Am I making it worse? I think I'm making it worse. Everyone's favorite lethal SecUnit is back. Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters. ART’s crew and the humans from Preservation are doing everything they can to protect the colonists, but with Barish-Estranza’s SecUnit-heavy persuasion teams, they’re going to have to hope Murderbot figures out what’s wrong with itself, and fast. Yeah, this plan is... not going to work.

In this, one of the most famous of Doyle's mysteries, the tale of an ancient curse and a savage ghostly hound comes frighteningly to life. The gray towers of Baskerville Hall and the wild open country of Dartmoor will haunt the reader as Holmes and Watson seek to unravel the many secrets of the misty English bogs.

A space adventure set on a lone ship where the clones of a murdered crew must find their murderer -- before they kill again. It was not common to awaken in a cloning vat streaked with drying blood. At least, Maria Arena had never experienced it. She had no memory of how she died. That was also new; before, when she had awakened as a new clone, her first memory was of how she died. Maria's vat was in the front of six vats, each one holding the clone of a crew member of the starship Dormire, each clone waiting for its previous incarnation to die so it could awaken. And Maria wasn't the only one to die recently...

No, I didn’t kill the dead human. If I had, I wouldn’t dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

Stunning photographic guide to bugs, from the beautiful to the bizarre and every bug in between Smithsonian Handbook of Interesting Insects presents striking photographic profiles of insects, each one specially selected from the 34 million specimens found in one of the oldest and most important entomology collection in the world, held by London's Natural History Museum. The book showcases more than one hundred significant bug species, including the ruby-tailed wasp, the garden tiger moth, the jewel beetle, the flying stick insect, the orchid bee, and many others. Magnificent full-color photographs show the bugs in detail, so that readers can learn to distinguish, for example, the translucent abdomen of the great pied hoverfly from the yellow or orange markings on a giant scoliid wasp. Each detailed and dazzling photograph is accompanied by a caption describing the bug's lifestyle, distribution, size, and key characteristics. An insightful introduction also explores the different orders and families found in the insect classes and an explanation of how they have evolved. Based on the most up-to-date science and accessibly written, the book will appeal to scientists and amateur science readers alike.

Microsculpture is a unique photographic study of insects in mind-blowing magnification that celebrates the wonders of nature and science. “You will never look at a beetle or a moth the same way again.” — WIRED “Art meets science to dazzling effect.” — Guardian “You have never seen insects in such astounding detail before.” — New Scientist Award-winning photographer Levon Biss’s work captures in breathtaking detail the beauty of the insect world and are printed in large-scale format to provide an unforgettable viewing experience. Each image in Microsculpture is created from approximately 8,000 individual photographs. Segments of the specimen are lit and photographed separately using microscope lenses, then “stacked” to maintain sharp focus throughout. These images are then combined to create a single high-resolution file. From start to finish, each portrait takes approximately four weeks to create. Dr. James Hogan, entomology department curator of the Oxford University Museum of Natural History, writes in his foreword, “This collection of photographs is a celebration of nature and photographic art, but it also shows how science and art can be effectively combined to produce something new and exciting.” The vivid colors, unusual features, and never-before-seen details of the insects in this unique oversize coffee table book capture the true wonders of nature and science.