smellthemosses's Book Journey

This was such a waste. Very poor characterization (honestly it felt a bit racist all throughout) and no one ever seemed to have worthwhile motivations. The whole thing felt like a first draft of an idea and very basic glimpses of characters, which is unfortunate because some of them felt like they actually had a little more under the surface.

Spoilers below.

Eadaz was the most interesting, but even there I found myself wishing she had more to her. The entire novel she was a very lurking-in-the-shadows type, rather than actively going for what she wanted. I know she wasn’t raised to be more active, but that left her to be a very uninteresting “main” POV. And Sabran’s motivations were entirely selfish, so it was hard to ever want to see her succeed, so the two of them together was fun for the queerness, but not much else.

Tané was completely just “I want to be a dragon rider” 100% of the novel and Niclays was “I loved Jannart and now I’m cranky.” I disliked both of them A LOT and that never changed.

I will never read this again (or anything by the author) and won’t recommend it to anyone.

Another popular fantasy with good ideas and horrible execution.

The religion stuff was cool. If only there had been any actual thematic depth to "what if the world's religions represented different branches of interpretations and traditions rooted in a common history?" Or "Western dragons are scary fire monsters and Eastern dragons are wise water gods, interesting."

But she does not go any futher than what I just said, in all of this tome's 800? 900? pages. That's almost an achievement on its own.

My biggest complaint by far is the lazy, sloppy orientalism in the world building. Oh, the water dragon people of THE EAST have a closed-door foreign policy and address one another as "honourable so-and-so" and have names that vaguely sound Japanese? Nice. Great job. There is even a bigger empire (pseudo-China) and a little peninsula (oh is that us? pseudo-Korea!). The desert people of the SOUTH ride tiger-like animals and burn incense at mystical mosque places and sell spices at markets? Jesus f-cking Christ. What was her research, Aladdin? This is just a couple of notches above naming a Chinese girl "Cho Chang." And I need all the white people raving about this book to see that.

The author has a cowardly little disclaimer about how all the cultures and places in this book aren't real so please don't come for her little white British self! I bet she thought she was so woke because she challenges the authority of the obviously British/European religion through the obviously SWANA/Middle Eastern religion. The main white characters best friends were BOTH BLACK, OKAY?? SHE'S WOKE!! I bet she was fully patting herself on the back for including all the cultures, like a college brochure with dragons. But guess which culture gets all the political intrigue and nuances at least somewhat fleshed out? It's not the polite dragon worship people or the mysterious and dangerous spice people! It's the white feminist fever dream matrilineal Britain--I mean Inysh!

Another popular fantasy with good ideas and horrible execution.

The religion stuff was cool. If only there had been any actual thematic depth to "what if the world's religions represented different branches of interpretations and traditions rooted in a common history?" Or "Western dragons are scary fire monsters and Eastern dragons are wise water gods, interesting."

But she does not go any futher than what I just said, in all of this tome's 800? 900? pages. That's almost an achievement on its own.

My biggest complaint by far is the lazy, sloppy orientalism in the world building. Oh, the water dragon people of THE EAST have a closed-door foreign policy and address one another as "honourable so-and-so" and have names that vaguely sound Japanese? Nice. Great job. There is even a bigger empire (pseudo-China) and a little peninsula (oh is that us? pseudo-Korea!). The desert people of the SOUTH ride tiger-like animals and burn incense at mystical mosque places and sell spices at markets? Jesus f-cking Christ. What was her research, Aladdin? This is just a couple of notches above naming a Chinese girl "Cho Chang." And I need all the white people raving about this book to see that.

The author has a cowardly little disclaimer about how all the cultures and places in this book aren't real so please don't come for her little white British self! I bet she thought she was so woke because she challenges the authority of the obviously British/European religion through the obviously SWANA/Middle Eastern religion. The main white characters best friends were BOTH BLACK, OKAY?? SHE'S WOKE!! I bet she was fully patting herself on the back for including all the cultures, like a college brochure with dragons. But guess which culture gets all the political intrigue and nuances at least somewhat fleshed out? It's not the polite dragon worship people or the mysterious and dangerous spice people! It's the white feminist fever dream matrilineal Britain--I mean Inysh!

Another popular fantasy with good ideas and horrible execution.

The religion stuff was cool. If only there had been any actual thematic depth to "what if the world's religions represented different branches of interpretations and traditions rooted in a common history?" Or "Western dragons are scary fire monsters and Eastern dragons are wise water gods, interesting."

But she does not go any futher than what I just said, in all of this tome's 800? 900? pages. That's almost an achievement on its own.

