The third anthology from DOPAMINE Books that considers the many-sided splendor of the clown.A blogging dog sitter cringes out on celebrity, Slinkys, and self-promotion. A poet experiences the clowny vulnerability of falling in love. Drunk Muppets ponder the uselessness of art. A transitioning drag queen muses on being “the crazy one, the one who doesn’t give a fuck.”In this anthology of poetry, fiction, screenplay, and more, writers explore and explode the archetype of the CLOWN in all of its humiliating, earnest, magical, subversive glory. From fiction that reveals the humanity beneath the smeared greasepaint to psychedelic autofiction to poetry that exposes normal folk for the sickening anomalies they are, CLOWNS will get under your skin until it liberates your own inner clown, be it a smart-ass or trickster, sad sack or buffoon.With work from Megan Milks, Tania De Rozario, Nicole J. Georges, Clement Goldberg, Catherine Christina Martinez, Julián Delgado Lopera, Justin Chin, Andrea Lawlor, MariNaomi, Sophie Robinson, Chris E. Vargas, and other holy fools.

First came the days of the plague. Then came the dreams. Dark dreams that warned of the coming of the dark man. The apostate of death, his worn-down boot heels tramping the night roads. The warlord of the charnel house and Prince of Evil. His time is at hand. His empire grows in the west and the Apocalypse looms. For hundreds of thousands of fans who read The Stand in its original version and wanted more, this new edition is Stephen King's gift. And those who are listening to The Stand for the first time will discover a triumphant and eerily plausible work of the imagination that takes on the issues that will determine our survival.

How New York City subways signage evolved from a “visual mess” to a uniform system with Helvetica triumphant. For years, the signs in the New York City subway system were a bewildering hodge-podge of lettering styles, sizes, shapes, materials, colors, and messages. The original mosaics (dating from as early as 1904), displaying a variety of serif and sans serif letters and decorative elements, were supplemented by signs in terracotta and cut stone. Over the years, enamel signs identifying stations and warning riders not to spit, smoke, or cross the tracks were added to the mix. Efforts to untangle this visual mess began in the mid-1960s, when the city transit authority hired the design firm Unimark International to create a clear and consistent sign system. We can see the results today in the white-on-black signs throughout the subway system, displaying station names, directions, and instructions in crisp Helvetica. This book tells the story of how typographic order triumphed over chaos. The process didn't go smoothly or quickly. At one point New York Times architecture writer Paul Goldberger declared that the signs were so confusing one almost wished that they weren't there at all. Legend has it that Helvetica came in and vanquished the competition. Paul Shaw shows that it didn't happen that way—that, in fact, for various reasons (expense, the limitations of the transit authority sign shop), the typeface overhaul of the 1960s began not with Helvetica but with its forebear, Standard (AKA Akzidenz Grotesk). It wasn't until the 1980s and 1990s that Helvetica became ubiquitous. Shaw describes the slow typographic changeover (supplementing his text with more than 250 images—photographs, sketches, type samples, and documents). He places this signage evolution in the context of the history of the New York City subway system, of 1960s transportation signage, of Unimark International, and of Helvetica itself.

From the acclaimed and bestselling author of The Idiot, the continuation of beloved protagonist Selin's quest for self-knowledge, as she travels abroad and tests the limits of her newfound adulthood Selin is the luckiest person in her family: the only one who was born in America and got to go to Harvard. Now it's sophomore year, 1996, and Selin knows she has to make it count. The first order of business: to figure out the meaning of everything that happened over the summer. Why did Selin's elusive crush, Ivan, find her that job in the Hungarian countryside? What was up with all those other people in the Hungarian countryside? Why is Ivan's weird ex-girlfriend now trying to get in touch with Selin? On the plus side, it feels like the plot of an exciting novel. On the other hand, why do so many novels have crazy abandoned women in them? How does one live a life as interesting as a novel--a life worthy of becoming a novel--without becoming a crazy abandoned woman oneself? Guided by her literature syllabus and by her more worldly and confident peers, Selin reaches certain conclusions about the universal importance of parties, alcohol, and sex, and resolves to execute them in practice--no matter what the cost. Next on the list: international travel. Unfolding with the propulsive logic and intensity of youth, Either/Or is a landmark novel by one of our most brilliant writers. Hilarious, revelatory, and unforgettable, its gripping narrative will confront you with searching questions that persist long after the last page.

A whipsmart debut about three women—transgender and cisgender—whose lives collide after an unexpected pregnancy forces them to confront their deepest desires around gender, motherhood, and sex. Reese almost had it all: a loving relationship with Amy, an apartment in New York City, a job she didn't hate. She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men. Ames isn't happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese—and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames's boss and lover, Katrina, reveals that she's pregnant with his baby—and that she's not sure whether she wants to keep it—Ames wonders if this is the chance he's been waiting for. Could the three of them form some kind of unconventional family—and raise the baby together? This provocative debut is about what happens at the emotional, messy, vulnerable corners of womanhood that platitudes and good intentions can't reach. Torrey Peters brilliantly and fearlessly navigates the most dangerous taboos around gender, sex, and relationships, gifting us a thrillingly original, witty, and deeply moving novel.

