Celaena has survived deadly contests and shattering heartbreak-but at an unspeakable cost. Now, she must travel to a new land to confront her darkest truth . . . a truth about her heritage that could change her life-and her future-forever. Meanwhile, brutal and monstrous forces are gathering on the horizon, intent on enslaving her world. Will Celaena find the strength to not only fight her inner demons, but to take on the evil that is about to be unleashed?

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an Empire which doesn’t consider you fully human.On Oct 25th, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed over 10 million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture which has occurred for Black, brown, indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the west, and what it means to live in a world run by a small group of countries—America, the UK, France and Germany.  It will be The Fire Next Time for a generation that understands we’re undergoing a shift in the so-called ‘rules-based order,’ a generation that understands the west can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar’s own story as an emigrant who grew up believing in the western project, who was catapulted into journalism by the rupture of 9/11. This book is his heartsick breakup letter with the west. It is a breakup we are watching all over the U.S., on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the west has served up. This is the book for our time.

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an Empire which doesn’t consider you fully human.On Oct 25th, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed over 10 million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture which has occurred for Black, brown, indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the west, and what it means to live in a world run by a small group of countries—America, the UK, France and Germany.  It will be The Fire Next Time for a generation that understands we’re undergoing a shift in the so-called ‘rules-based order,’ a generation that understands the west can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar’s own story as an emigrant who grew up believing in the western project, who was catapulted into journalism by the rupture of 9/11. This book is his heartsick breakup letter with the west. It is a breakup we are watching all over the U.S., on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the west has served up. This is the book for our time.

Cat Sebastian’s long-awaited foray into contemporary romance! A witty, emotional, and deliciously slow burn enemies-to-lovers romance between two costars on a popular sci-fi television series. Simon and Charlie, actors on a long-running sci-fi show, can’t stand one another. Charlie is impetuous, outgoing, and basically feral, and Simon thinks he should have stayed in reality television where he belongs. They’ve spent the better part of a decade quarreling over the spotlight and pretty much everything else, and everybody in the industry knows it. Now that Simon’s contract is finally done, he can move to New York, start fresh with work he actually likes, and get away from Charlie. Simon’s only problem is that people might assume he’s been pushed off the show due to being impossible to work with. And he is kind of difficult to work with. He doesn’t get along with people—unlike Charlie, who somehow tricked everyone on the show into adoring him despite some outrageously bad on-set behavior during the show’s first season. Simon would rather never have to see Charlie again, but reluctantly agrees to stage a very public friendship during the short time before he moves. When Charlie has to leave town to deal with a family emergency, this means Simon comes along. Their road trip brings Simon to places he would never have willingly chosen to visit—and he finds he’s actually not having a terrible time. The more he gets to know Charlie, the more Simon suspects he’s underestimated his former coworker. Simon also realizes that after seven years, Charlie might know him better than anyone ever has. Even stranger, Charlie seems to be starting to actually like him, despite knowing him so well. Still, Simon is about to move three thousand miles away, so whatever’s starting between him and Charlie can’t really amount to anything... right? Tropes: Enemies to Lovers Opposites Attract Forced Proximity Slow Burn

Cat Sebastian’s long-awaited foray into contemporary romance! A witty, emotional, and deliciously slow burn enemies-to-lovers romance between two costars on a popular sci-fi television series. Simon and Charlie, actors on a long-running sci-fi show, can’t stand one another. Charlie is impetuous, outgoing, and basically feral, and Simon thinks he should have stayed in reality television where he belongs. They’ve spent the better part of a decade quarreling over the spotlight and pretty much everything else, and everybody in the industry knows it. Now that Simon’s contract is finally done, he can move to New York, start fresh with work he actually likes, and get away from Charlie. Simon’s only problem is that people might assume he’s been pushed off the show due to being impossible to work with. And he is kind of difficult to work with. He doesn’t get along with people—unlike Charlie, who somehow tricked everyone on the show into adoring him despite some outrageously bad on-set behavior during the show’s first season. Simon would rather never have to see Charlie again, but reluctantly agrees to stage a very public friendship during the short time before he moves. When Charlie has to leave town to deal with a family emergency, this means Simon comes along. Their road trip brings Simon to places he would never have willingly chosen to visit—and he finds he’s actually not having a terrible time. The more he gets to know Charlie, the more Simon suspects he’s underestimated his former coworker. Simon also realizes that after seven years, Charlie might know him better than anyone ever has. Even stranger, Charlie seems to be starting to actually like him, despite knowing him so well. Still, Simon is about to move three thousand miles away, so whatever’s starting between him and Charlie can’t really amount to anything... right? Tropes: Enemies to Lovers Opposites Attract Forced Proximity Slow Burn

Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination.

Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him.... The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive.