robirb is interested in reading...

If Tomorrow Doesn't Come
Jen St. Jude
robirb commented on superpuffin's update
superpuffin started reading...

The Monster Baru Cormorant (The Masquerade, #2)
Seth Dickinson
robirb commented on TamsynParker's review of The Poet Empress
DNF 150 pages / 40% ā¦.
Once again I fell for a five star hype train, and I do wonder whether if I had read this without all the rave reviews I would have had a different take. I have read a spoiler synopsis so I know the ending / what happens.
This book isnāt (subjectively) ābadā to me, itās just very confused and āmehā, you have a story that is being told through the eyes of an FMC who is really only there for convenience of the third party plot telling rather than her being integral to the story (it is essentially about the two prince brothers story).
It is very very tell not show, on top of a LOT of convenience plot writing - she just āhappensā to be able to cast a big spell two working days after learning to read because sheās āseenā it done. She just āhappensā to trust and open up to the right Eunuch who, spills the beans she needs later in the story etc etc.
I had problems from 50 or so pages in after it had been HAMMERED into us that this girl (sheās 16) sole reason for living and breathing is saving and helping her family, then, at the first opportunity for her to actually DO anything, she chooses instead to save the life of an utterly irrelevant to the plot peacock ⦠we then hear nothing about her family at all for the next 90 or so pages even though we are in her head, so that during character point is now forgotten? š¤·š»āāļø
Itās also meant to be an insanely toxic and politically dangerous court where death is at every turn, yet girly pop is out here casting spells (which is a death sentence behaviour for both her AND her family), in front of utter strangers in the court she doesnāt knowā¦. Come ON now!!
Then we get to the writing, itās very easy to read, it shouldnāt be. This is a dark fantasy book in terms of themes, or, it pertains to be. The author never commits to it, everything that is dark is very much written in fade to black. It pertains to be like Game of Thrones whilst being written like itās for YA. I have NO problem with YA books or fantasy, I enjoy them hugely, but this is written like itās YA whilst flirting with it being dark and grim, but it actually isnāt - or, could have been SO much more if she had really dived into that. Ultimately, because she doesnāt deal with the ādarkā properly, the things that happen seem sensational and overbearing, and just written to shock. We never see or feel or hear about how the main FMC has handled or come to terms with that trauma, she remains the same as she did on the first page, which then again leads you to take what happens less seriously than is meant.
Itās a stand alone book, trying to cover an immense amount of themes and storylines; it should have been 600 pages, I think that way the author would have had time to build out the magic systems, the politics and the characters SO much better. Instead what we have is the bones of something that could have been brilliant, condense into 390 pages, and thus missing everything that could make it so. Also, this is NOT a romantasy book!!
I know this is a beloved book and Iām the outlier š š but this one wasnāt for me. Which is something Iām finding with a lot of modern books atm!
robirb commented on skilleddaydreamer's review of Gideon the Ninth (The Locked Tomb, #1)
I am undone šŖ
robirb made progress on...
Post from the A Game of Thrones (A Song of Ice and Fire, #1) forum
robirb is interested in reading...

The Yellow Wall-Paper
Charlotte Perkins Gilman
robirb started reading...

The Ones Who Walk Away from Omelas
Ursula K. Le Guin
robirb commented on neapoulain's review of Why Don't We Just Kill The Kid in the Omelas Hole
no es peor que the ones who stay and fight pero no es mejor.
nadie entiende que quiere decir ursula con irse. como sus textos se mueren de literalidad, creen que le guin tambiĆ©n se morĆa de literalidad y la Ćŗnica manera en que se puede interpretar la idea de marcharse de omelas es quien se va fisicamente, no la transformación de la que estĆ” hablando le guin.
suelten omelas y escriban sus historias. les irĆ” mejor. asĆ no nos daremos cuenta de que no saben leer.
robirb commented on a post from the Pagebound Club forum
Today I finished reading a book and since I was a bit busy I decided to leave a rating on my phone before I forgot and then write my review when I could get on my computer. After posting is when I found out that you get 1 point for ratings and 5 for reviews, but you only get the 5 points for leaving the review if you leave it at the same time that you're rating it but not after. I don't leave a lot of reviews and usually if I do I leave it at the same time as my rating so I wasn't aware of this until now, so I guess this counts as a little PSA for anybody else who didn't know :P
robirb commented on the_rags's update
the_rags paused reading...

The Empress of Salt and Fortune (The Singing Hills Cycle, #1)
Nghi Vo
robirb made progress on...
robirb commented on a post
robirb TBR'd a book

You Weren't Meant to Be Human
Andrew Joseph White
robirb wrote a review...
Compound Fracture is a gnarly wound that never quite healed right.
This is my third AJW novel and while I didn't enjoy it quite as much as TSBIT, I feel like it hits the hardest, possibly because of how clearly close to home it hits for the author. Every single page of it exudes his complicated bond and visceral understanding of rural Appalachia.
Halfway through it, however, kind of started to feel like I had already seen Miles in Benji and Silas. Like... Same guy, different circumstances? A lot of his traits and struggles started feeling a bit samey (isolation and violent transphobia, hardships of performing social cues and emotions, being with a toxic guy that doesn't really see you as a guy, finding solace in a queer community of sorts, an internal monologue that keeps justifying the narrator to himself and the reader... The bones are all there). ... But at the same time, why not? We unfortunately don't yet have a rich literature of transmasc, bisexual, autistic characters built over decades, so if AJW is making it his mission to create a corpus for readers like himself, or hell, even just himself, who the hell am I to complain? There's plenty of cookie-cutter main characters in other genres why not this one?
This is more of a personal reflection than a review in and of itself. I am still very much not the target audience, so any gripe I may have with some of the more YA aspects of the book can be ascribed to me not being a YA anymore, just a boring old A. But AJW is a jewel, and so I'll read on.