When two polar opposites find themselves sharing a cabin for the summer, they lay down some ground rules to keep the peace—only to discover that one of those rules might be impossible to keep in this steamy new novel from the author of The Friendship Fling. Dylan is the kind of person who is always fifteen minutes early and never leaves things to chance--so she can’t believe she’s about to spend six weeks on a last-minute trip to Wales that she didn’t plan, living in a cabin with a man she’s only met once. Max always goes with the flow, and after his plus-one drops out of his all-expenses-paid travel influencer trip, he’s happy for his sister’s friend to take the spot. After all, from what he remembers of their brief meeting a year ago, Dylan is the kind of woman he’d be more than happy to spend some alone time with. Not that anything is going to happen between them, because Dylan knows getting involved with this reckless, irrepressible flirt is the last thing she needs. So she makes a house rule: they are roommates only, and under no circumstances can anything . . . untoward . . . happen between them. But as the days go by, Max starts to realize how much he enjoys chipping away at the walls Dylan hides herself behind, while Dylan begins to admit to herself that there may be more to Max than she first assumed. And before she knows it, she finds herself wondering if their “roommate rule” might be one rule she actually wants to break…

When two polar opposites find themselves sharing a cabin for the summer, they lay down some ground rules to keep the peace—only to discover that one of those rules might be impossible to keep in this steamy new novel from the author of The Friendship Fling. Dylan is the kind of person who is always fifteen minutes early and never leaves things to chance--so she can’t believe she’s about to spend six weeks on a last-minute trip to Wales that she didn’t plan, living in a cabin with a man she’s only met once. Max always goes with the flow, and after his plus-one drops out of his all-expenses-paid travel influencer trip, he’s happy for his sister’s friend to take the spot. After all, from what he remembers of their brief meeting a year ago, Dylan is the kind of woman he’d be more than happy to spend some alone time with. Not that anything is going to happen between them, because Dylan knows getting involved with this reckless, irrepressible flirt is the last thing she needs. So she makes a house rule: they are roommates only, and under no circumstances can anything . . . untoward . . . happen between them. But as the days go by, Max starts to realize how much he enjoys chipping away at the walls Dylan hides herself behind, while Dylan begins to admit to herself that there may be more to Max than she first assumed. And before she knows it, she finds herself wondering if their “roommate rule” might be one rule she actually wants to break…

In this delightfully charming and heartfelt debut love story, two lonely and wildly different strangers embark on a short-term friendship over one London summer—only to discover they may be something more by the time the season ends. No one would ever call Ava Monroe a people person, which isn’t ideal for a barista in a busy London coffee shop. She’s sarcastic, blunt, and cynical, and her relationships are strictly no strings attached. With her best friend Josie soon leaving for a year, Ava knows she’ll be all alone unless she shakes up her routine. But she can’t risk bringing chance back into her carefully controlled life. Then insufferably cheerful, country-hopping, undeniably gorgeous Finn O’Callaghan rolls into her coffee shop with a horrifying proposal —a strictly friends-only summer fling. Finn needs a local to help him complete his London bucket list, and Ava needs to reassure Josie she won’t be on her own. And it’s only for a few months. To Ava’s surprise, their mismatched friendship of convenience becomes oddly tolerable, and as they work their way through Finn’s list and around the sun-drenched city, from rooftops and floating bars to nights at the museum, their adventures—and Finn’s company—start to feel . . . nice. Incredibly, terrifyingly, dangerously nice. Still, rules are rules—Ava has good reasons for them—and as the days get shorter, Finn’s departure gets closer. Because that’s the thing about it always ends. Right?

In this delightfully charming and heartfelt debut love story, two lonely and wildly different strangers embark on a short-term friendship over one London summer—only to discover they may be something more by the time the season ends. No one would ever call Ava Monroe a people person, which isn’t ideal for a barista in a busy London coffee shop. She’s sarcastic, blunt, and cynical, and her relationships are strictly no strings attached. With her best friend Josie soon leaving for a year, Ava knows she’ll be all alone unless she shakes up her routine. But she can’t risk bringing chance back into her carefully controlled life. Then insufferably cheerful, country-hopping, undeniably gorgeous Finn O’Callaghan rolls into her coffee shop with a horrifying proposal —a strictly friends-only summer fling. Finn needs a local to help him complete his London bucket list, and Ava needs to reassure Josie she won’t be on her own. And it’s only for a few months. To Ava’s surprise, their mismatched friendship of convenience becomes oddly tolerable, and as they work their way through Finn’s list and around the sun-drenched city, from rooftops and floating bars to nights at the museum, their adventures—and Finn’s company—start to feel . . . nice. Incredibly, terrifyingly, dangerously nice. Still, rules are rules—Ava has good reasons for them—and as the days get shorter, Finn’s departure gets closer. Because that’s the thing about it always ends. Right?

