"Reading Petroski's fine book is not only a delight, it is a necessity." --Houston Chronicle How did a simple design error cause one of the great disasters of the 1980s—the collapse of the walkways at the Kansas City Hyatt Regency Hotel? What made the graceful and innovative Tacoma Narrows Bridge twist apart in a mild wind in 1940? How did an oversized waterlily inspire the magnificent Crystal Palace, the crowning achievement of Victorian architecture and engineering? These are some of the failures and successes that Henry Petroski, author of the acclaimed The Pencil, examines in this engaging, wonderfully literate book. More than a series of fascinating case studies, To Engineer Is Human is a work that looks at our deepest notions of progress and perfection, tracing the fine connection between the quantifiable realm of science and the chaotic realities of everyday life. "Alert, inquisitive, unspecialized, wholly human...refreshingly eclectic." --The Spectator "Henry Petroski is an ardent engineer, and if he writes more good books like this, he might find himself nominated to become the meistersinger of the guild. [This is] a refreshing plunge into the dynamics of the engineering ethos...as straightforward as an I-beam." --Science

Examining culturally significant works of children's culture through a posthumanist, or animality studies lens, Animality and Children's Literature and Film argues that Western philosophy's objective to establish a notion of an exclusively human subjectivity is continually countered in the very texts that ostensibly work to this end.

This timely book examines the rise of posthumanism as both a material condition and a developing philosophical-ethical project in the age of cloning, gene engineering, organ transplants and implants. Nayar first maps the political and philosophical critiques of traditional humanism, revealing its exclusionary and ‘speciesist’ politics that position the human as a distinctive and dominant life form. He then contextualizes the posthumanist vision which, drawing upon biomedical, engineering and techno-scientific studies, concludes that human consciousness is shaped by its co-evolution with other life forms, and our human form inescapably influenced by tools and technology. Finally the book explores posthumanism’s roots in disability studies, animal studies and bioethics to underscore the constructed nature of ‘normalcy’ in bodies, and the singularity of species and life itself. As this book powerfully demonstrates, posthumanism marks a radical reassessment of the human as constituted by symbiosis, assimilation, difference and dependence upon and with other species. Mapping the terrain of these far-reaching debates, Posthumanism will be an invaluable companion to students of cultural studies and modern and contemporary literature.

SHE WOULD DARE ANYTHING TO SAVE THE WORLD FROM HIS RULE. EVEN HIS BED. He ascended from the darkness years ago—Azrael the Eternal, Azrael the Undying, Azrael Who Is Death—bringing with him the black rains, the fires, the souring of the sky, and the Eaters. Now he rules in the walled city of Haven with his favored Children and his dead court, while all that is left of the living struggles to survive in the ruins of a world that used to be their own. But even as extinction looms, humanity will never surrender to their monstrous conqueror. For Lan, this brutal life has been the only one she’s ever known, but she still believes it can change. If the war can never truly end until the Eaters are ended, she will go to Haven, to Azrael himself, and demand he end them. To her surprise, she does not immediately die the hero’s death she expected. Instead, Azrael offers her a chance to convince him, and all she has to do is submit herself to the chill embrace of the lord of the Land of the Beautiful Dead.

A Fortune best nonfiction book of 2023 In a revelatory dispatch from the frontier of capitalist extremism, an acclaimed historian of ideas shows how free marketeers are realizing their ultimate goal: an end to nation-states and the constraints of democracy. Look at a map of the world and you’ll see a colorful checkerboard of nation-states. But this is not where power actually resides. Over the last decade, globalization has shattered the map into different legal spaces: free ports, tax havens, special economic zones. With the new spaces, ultracapitalists have started to believe that it is possible to escape the bonds of democratic government and oversight altogether. Crack-Up Capitalism follows the most notorious radical libertarians—from Milton Friedman to Peter Thiel—around the globe as they search for the perfect space for capitalism. Historian Quinn Slobodian leads us from Hong Kong in the 1970s to South Africa in the late days of apartheid, from the neo-Confederate South to the former frontier of the American West, from the medieval City of London to the gold vaults of right-wing billionaires, and finally into the world’s oceans and war zones, charting the relentless quest for a blank slate where market competition is unfettered by democracy. A masterful work of economic and intellectual history, Crack-Up Capitalism offers both a new way of looking at the world and a new vision of coming threats. Full of rich details and provocative analysis, Crack-Up Capitalism offers an alarming view of a possible future.

You’d never guess Lottie Jones had skeletons in her closet.She’s lived in town for decades now. She’s getting older. She lives for the simple pleasures of weekly bingo games at church, and gossiping with her friends about their children’s love lives.But when investigative journalist Plum Dixon shows up on her doorstep asking questions about Lottie’s past, and specifically about her connection to numerous unsolved murders, well, Lottie just can’t have that.But getting away with murder is hard enough when you’re young. And when Lottie receives another annoying knock on the door, she realises this crime might just be the death of her…

An attempt by literary critic Walter Benjamin to analyze the changed experience of art in modern society.

A stunning portrait of our vast, dynamic, and mysterious universe . . . as seen through the lenses of astronomy and art What is our place in the universe? Where do art and science overlap? How can we use these disciplines to better understand the universe . . . and how do they help us to shape our reality? In Painting the Cosmos, astrophysicist and visual artist Dr. Nia Imara comprehensively illustrates the history of the universe and our position in it through the interwoven perspectives of astrophysics and art. In this eye-opening and accessible book, Imara asks pivotal questions and explores humanity’s ever-evolving view of nature. Richly illustrated with stunning full-color images of our universe and beautiful work from creators around the world—particularly the often-neglected work of women and Black artists, this one-of-a-kind book unites the realms of art, science, and culture to create a dynamic portrait of the cosmos. From the Big Bang to life on other planets, while also explaining the most exciting recent developments in astronomy. With Imara’s guiding expertise, readers will The limits of objectivity in understanding reality The principles that govern movement in space and the role of rhythm in the universe and art How light functions as a storyteller How scientists and artists help us “see” the invisible—from black holes to marginalized experiences The possibility of life beyond our solar system, and how we define intelligence Painting the Cosmos will captivate and inspire you to see the world around you in a brand new, fascinating light where space and art are beautifully intertwined.