"The training levels have concluded. Now the games may truly begin." The ratings and views are off the chart. The fans just can't get enough. The dungeon gets more dangerous each day. But in a grinder designed to chew up and spit out crawlers by the millions, Carl and Princess Donut need to work harder than ever just to survive. They call it the Over City. A sprawling, once-thriving metropolis devastated by a mysterious calamity. But these streets are far from abandoned. An undead circus trawls the ruins. Murdered prostitutes rain from the sky. An ancient spell is finally ready to reveal its dark purpose. Carl still has no pants. They call it Dungeon Crawler World. For Carl and Donut, it's anything but a game.

The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

Wall Street Journal bestselling author Ilsa Madden-Mills delivers a smart and sexy contemporary romance about a smoking-hot professional football player and the small-town girl he can’t resist. We start off with a lie on Valentine’s Day. My blind date isn’t the studious guy I expected: he’s a drop-dead gorgeous player with sinful amber eyes. Somehow we end up at his penthouse. I blame the gin and tonic. The next day I learn he’s Jack Hawke—bad-boy professional quarterback with a murky past. The NDA he has me sign should be a warning that he isn’t a regular person. Please. I sign it Juliet Capulet, so goodbye, famous football player with abs of steel, and good luck tracking down this small-town librarian. But Jack keeps showing up in places I least expect him. Just when I’m sure he’s gone, he waltzes into my community theater and wins the part of Romeo to my Juliet. How’s a plain, mostly innocent girl like me supposed to resist a man like him? Is Jack my real Romeo… or will this gorgeous football player only break my heart?

To err is human. To avenge is Divine. Every person Harlow Carrenwell kisses dies immediately, and that’s the way she likes it. The poison-lipped youngest daughter of Lunameade’s magical founding family has used her power to annihilate their opposition. Her first husband is in the ground. Her new betrothed is next. But the merry widow has a secret. When she’s not acting as an assassin at her parents' whims, she moonlights as a vigilante for abused women in their walled-off city. Meet a man. Lure him in. Kill him with a kiss. Until one night Harlow kisses a mark and he doesn’t die. Worse, her invincible partner in passion is her new betrothed, Henry Havenwood, and now he knows about her double life. Instead of selling her out and bringing the rival families to blows, he does something much more sinister—whisks her away to wed in his wild mountain fort. Harlow doesn’t trust Henry, but the only way to protect her family and the city of Lunameade is to figure out what his family is planning. Cursed with a husband she can’t kill and trapped in a fort miles of vampire-infested woods from home, Harlow’s survival requires her to do the Make the man who knows she’s a killer fall in love with her anyway. The Poison Daughter is a standalone dark fantasy romance that combines the vigilante justice for abusive men of Promising Young Woman with a romantasy arranged marriage and a dash of vampires.

The visionary author’s masterpiece pulls us—along with her Black female hero—through time to face the horrors of slavery and explore the impacts of racism, sexism, and white supremacy then and now. Dana, a modern Black woman, is celebrating her 26th birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana’s life will end, long before it has a chance to begin.

Shailee Thompson’s HOW TO KILL A GUY IN TEN DATES, a horror romance in which a woman gets caught in the middle of a killing spree at a speed dating event and must find a way to use her encyclopedic knowledge of the horror genre to make it as a real-life final girl.