When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber gloves, nerves of steel and a strong stomach. This'll be the third boyfriend Ayoola's dispatched in, quote, self-defence and the third mess that her lethal little sibling has left Korede to clear away. She should probably go to the police for the good of the menfolk of Nigeria, but she loves her sister and, as they say, family always comes first. Until, that is, Ayoola starts dating the doctor where Korede works as a nurse. Korede's long been in love with him, and isn't prepared to see him wind up with a knife in his back: but to save one would mean sacrificing the other... My Sister, the Serial Killer is a blackly comic novel about how blood is thicker - and more difficult to get out of the carpet - than water...

A short story collection as relentlessly intense and darkly compelling as Batacan’s debut, the Filipino crime landmark Smaller and Smaller Circles F.H. Batacan’s first novel, Smaller and Smaller Circles , was an instant classic when it was published in 1999, a masterpiece of Filipino crime that won the Philippine Book Award. In this, her second work of fiction, she gives us a far-ranging collection that explores the darkest corners of human experience, depicting with pitch black humor the systems of class and politics that her characters are trapped in, and the moments violence—accidental or otherwise—that can, at any moment, shatter their lives. The driver for a wealthy family witnesses the aftermath of the disappearance of the family’s twelve-year-old son. A field investigator for the World Health Organization travels the world giving presentations about a biomedical enzyme that will lead to the extinction of the human race. And Father Augusto Saenz, the Jesuit priest and forensic anthropologist from Smaller and Smaller Circles , returns to investigate the murder of a woman whose secretive life holds the key to her death. Sure to cement Batacan’s status as a crime writer of global status, Accidents Happen is a probing and relentless series of dark excursions into worlds where the smallest moments are infused with life and vibrating with menace, and death is always close at hand.

Welcome to Cape Carnage! Visit Once, Stay Forever. Cape Carnage is a seaside town of colorful houses, quirky shops, and an unusually high body count. But with tourists comes trouble, and Harper Starling won’t let anyone ruin her picture-perfect home. A skilled gardener with killer instincts, Harper protects her sanctuary at any cost—especially for her aging mentor with a fading memory. Troublesome tourists don’t check out of Carnage. They compost beneath Harper’s award-winning flowerbeds. But Nolan Rhodes isn’t your average tourist. Devilishly handsome, disarmingly charming, and skilled with a blade, Nolan is relentless in the pursuit of revenge. On every anniversary of the hit-and-run accident that fractured his life, Nolan slays another target. And he’s saved the best for last: the undeniably beautiful Harper Starling. The problem? Harper isn’t the monster he expected. And she won’t go down without a fight. When an amateur true crime investigator comes to Cape Carnage on the trail of a long-lost serial killer, Harper and Nolan strike an uneasy truce. If Nolan helps Harper protect her town, she’ll keep quiet about his hunting habits . . . for now. But their alliance soon spirals into obsession, one that threatens to shatter every secret in Carnage—including their fragile love. Tourist Season is a darkly funny, slow burn enemies-to-lovers romance where destruction and desire are balanced on the edge of a blade—and where love is the most dangerous battleground of all.

When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber gloves, nerves of steel and a strong stomach. This'll be the third boyfriend Ayoola's dispatched in, quote, self-defence and the third mess that her lethal little sibling has left Korede to clear away. She should probably go to the police for the good of the menfolk of Nigeria, but she loves her sister and, as they say, family always comes first. Until, that is, Ayoola starts dating the doctor where Korede works as a nurse. Korede's long been in love with him, and isn't prepared to see him wind up with a knife in his back: but to save one would mean sacrificing the other... My Sister, the Serial Killer is a blackly comic novel about how blood is thicker - and more difficult to get out of the carpet - than water...

Deborah Jenkins pulls her coat around her as she sets out on her short walk home in the pouring rain. But she never makes it home that night. And she is never seen again... Four years later, an abandoned baby girl is found wrapped in dirty rags on a doorstep. An anonymous phone call urges the police to run a DNA test on the baby. But nobody is prepared for the results. The newborn belongs to Deborah. She’s still alive.

Everything Handmaids wear is red: the colour of blood, which defines us. Offred is a Handmaid in the Republic of Gilead, where women are prohibited from holding jobs, reading, and forming friendships. She serves in the household of the Commander and his wife, and under the new social order she has only one purpose: once a month, she must lie on her back and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if they are fertile. But Offred remembers the years before Gilead, when she was an independent woman who had a job, a family, and a name of her own. Now, her memories and her will to survive are acts of rebellion. Provocative, startling, prophetic, The Handmaid's Tale has long been a global phenomenon. With this stunning graphic novel adaptation of Margaret Atwood's modern classic, beautifully realized by artist Renée Nault, the terrifying reality of Gilead has been brought to vivid life like never before.

Everything Handmaids wear is red: the colour of blood, which defines us. Offred is a Handmaid in the Republic of Gilead, where women are prohibited from holding jobs, reading, and forming friendships. She serves in the household of the Commander and his wife, and under the new social order she has only one purpose: once a month, she must lie on her back and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if they are fertile. But Offred remembers the years before Gilead, when she was an independent woman who had a job, a family, and a name of her own. Now, her memories and her will to survive are acts of rebellion. Provocative, startling, prophetic, The Handmaid's Tale has long been a global phenomenon. With this stunning graphic novel adaptation of Margaret Atwood's modern classic, beautifully realized by artist Renée Nault, the terrifying reality of Gilead has been brought to vivid life like never before.

#1 New York Times bestselling author Brandon Sanderson brings us deeper into the Cosmere universe with a rollicking, riveting tale that will appeal to fans of The Princess Bride. The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave her simple life behind and make her own place sailing a sea where a single drop of water can mean instant death?