A whirlwind romance between an eccentric archivist and a grieving widow explores what it means to be at home in your own body in this clever, humorous, and heartfelt novel. When archivist Sol meets Elsie, the larger than life widow of a moderately famous television writer who's come to donate her wife's papers, there's an instant spark. But Sol has a secret: he suffers from an illness called vampirism, and hides from the sun by living in his basement office. On their way to falling in love, the two traverse grief, delve into the Internet fandom they once unknowingly shared, and navigate the realities of transphobia and the stigmas of carrying the "vampire disease." Then, when strange things start happening at the collection, Sol must embrace even more of the unknown to save himself and his job. DEAD COLLECTIONS is a wry novel full of heart and empathy, that celebrates the journey, the difficulties and joys, in finding love and comfort within our own bodies.

One in five people in the United States lives with a disability. Some disabilities are visible, others less apparent—but all are underrepresented in media and popular culture. Now, just in time for the thirtieth anniversary of the Americans with Disabilities Act, activist Alice Wong brings together this urgent, galvanizing collection of contemporary essays by disabled people. From Harriet McBryde Johnson’s account of her debate with Peter Singer over her own personhood to original pieces by authors like Keah Brown and Haben Girma; from blog posts, manifestos, and eulogies to Congressional testimonies, and beyond: this anthology gives a glimpse into the rich complexity of the disabled experience, highlighting the passions, talents, and everyday lives of this community. It invites readers to question their own understandings. It celebrates and documents disability culture in the now. It looks to the future and the past with hope and love.

In the refugee camp of Jenin, Amal is born into a world of loss—of home, country, and heritage. Her Palestinian family was driven from their ancestral village by the newly formed state of Israel in 1948. As the villagers fled that day, Amal's older brother, just a baby, was stolen away by an Israeli soldier. In Jenin, the adults subsist on memories, waiting to return to the homes they love. Amal's mother has walled away her heart with grief, and her father labors all day. But in the fleeting peacefulness of dawn, he reads to his young daughter daily, and she can feel his love for her, "as big as the ocean and all its fishes." On those quiet mornings, they dream together of a brighter future. This is Amal's story, the story of one family's struggle and survival through over sixty years of the Palestinian-Israeli conflict, carrying us from Jenin to Jerusalem, to Lebanon and the anonymity of America. It is a story shaped by scars and fear, but also by the transformative intimacy of marriage and the fierce protectiveness of motherhood. It is a story of faith, forgiveness, and life-sustaining love. Mornings in Jenin is haunting and heart-wrenching, a novel of vital contemporary importance. Lending human voices to the headlines, it forces us to take a fresh look at one of the defining political conflicts of our lifetimes.

Cartoonist Zoe Thorogood records 6 months of her own life as it falls apart in a desperate attempt to put it back together again in the only way she knows how. IT’S LONELY AT THE CENTRE OF THE EARTH is an intimate and metanarrative look into the life of a selfish artist who must create for her own survival.

What do cinematic “universes,” cloud archiving, and voice cloning have in common? They’re in the business of foreverizing – the process of revitalizing things that have degraded, failed, or disappeared so that they can remain active in the present. To foreverize something is to reanimate it, to enclose and protect it from time and the elements, and to eradicate the feeling of nostalgia that accompanies loss. Foreverizing is a bulwark against instability, but it isn’t an infallible enterprise. That which is promised to last forever often does not, and that which is disposed of can sometimes last, disturbingly, forever. In this groundbreaking book, American philosopher Grafton Tanner develops his theory of an anti-nostalgic discourse that promises growth without change and life without loss. Engaging with pressing issues from the ecological impact of data storage to the rise of reboot culture, Tanner tracks the implications of a society averse to nostalgia and reveals the new weapons we have for eliminating it.