A Chinese American woman spins tragedy into comedy when her life falls apart in a taut, wry debut novel that grapples with grief, motherhood, and myths—perfect for fans of Joan Is Okay and Crying in H Mart.A man and a woman walk into a restaurant. The woman expects a lovely night filled with endless plates of samosas. Instead, she finds out her husband is having an affair with a woman named Maggie. A short while after, her chest starts to ache. She walks into an examination room, where she finds out the pain in her breast isn’t just heartbreak—it’s cancer. She decides to call the tumor Maggie. Unfolding in fragments over the course of the ensuing months, Maggie; Or, a Man and a Woman Walk Into a Bar follows the narrator as she embarks on a journey of grief, healing, and reclamation. She starts talking to Maggie (the tumor), getting acquainted with her body’s new inhabitant. She overgenerously creates a “Guide to My A User’s Manual” for Maggie (the other woman), hoping to ease the process of discovering her ex-husband’s whims and quirks. She turns her children’s bedtime stories into retellings of Chinese folklore passed down by her own mother, in an attempt to make them fall in love with their shared culture—and to maybe save herself in the process. In the style of Jenny Offill and the tradition of Nora Ephron’s hilarious and devastating writing on heartbreak and womanhood, Maggie is a master class in transforming personal tragedy into a form of defiant comedy.

For years Carmen Maria Machado has struggled to articulate her experiences in an abusive same-sex relationship. In this extraordinarily candid and radically inventive memoir, Machado tackles a dark and difficult subject with wit, inventiveness and an inquiring spirit, as she uses a series of narrative tropes—including classic horror themes—to create an entirely unique piece of work which is destined to become an instant classic.

Published in 1942 by French author Albert Camus, The Stranger has long been considered a classic of twentieth-century literature. Le Monde ranks it as number one on its "100 Books of the Century" list. Through this story of an ordinary man unwittingly drawn into a senseless murder on a sundrenched Algerian beach, Camus explores what he termed "the nakedness of man faced with the absurd."

First came the days of the plague. Then came the dreams. Dark dreams that warned of the coming of the dark man. The apostate of death, his worn-down boot heels tramping the night roads. The warlord of the charnel house and Prince of Evil. His time is at hand. His empire grows in the west and the Apocalypse looms. For hundreds of thousands of fans who read The Stand in its original version and wanted more, this new edition is Stephen King's gift. And those who are listening to The Stand for the first time will discover a triumphant and eerily plausible work of the imagination that takes on the issues that will determine our survival.

The third anthology from DOPAMINE Books that considers the many-sided splendor of the clown.A blogging dog sitter cringes out on celebrity, Slinkys, and self-promotion. A poet experiences the clowny vulnerability of falling in love. Drunk Muppets ponder the uselessness of art. A transitioning drag queen muses on being “the crazy one, the one who doesn’t give a fuck.”In this anthology of poetry, fiction, screenplay, and more, writers explore and explode the archetype of the CLOWN in all of its humiliating, earnest, magical, subversive glory. From fiction that reveals the humanity beneath the smeared greasepaint to psychedelic autofiction to poetry that exposes normal folk for the sickening anomalies they are, CLOWNS will get under your skin until it liberates your own inner clown, be it a smart-ass or trickster, sad sack or buffoon.With work from Megan Milks, Tania De Rozario, Nicole J. Georges, Clement Goldberg, Catherine Christina Martinez, Julián Delgado Lopera, Justin Chin, Andrea Lawlor, MariNaomi, Sophie Robinson, Chris E. Vargas, and other holy fools.

From RuPaul’s Drag Race winner and host of HBO’s We’re Here comes an inventive, wondrous novel about American hero Harriet Tubman that remixes history into a fresh, dynamic novel about love, freedom, salvation, and music. In an age of miracles where our greatest heroes from history have magically, unexplainably returned to shake us out of our confusion and hate, Harriet Tubman is back, and she has a lot to say. Harriet Tubman and four of the enslaved persons she led to freedom want to tell their story in a unique way—by following in the footsteps of Lin-Manuel Miranda’s Hamilton. Harriet wants to put on a show about her life, and she needs a songwriter to help her. She calls upon Darnell Williams, a once successful hip-hop producer who was topping the charts before being outed by a rival at the BET Awards. Darnell has no idea what to expect when he steps into the studio with Harriet, only that they have one week to write a Broadway caliber musical she can take on the road. Over the course of their time together, they not only mount a show that will take the country by storm, but confront the horrors of both their pasts, and learn to find a way to a better future. Original, evocative, and historic, Harriet Live in Concert is a landmark achievement that will burrow deep into our hearts (and ears).

Set in the contemporary Paris of American  expatraites, liasons, and violence, a young man finds  himself caught between desire and conventional  morality. James Baldwin's brilliant narrative delves  into the mystery of loving with a sharp, probing  imagination, and he creates a moving, highly  controversial story of death and passion that reveals the  unspoken complexities of the heart.

Jack Torrance's new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he'll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote...and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.

Librarian's Note: Alternate-cover edition for ISBN 0450031063 Thousands of miles away from the small township of 'Salem's Lot, two terrified people, a man and a boy, still share the secrets of those clapboard houses and tree-lined streets. They must return to 'Salem's Lot for a final confrontation with the unspeakable evil that lives on in the town.