My biggest complaint by far is the lazy, sloppy orientalism in the world building. Oh, the water dragon people of THE EAST have a closed-door foreign policy and address one another as "honourable so-and-so" and have names that vaguely sound Japanese? Nice. Great job. There is even a bigger empire (pseudo-China) and a little peninsula (oh is that us? pseudo-Korea!). The desert people of the SOUTH ride tiger-like animals and burn incense at mystical mosque places and sell spices at markets? Jesus f-cking Christ. What was her research, Aladdin? This is just a couple of notches above naming a Chinese girl "Cho Chang." And I need all the white people raving about this book to see that.

The author has a cowardly little disclaimer about how all the cultures and places in this book aren't real so please don't come for her little white British self! I bet she thought she was so woke because she challenges the authority of the obviously British/European religion through the obviously SWANA/Middle Eastern religion. The main white characters best friends were BOTH BLACK, OKAY?? SHE'S WOKE!! I bet she was fully patting herself on the back for including all the cultures, like a college brochure with dragons. But guess which culture gets all the political intrigue and nuances at least somewhat fleshed out? It's not the polite dragon worship people or the mysterious and dangerous spice people! It's the white feminist fever dream matrilineal Britain--I mean Inysh!

Another popular fantasy with good ideas and horrible execution.

The religion stuff was cool. If only there had been any actual thematic depth to "what if the world's religions represented different branches of interpretations and traditions rooted in a common history?" Or "Western dragons are scary fire monsters and Eastern dragons are wise water gods, interesting."

But she does not go any futher than what I just said, in all of this tome's 800? 900? pages. That's almost an achievement on its own.

My biggest complaint by far is the lazy, sloppy orientalism in the world building. Oh, the water dragon people of THE EAST have a closed-door foreign policy and address one another as "honourable so-and-so" and have names that vaguely sound Japanese? Nice. Great job. There is even a bigger empire (pseudo-China) and a little peninsula (oh is that us? pseudo-Korea!). The desert people of the SOUTH ride tiger-like animals and burn incense at mystical mosque places and sell spices at markets? Jesus f-cking Christ. What was her research, Aladdin? This is just a couple of notches above naming a Chinese girl "Cho Chang." And I need all the white people raving about this book to see that.

The author has a cowardly little disclaimer about how all the cultures and places in this book aren't real so please don't come for her little white British self! I bet she thought she was so woke because she challenges the authority of the obviously British/European religion through the obviously SWANA/Middle Eastern religion. The main white characters best friends were BOTH BLACK, OKAY?? SHE'S WOKE!! I bet she was fully patting herself on the back for including all the cultures, like a college brochure with dragons. But guess which culture gets all the political intrigue and nuances at least somewhat fleshed out? It's not the polite dragon worship people or the mysterious and dangerous spice people! It's the white feminist fever dream matrilineal Britain--I mean Inysh!

Another popular fantasy with good ideas and horrible execution.

The religion stuff was cool. If only there had been any actual thematic depth to "what if the world's religions represented different branches of interpretations and traditions rooted in a common history?" Or "Western dragons are scary fire monsters and Eastern dragons are wise water gods, interesting."

But she does not go any futher than what I just said, in all of this tome's 800? 900? pages. That's almost an achievement on its own.

My biggest complaint by far is the lazy, sloppy orientalism in the world building. Oh, the water dragon people of THE EAST have a closed-door foreign policy and address one another as "honourable so-and-so" and have names that vaguely sound Japanese? Nice. Great job. There is even a bigger empire (pseudo-China) and a little peninsula (oh is that us? pseudo-Korea!). The desert people of the SOUTH ride tiger-like animals and burn incense at mystical mosque places and sell spices at markets? Jesus f-cking Christ. What was her research, Aladdin? This is just a couple of notches above naming a Chinese girl "Cho Chang." And I need all the white people raving about this book to see that.

The author has a cowardly little disclaimer about how all the cultures and places in this book aren't real so please don't come for her little white British self! I bet she thought she was so woke because she challenges the authority of the obviously British/European religion through the obviously SWANA/Middle Eastern religion. The main white characters best friends were BOTH BLACK, OKAY?? SHE'S WOKE!! I bet she was fully patting herself on the back for including all the cultures, like a college brochure with dragons. But guess which culture gets all the political intrigue and nuances at least somewhat fleshed out? It's not the polite dragon worship people or the mysterious and dangerous spice people! It's the white feminist fever dream matrilineal Britain--I mean Inysh!