Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

Andrew Sean Greer, Pulitzer Prize-winning author of Less, showcases his wit, sophistication, and deep knowledge of focaccia in this tale of a young man who takes an unspecified job with a charismatic elderly Baronessa at her crumbling villa in the Tuscan hills. An aspiring archivist determined to begin a “serious” life after an undistinguished undergraduate career takes up residence in the Italian countryside. Here, he becomes the all-purpose assistant to the Baronessa, known to her friends as Coco, a defiantly youthful and naturally flamboyant woman of ninety-two. Amid a chaotic and colorful milieu of gin-swilling princesses, incomprehensible handymen, roaming boarhunters, nuns, and other local wildlife, our young man does his best to catalog the villa’s extensive collection of art and antiques—although he notices that things seem to go missing from right under his nose. Despite himself, he tumbles into an affair with a married man, complicating his future plans considerably. And when the Baronessa loses someone close to her, he becomes an unwitting accomplice in the acceleration of Coco’s great and final plan: to locate the love of her life and be reunited before it’s too late. Told with the signature wit, charm, and humanity that made Less an international phenomenon, Villa Coco is a dazzling, sun-soaked ode to life itself, a meditation on how seriously we ought to take ourselves, and a bawdy Mediterranean ballad about becoming who we’ve always wanted to be.

Three strangers’ lives converge in the waiting room of Sydney’s Time Travel Agency – a nondescript shopfront that promises impossible things… It’s a crisp, wintry Thursday when Anna is hit by a car. In the wake of this chance encounter – possibly lightly concussed, possibly thinking clearly for the first time in a long time – she quits her miserable job and agrees to take on a role at the Time Travel Agency, a nondescript experiential arcade beneath a creative writing school. Across town, Teddy has been lying flat on his back staring at the ceiling for the past three weeks. Since his wife left him for his brother he just can’t seem to get up. It’s another in a long line of instances of his selfish older brother taking everything he loves. When he spies an advert promising journeys into your past, he figures it might be time to reckon with their difficult relationship once and for all. For some reason, Jade is journalling. A friend gifted her a ‘creative mentorship’ and now once a week she’s expected to open her mind and fill pages in a small room above the Time Travel Agency. She’s not particularly convinced, but there’s something that just keeps bringing her back. Over the course of one winter, three lives converge around this very unusual travel agency. It offers them a chance to revisit the choices that have shaped their lives and those of the ones they love, but how can you move forward if you won't leave behind the past? Time Travel for Beginners reminds us that the gift of life is that we can’t go back – that the only way out is through. It’s magical and human and hopeful.

In December 1972, Jean McConville, a thirty-eight-year-old mother of ten, was dragged from her Belfast home by masked intruders, her children clinging to her legs. They never saw her again. Her abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. Patrick Radden Keefe writes an intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions.

From popular The Atlantic columnist Ian Bogost, a lively reflection about how we’ve become disconnected from the physical world—and how to reclaim gratification in your day-to-day life. In an era dominated by convenience and efficiency, one would think that life would be simpler, easier, and most importantly, happier. After all, shouldn’t all the time saved with machines and technology leave us with more time for ourselves? The Atlantic columnist Ian Bogost thinks not. From digital tickets to automated faucets, he argues that the simple pleasures of daily life have been stripped away, replaced by sleek, but soulless, design. Through engaging anecdotes and sharp analysis, Bogost uncovers how modern conveniences not only fail to deliver on their promises but also rob us of small, satisfying tasks and moments that keep us grounded and human. He challenges us to rethink our daily interactions with the material world and illuminates how the loss of these tangible interactions has contributed to widespread feelings of disconnection and dissatisfaction. But all hope is not lost. Bogost guides us to identify and appreciate the overlooked joys hidden in everyday life. By reforming how we approach ordinary tasks, we can rediscover the gratification embedded in the tactile world around us. Humorous, thought-provoking, and practical, The Small Stuff reveals that finding joy isn’t about achieving monumental happiness or prolonged satisfaction. It’s about doing small things, deliberately and with attention, to unlock the basic pleasures that flavor our daily lives.