The first in a gripping new historical fantasy series that intertwines Irish mythology with real-life history, The Children of Gods and Fighting Men is the thrilling debut novel by Shauna Lawless. They think they've killed the last of us... 981 AD. The Viking King of Dublin is dead. His young widow, Gormflaith, has ambitions for her son – and herself – but Ireland is a dangerous place and kings tend not to stay kings for long. Gormflaith also has a secret. She is one of the Fomorians, an immortal race who can do fire-magic. She has kept her powers hidden at all costs, for there are other immortals in this world – like the Tuatha Dé Danann, a race of warriors who are sworn to kill Fomorians. Fódla is one of the Tuatha Dé Danann with the gift of healing. Her kind dwell hidden in a fortress, forbidden to live amongst the mortals. Fódla agrees to help her kin by going to spy on Brian Boru, a powerful man who aims to be High King of Ireland. She finds a land on the brink of war – a war she is desperate to stop. However, preventing the loss of mortal lives is not easy with Ireland in turmoil and the Fomorians now on the rise...

A REIMAGINING OF THE WORLD-FAMOUS INDIAN EPIC, THE MAHABHARAT—TOLD FROM THE POINT OF VIEW OF AN AMAZING WOMAN. Relevant to today’s war-torn world, The Palace of Illusions takes us back to a time that is half history, half myth, and wholly magical. Narrated by Panchaali, the wife of the legendary Pandavas brothers in the Mahabharat, the novel gives us a new interpretation of this ancient tale. The Palace of Illusions traces the princess Panchaali's life, beginning with her birth in fire and following her spirited balancing act as a woman with five husbands who have been cheated out of their father’s kingdom. Panchaali is swept into their quest to reclaim their birthright, remaining at their side through years of exile and a terrible civil war involving all the important kings of India. Meanwhile, we never lose sight of her strategic duels with her mother-in-law, her complicated friendship with the enigmatic Krishna, or her secret attraction to the mysterious man who is her husbands' most dangerous enemy. Panchaali is a fiery female redefining for us a world of warriors, gods, and the ever-manipulating hands of fate.

This darkly funny and provocative novel reimagines classic fairy tale characters as modern women in a support group for trauma. In present-day New York City, five women meet in a basement support group to process their traumas. Bernice grapples with the fallout of dating a psychopathic, blue-bearded billionaire. Ruby, once devoured by a wolf, now wears him as a coat. Gretel questions her memory of being held captive in a house made of candy. Ashlee, the winner of a Bachelor-esque dating show, wonders if she really got her promised fairy tale ending. And Raina's love story will shock them all. Though the women start out wary of one another, judging each other’s stories, gradually they begin to realize that they may have more in common than they supposed . . . What really brought them here? What secrets will they reveal? And is it too late for them to rescue each other? Dark, edgy, and wickedly funny, this debut for readers of Carmen Maria Machado, Kristen Arnett, and Kelly Link takes our coziest, most beloved childhood stories, exposes them as anti-feminist nightmares, and transforms them into a new kind of myth for grown-up women.

In Tokyo, sixteen-year-old Nao has decided there's only one escape from her aching loneliness and her classmates' bullying, but before she ends it all, Nao plans to document the life of her great-grandmother, a Buddhist nun who's lived more than a century. A diary is Nao's only solace—and will touch lives in a ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao's drama and her unknown fate, and forward into her own future.  Full of Ozeki's signature humour and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.

Bitter is thrilled to have been chosen to attend Eucalyptus, a special school where she can focus on her painting surrounded by other creative teens. But outside this haven, the streets are filled with protests against the deep injustices that grip the town of Lucille. Bitter's instinct is to stay safe within the walls of Eucalyptus . . . but her friends aren't willing to settle for a world that the adults say is "just the way things are. Pulled between old friendships, her creative passion, and a new romance, Bitter isn't sure where she belongs - in the art studio or in the streets. And if she does find a way to help the revolution while being true to who she is, she must also ask: at what cost?

Bitter is thrilled to have been chosen to attend Eucalyptus, a special school where she can focus on her painting surrounded by other creative teens. But outside this haven, the streets are filled with protests against the deep injustices that grip the town of Lucille. Bitter's instinct is to stay safe within the walls of Eucalyptus . . . but her friends aren't willing to settle for a world that the adults say is "just the way things are. Pulled between old friendships, her creative passion, and a new romance, Bitter isn't sure where she belongs - in the art studio or in the streets. And if she does find a way to help the revolution while being true to who she is, she must also ask: at what cost?

From the celebrated author of As Long as the Lemon Tree Grows comes a poignant novel about a Syrian American girl who uses a magical sketchbook to turn her grief into art, painting miraculous murals of her mother’s life in Syria. Seventeen-year-old Jihad Dabbagh has always seen life with a heightened sense for colors, one of many magical blessings the women in her family possess. But Jihad's gift changes depending on her mood. When depression sets in, the world is a colorless oasis, and in the wake of her mother's sudden death, the world has become a permanent shade of grey. Broken by tragedy, Jihad's family doesn't believe her color loss. Her father sends her to the elite Braxton Academy to finish her senior year. There, Jihad's name and hijab put a target on her back. Her haven comes in the form of an old sketchbook carved from a tree in her hometown in Syria — a country she only knew through her mother's stories. Jihad hasn't picked up a brush in over a year, but finds herself channeling the colors of her hurt, pain, and grief as she paints the story of her mother's journey in Syria. When graffiti of that same mural starts magically popping up all over New York, her art goes viral and the world takes notice, the threat of legal consequences is imminent. To reclaim her voice, Jihad will have to paint a new future for herself and Braxton, guided by the resilience of her mother's story.