A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

White Nights is a short story by Fyodor Dostoevsky that was published in 1848. Set in St. Petersburg, it is the story of a young man fighting his inner restlessness. A light and tender narrative, it delves into the torment and guilt of unrequited love. Both protagonists suffer from a deep sense of alienation that initially brings them together. A blend of romanticism and realism, the story appeals gently to the senses and feelings.

A global exploration of the many writing systems that are on the verge of vanishing, and the stories and cultures they carry with them.If something is important, we write it down. Yet 85% of the world's writing systems are on the verge of vanishing - not granted official status, not taught in schools, discouraged and dismissed.When a culture is forced to abandon its traditional script, everything it has written for hundreds of years - sacred texts, poems, personal correspondence, legal documents, the collective experience, wisdom and identity of a people - is lost.This Atlas is about those writing systems, and the people who are trying to save them. From the ancient holy alphabets of the Middle East, now used only by tiny sects, to newly created African alphabets designed to keep cultural traditions alive in the twenty-first from a Sudanese script based on the ownership marks traditionally branded into camels, to a secret system used in one corner of China exclusively by women to record the songs and stories of their inner this unique book profiles dozens of scripts and the cultures they encapsulate, offering glimpses of worlds unknown to us - and ways of saving them from vanishing entirely.

A romantic fantasy where a young witch seeks her freedom by forging a deal with Death...A young witch forced to play concubine for her empirical captor, finally breaks free to find a life of her own, but even those with the power to call Death cannot outrun their past… All witches must serve the cruel and immortal Emperor Yacatl. But after four years of terror and abuse, Khana not only kills one of his favorite courtiers with her magic, but also discovers the secret of his power and he’s been making deals with Death. And now, so is she.Armed with magic that she doesn’t fully understand, Khana flees the empire and stumbles into a small mountain town filled with fierce warriors that ostracize her for being a witch, despite using her abilities to heal their sick and injured. There, her magic and courage are put to the test as she is forced to stop running and fight back against the emperor that wants her dead.But every deal she makes with Death takes another piece of her soul. And there’s only so much Khana can give before she turns into the very monster she’s trying to destroy.

Auge trata de explicar un fenómeno político propio de nuestra época: la radicalización. Son muchos los que observan un giro a la derecha en los hombres jóvenes (y a la izquierda en las mujeres), y sitúan el principal motivo en el impacto del feminismo. Este libro, no obstante, emprende un análisis crítico de este fenómeno, e incorpora internet, la politización de los afectos, la mercantilización de las identidades, la cancelación del futuro, la precariedad y las crisis económicas para arrojar luz sobre los violentos giros políticos de la actualidad.

La lámpara (1946) es la segunda novela de Clarice Lispector y, como el objeto que lleva por título, deslumbra hasta cegar, a la vez ilumina aspectos cruciales de la narrativa de la siempre personalísima autora brasileña. Reducido a su núcleo esencial, el texto cuenta la historia de un probable incesto —el de los hermanos Virgínia y Daniel— y de una soledad segura, la de ella, que con su aislamiento distorsiona todas las formas de lo real, enfrentándose y enfrentándonos a la evidencia de la fragilidad de nuestra manera de relacionarnos con los demás y con el mundo. Porque la mirada de Virgínia no hace concesiones y penetra hasta esos rincones del yo que los adultos convenimos desde siempre en ocultar. Por eso, cuando llega el sorprendente y rápido desenlace de la trama, todos asentimos al unísono, comprendiendo de inmediato que era el único final posible.(Biblioteca Clarice Lispector)

The highly anticipated portrait of three generations of the Sackler family, by the prize-winning, bestselling author of Say Nothing. The Sackler name adorns the walls of many storied institutions: Harvard, the Metropolitan Museum of Art, Oxford, the Louvre. They are one of the richest families in the world, known for their lavish donations to the arts and sciences. The source of the family fortune was vague, however, until it emerged that the Sacklers were responsible for making and marketing OxyContin, a blockbuster painkiller that was a catalyst for the opioid crisis. Empire of Pain is a masterpiece of narrative reporting and writing, exhaustively documented and ferociously compelling.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.