Andrew Sean Greer, Pulitzer Prize-winning author of Less, showcases his wit, sophistication, and deep knowledge of focaccia in this tale of a young man who takes an unspecified job with a charismatic elderly Baronessa at her crumbling villa in the Tuscan hills. An aspiring archivist determined to begin a “serious” life after an undistinguished undergraduate career takes up residence in the Italian countryside. Here, he becomes the all-purpose assistant to the Baronessa, known to her friends as Coco, a defiantly youthful and naturally flamboyant woman of ninety-two. Amid a chaotic and colorful milieu of gin-swilling princesses, incomprehensible handymen, roaming boarhunters, nuns, and other local wildlife, our young man does his best to catalog the villa’s extensive collection of art and antiques—although he notices that things seem to go missing from right under his nose. Despite himself, he tumbles into an affair with a married man, complicating his future plans considerably. And when the Baronessa loses someone close to her, he becomes an unwitting accomplice in the acceleration of Coco’s great and final plan: to locate the love of her life and be reunited before it’s too late. Told with the signature wit, charm, and humanity that made Less an international phenomenon, Villa Coco is a dazzling, sun-soaked ode to life itself, a meditation on how seriously we ought to take ourselves, and a bawdy Mediterranean ballad about becoming who we’ve always wanted to be.

From the award-winning, bestselling author of Sorrow and Bliss comes an achingly tender, poignant, funny and bittersweet new novel'So smart, so funny, so moving. I absolutely loved it' Bonnie Garmus, bestselling author of Lessons in Chemistry'A moving examination of what it means to be alone in the world, and what it means to find connection. It is, by turns, heartbreaking, hilarious, and deeply hopeful. Meg Mason is a dazzling talent' Ann Patchett, bestselling author of Tom Lake and The Dutch House_____Sophie Pattison is a lovely person – warm, kind, relentlessly positive. She's cherished by her brother Laurie, adored by her best friend Emma and valued by her colleagues. Sometimes, it's true, one day in her life can feel like the entire month of January. It's also true she can go an entire day without speaking. But she's fine really. She spends her time alone reading, finding comfort in the pages of the books she devours. Until one day she stumbles upon an author she hasn't read in years. Her books, interviews and podcasts soon become a lifeline; every word is a solace, company she hasn't felt in so long. It's almost like love. A lot like love. And Sophie would love to meet the author, although she never will obviously. In a way, thank goodness, because that would change everything. Sophie's entire life. Wouldn't it? Hilariously candid and raw, Sophie, Standing There is a bittersweet story of love, loneliness and finding connection in the most unlikely of places._____'Sophie, Standing There unfolds like a strange origami crane in reverse - so achingly tender and so brilliantly subtle that I could never put it down... Dazzling' Catherine Newman, bestselling author of Wreck and Sandwich'I loved Sophie, and I love Meg Mason's brain and the strange, wonderful, funny stories she gives us' Ann Napolitano, bestselling author of Hello, Beautiful and Dear Edward

In the spirit of Alvin Tofflers' Future Shock, a social critique of our obsession with choice, and how it contributes to anxiety, dissatisfaction and regret. Whether we're buying a pair of jeans, ordering a cup of coffee, selecting a long-distance carrier, applying to college, choosing a doctor, or setting up a 401K, everyday decisions have become increasingly complex due to the overwhelming abundance of choice with which we are presented. In The Paradox of Choice, Barry Schwartz explains why too much of a good thing has proven detrimental to our psychological and emotional well-being. In accessible, engaging, and anecdotal prose, Schwartz explains how a culture that thrives on the availability of constantly evolving options can also foster profound dissatisfaction and self-blame in individuals, which can lead to a paralysis in decision making and, in some cases, depression. With the latest studies on how we make choices in our personal and professional lives, Schwartz offers practical advice on how to focus on the right choices, and how to derive greater satisfaction from choices that we do make.

In the spirit of Alvin Tofflers' Future Shock, a social critique of our obsession with choice, and how it contributes to anxiety, dissatisfaction and regret. Whether we're buying a pair of jeans, ordering a cup of coffee, selecting a long-distance carrier, applying to college, choosing a doctor, or setting up a 401K, everyday decisions have become increasingly complex due to the overwhelming abundance of choice with which we are presented. In The Paradox of Choice, Barry Schwartz explains why too much of a good thing has proven detrimental to our psychological and emotional well-being. In accessible, engaging, and anecdotal prose, Schwartz explains how a culture that thrives on the availability of constantly evolving options can also foster profound dissatisfaction and self-blame in individuals, which can lead to a paralysis in decision making and, in some cases, depression. With the latest studies on how we make choices in our personal and professional lives, Schwartz offers practical advice on how to focus on the right choices, and how to derive greater satisfaction from choices that we do make.

