us struggle to understand. “Through this lens we can build a renewed sense of personal self-worth and ultimately recalibrate our responses to circumstances, situations, and relationships. It is, in other words, the key to reshaping our very lives.”—Oprah Winfrey This book is going to change the way you see your life. Have you ever wondered "Why did I do that?" or "Why can't I just control my behavior?" Others may judge our reactions and think, "What's wrong with that person?" When questioning our emotions, it's easy to place the blame on ourselves; holding ourselves and those around us to an impossible standard. It's time we started asking a different question. Through deeply personal conversations, Oprah Winfrey and renowned brain and trauma expert Dr. Bruce Perry offer a groundbreaking and profound shift from asking “What’s wrong with you?” to “What happened to you?” Here, Winfrey shares stories from her own past, understanding through experience the vulnerability that comes from facing trauma and adversity at a young age. In conversation throughout the book, she and Dr. Perry focus on understanding people, behavior, and ourselves. It’s a subtle but profound shift in our approach to trauma, and it’s one that allows us to understand our pasts in order to clear a path to our future—opening the door to resilience and healing in a proven, powerful way.

The classic American novel, re-published for the 100th anniversary of James Agee's birthPublished in 1957, two years after its author's death at the age of forty-five, A Death in the Family remains a near-perfect work of art, an autobiographical novel that contains one of the most evocative depictions of loss and grief ever written. As Jay Follet hurries back to his home in Knoxville, Tennessee, he is killed in a car accident--a tragedy that destroys not only a life but also the domestic happiness and contentment of a young family. A novel of great courage, lyric force, and powerful emotion, A Death in the Family is a masterpiece of American literature.

From the #1 New York Times bestselling author of A Man Called Ove and “writer of astonishing depth” (The Washington Times) comes a poignant comedy about a crime that never took place, a would-be bank robber who disappears into thin air, and eight extremely anxious strangers who find they have more in common than they ever imagined. Viewing an apartment normally doesn’t turn into a life-or-death situation, but this particular open house becomes just that when a failed bank robber bursts in and takes everyone in the apartment hostage. As the pressure mounts, the eight strangers begin slowly opening up to one another and reveal long-hidden truths. First is Zara, a wealthy bank director who has been too busy to care about anyone else until tragedy changed her life. Now, she’s obsessed with visiting open houses to see how ordinary people live—and, perhaps, to set an old wrong to right. Then there’s Roger and Anna-Lena, an Ikea-addicted retired couple who are on a never-ending hunt for fixer-uppers to hide the fact that they don’t know how to fix their own failing marriage. Julia and Ro are a young lesbian couple and soon-to-be parents who are nervous about their chances for a successful life together since they can’t agree on anything. And there’s Estelle, an eighty-year-old woman who has lived long enough to be unimpressed by a masked bank robber waving a gun in her face. And despite the story she tells them all, Estelle hasn’t really come to the apartment to view it for her daughter, and her husband really isn’t outside parking the car. As police surround the premises and television channels broadcast the hostage situation live, the tension mounts and even deeper secrets are slowly revealed. Before long, the robber must decide which is the more terrifying prospect: going out to face the police, or staying in the apartment with this group of impossible people. Rich with Fredrik Backman’s “pitch-perfect dialogue and an unparalleled understanding of human nature” (Shelf Awareness), Anxious People’s whimsical plot serves up unforgettable insights into the human condition and a gentle reminder to be compassionate to all the anxious people we encounter every day.

A young woman descends into a seductive magical underworld of power-hungry scholars, fickle gods and monsters bent on revenge to break her family's curse in this spellbinding contemporary fantasy debut. For centuries, generations of Everlys have seen their brightest and best disappear, taken as punishment for a crime no one remembers, for a purpose no one understands. Their tormentor, a woman named Penelope, never ages, never grows sick – and never forgives a debt. Violet Everly was a child when her mother left on a stormy night, determined to break the curse. When Marianne never returns, Penelope issues an ultimatum: Violet has ten years to find her mother, or she will take her place. Violet is the last of the Everly line, the last to suffer. Unless she can break it first. To do so, she must descend into a seductive magical underworld of power-hungry scholars, fickle gods and monsters bent on revenge. She must also contend with Penelope’s quiet assistant, Aleksander, who she knows cannot be trusted – and yet whose knowledge of a world beyond her own is too valuable to avoid. Tied to a very literal deadline, Violet will travel the edges of the world to find Marianne and the key to the city of stardust, where the Everly story began.

In a city that runs on industrialized magic, a secret war will be fought to overwrite reality itself. Sancia Grado is a thief, and a damn good one. And her latest target, a heavily guarded warehouse on Tevanne's docks, is nothing her unique abilities can't handle. But unbeknownst to her, Sancia's been sent to steal an artifact of unimaginable power, an object that could revolutionize the magical technology known as scriving. The Merchant Houses who control this magic--the art of using coded commands to imbue everyday objects with sentience--have already used it to transform Tevanne into a vast, remorseless capitalist machine. But if they can unlock the artifact's secrets, they will rewrite the world itself to suit their aims. Now someone in those Houses wants Sancia dead, and the artifact for themselves. And in the city of Tevanne, there's nobody with the power to stop them. To have a chance at surviving--and at stopping the deadly transformation that's under way--Sancia will have to marshal unlikely allies, learn to harness the artifact's power for herself, and undergo her own transformation, one that will turn her into something she could never have imagined.