An antimeme is an idea with self-censoring properties; an idea which, by its intrinsic nature, discourages or prevents people from spreading it.Antimemes are real. Think of any piece of information which you wouldn't share with anybody, like passwords, taboos and dirty secrets. Or any piece of information which would be difficult to share even if you complex equations, very boring passages of text, large blocks of random numbers, and dreams... But anomalous antimemes are another matter entirely. How do you contain something you can't record or remember? How do you fight a war against an enemy with effortless, perfect camouflage, when you can never even know that you're at war? Welcome to the Antimemetics Division. No, this is not your first day.This ebook is an official release by me, qntm from the SCP Foundation wiki! PM me if you require confirmation. This ebook collects all of my Antimemetics Division SCP-055, SCP-2256 and the complete serials There Is No Antimemetics Division and Five Five Five Five Five.

The critically acclaimed author of the “crazily enjoyable” (The New York Times) Whalefall returns with an immersive, cinematic novel about five World War I soldiers who stumble upon a fallen angel that could hold the key to ending the war.Private Cyril Bagger has managed to survive the unspeakable horrors of the Great War through his wits and deception, swindling fellow soldiers at every opportunity. But his survival instincts are put to the ultimate test when he and four other grunts are given a deadly venture into the perilous No Man’s Land to euthanize a wounded comrade. What they find amid the ruined battlefield, however, is not a man in need of mercy but a fallen angel, seemingly struck down by artillery fire. This celestial being may hold the key to ending the brutal conflict, but only if the soldiers can suppress their individual desires and work together. As jealousy, greed, and paranoia take hold, the group is torn apart by their inner demons, threatening to turn their angelic encounter into a descent into hell. Angel Down plunges you into the heart of World War I and weaves a polyphonic tale of survival, supernatural wonder, and moral conflict.

Magic is real. Discovered in the 1970s, magic is now a bona fide field of engineering. There's magic in heavy industry and magic in your home. It's what's next after electricity. Student mage Laura Ferno has designs on the future: her mother died trying to reach space using magic, and Laura wants to succeed where she failed. But first, she has to work out what went wrong. And who her mother really was. And whether, indeed, she's dead at all...

An antimeme is an idea with self-censoring properties; an idea which, by its intrinsic nature, discourages or prevents people from spreading it.Antimemes are real. Think of any piece of information which you wouldn't share with anybody, like passwords, taboos and dirty secrets. Or any piece of information which would be difficult to share even if you complex equations, very boring passages of text, large blocks of random numbers, and dreams... But anomalous antimemes are another matter entirely. How do you contain something you can't record or remember? How do you fight a war against an enemy with effortless, perfect camouflage, when you can never even know that you're at war? Welcome to the Antimemetics Division. No, this is not your first day.This ebook is an official release by me, qntm from the SCP Foundation wiki! PM me if you require confirmation. This ebook collects all of my Antimemetics Division SCP-055, SCP-2256 and the complete serials There Is No Antimemetics Division and Five Five Five Five Five.

An antimeme is an idea with self-censoring properties; an idea which, by its intrinsic nature, discourages or prevents people from spreading it.Antimemes are real. Think of any piece of information which you wouldn't share with anybody, like passwords, taboos and dirty secrets. Or any piece of information which would be difficult to share even if you complex equations, very boring passages of text, large blocks of random numbers, and dreams... But anomalous antimemes are another matter entirely. How do you contain something you can't record or remember? How do you fight a war against an enemy with effortless, perfect camouflage, when you can never even know that you're at war? Welcome to the Antimemetics Division. No, this is not your first day.This ebook is an official release by me, qntm from the SCP Foundation wiki! PM me if you require confirmation. This ebook collects all of my Antimemetics Division SCP-055, SCP-2256 and the complete serials There Is No Antimemetics Division and Five Five Five Five Five.

From award-winning author R. F. Kuang comes Babel, a thematic response to The Secret History and a tonal retort to Jonathan Strange & Mr. Norrell in this unforgettable work of dark academia that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British empire. Traduttore, traditore: An act of translation is always an act of betrayal. 1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel. Babel is the world's center for translation and, more importantly, magic. The unique magic system of silver working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as its knowledge serves the Empire’s quest for colonization. For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, a secret society dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide… Can powerful institutions be changed from within, or does revolution always require violence?