My name is Katniss Everdeen. Why am I not dead? I should be dead. Katniss Everdeen, girl on fire, has survived, even though her home has been destroyed. Gale has escaped. Katniss's family is safe. Peeta has been captured by the Capitol. District 13 really does exist. There are rebels. There are new leaders. A revolution is unfolding. It is by design that Katniss was rescued from the arena in the cruel and haunting Quarter Quell, and it is by design that she has long been part of the revolution without knowing it. District 13 has come out of the shadows and is plotting to overthrow the Capitol. Everyone, it seems, has had a hand in the carefully laid plans—except Katniss. The success of the rebellion hinges on Katniss's willingness to be a pawn, to accept responsibility for countless lives, and to change the course of the future of Panem. To do this, she must put aside her feelings of anger and distrust. She must become the rebels' Mockingjay—no matter what the personal cost.

A slender novel of epic power, Orbital  deftly snapshots one day in the lives of six women and men hurtling through space—not towards the moon or the vast unknown, but around our planet. Selected for one of the last space station missions of its kind before the program is dismantled, these astronauts and cosmonauts—from America, Russia, Italy, Britain, and Japan—have left their lives behind to travel at a speed of over seventeen thousand miles an hour as the earth reels below. We glimpse moments of their earthly lives through brief communications with family, their photos and talismans; we watch them whip up dehydrated meals, float in gravity-free sleep, and exercise in regimented routines to prevent atrophying muscles; we witness them form bonds that will stand between them and utter solitude. Most of all, we are with them as they behold and record their silent blue planet. Their experiences of sixteen sunrises and sunsets and the bright, blinking constellations of the galaxy are at once breathtakingly awesome and surprisingly intimate. So are the marks of civilization far below, encrusted on the planet on which we live.  Profound, contemplative and gorgeous, Orbital is an eloquent meditation on space and a moving elegy to our humanity, environment, and planet.

A virtuoso novel where logic confronts magic and that explores the part of ourselves that eludes us In June 2021, a senseless event upends the lives of hundreds of men and women, all passengers on a flight from Paris to New York. Among them: Blake, a respectable family man, though he works as a contract killer; Slimboy, a Nigerian pop star tired of living a lie; Joanna, a formidable lawyer whose flaws have caught up with her; and Victor Miesel, a critically acclaimed yet commercially unsuccessful writer who suddenly becomes a cult hit. All of them believed they had double lives. None imagined just how true that was. This witty variation on the doppelgänger theme, which takes us on a journey from Lagos and Mumbai to the White House, is Hervé Le Tellier's most ambitious work yet.

When she fell asleep, the world was doomed. When she awoke, it was dead. In the wake of a fever that decimated the earth’s population—killing women and children and making childbirth deadly for the mother and infant—the midwife must pick her way through the bones of the world she once knew to find her place in this dangerous new one. Gone are the pillars of civilization. All that remains is power—and the strong who possess it. A few women like her survived, though they are scarce. Even fewer are safe from the clans of men, who, driven by fear, seek to control those remaining. To preserve her freedom, she dons men’s clothing, goes by false names, and avoids as many people as possible. But as the world continues to grapple with its terrible circumstances, she’ll discover a role greater than chasing a pale imitation of independence. After all, if humanity is to be reborn, someone must be its guide.

From the prizewinning rising legal star, the deeply researched and definitive book on the way the media and police distract us from what matters“Copaganda,” as defined by Alec Karakatsanis, describes a special kind of propaganda that affects who and what we fear and what kinds of social investments we support to address our fears. At a time when the United States incarcerates five times more people per capita than its own historical average and five to ten times more people per capita than other countries, its vast punishment bureaucracy spends huge amounts of time and money manipulating the rest of us to see the world from its point of view. As a result, we see a grossly distorted version of crime, punishment, and safety in our newspapers, magazines, and other media outlets. The news generates fear by focusing on crimes committed by the most marginalized people while ignoring far more serious threats to our collective well-being, from wage theft by corporations to environmental crimes to the deaths that result from cigarette smoke (which make the number of violent crimes pale in comparison). And it falsely suggests that the best way to respond to our fear is to increase government repression through police, prosecution, and prisons as opposed to addressing the root causes of interpersonal harm. In the spirit of such classics as Noam Chomsky’s Manufacturing Consent, Copaganda includes chapters on “What Is News?,” “Public Relations Spending by the Police,” “Whose Perspective? How Sources Shape News,” “How the News Uses Experts,” “How to Smuggle Ideology into the News,” and “Academic Copaganda.“ Already called “one of the most prominent voices on [copaganda]” (Teen Vogue), with a huge following on social media and appearances discussing copaganda on The Daily Show with Trevor Noah and The Breakfast Club, Karakatsanis brings a legal eye, humor, gripping personal stories, and a keen ability to read between the lines to a topic at the forefront of one of the most pressing public debates in our society.

A lively, revelatory look back at the convulsions at the end of the Reagan era―and their dark legacy today. With the Soviet Union extinct, Saddam Hussein defeated, and U.S. power at its zenith, the early 1990s promised a “kinder, gentler America.” Instead, it was a period of rising anger and domestic turmoil, anticipating the polarization and resurgent extremism we know today. In When the Clock Broke , the acclaimed political writer John Ganz tells the story of America’s late-century discontents. Ranging from upheavals in Crown Heights and Los Angeles to the advent of David Duke and the heartland survivalists, the broadcasts of Rush Limbaugh, and the bitter disputes between neoconservatives and the “paleo-con” right, Ganz immerses us in a time when what Philip Roth called the “indigenous American berserk” took new and ever-wilder forms. In the 1992 campaign, Pat Buchanan's and Ross Perot’s insurgent populist bids upended the political establishment, all while Americans struggled through recession, alarm about racial and social change, the specter of a new power in Asia, and the end of Cold War–era political norms. Conspiracy theories surged, and intellectuals and activists strove to understand the “Middle American Radicals” whose alienation fueled new causes. Meanwhile, Bill Clinton appeared to forge a new, vital center, though it would not hold for long. In a rollicking, eye-opening book, Ganz narrates the fall of the Reagan order and the rise of a new and more turbulent America.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. The bloody messes don't bother her, not when she's already witnessed the most horrific thing possible: her sister being pushed in front of a train. Before fleeing the scene, the murderer whispered two words: bat eater. Months pass, the killer is never caught, and Cora can barely keep herself together. She pushes away all feelings, disregards the bite marks that appear on her coffee table, and won't take her aunt's advice to prepare for the Hungry Ghost Festival, when the gates of hell open. Cora tries to ignore the rising dread in her stomach, even when she and her weird co-workers begin finding bat carcasses at their crime scene clean-ups. But Cora can't ignore the fact that all their recent clean-ups have been the bodies of East Asian women. Soon Cora will learn: you can't just ignore hungry ghosts.

From the Sunday Times bestselling author of Starling House, Alix E. Harrow, comes a moving and genre-defying adventure through time – as a reluctant lady knight and a not-so-heroic-historian will fight through time and space to rewrite their tragic fates . . . and finally reveal the truths hidden beneath the greatest legend ever told. It begins where it ends: beneath the yew tree – a girl not yet a knight, and a boy without a story. It is where she pulls a sword from the heartwood and becomes a legend. And it is where, more than a thousand years later, he will find her – and lose her – and find her – and lose her again. It is where a new story will be written – but whose will it be?

The cult Japanese bestseller about a female gourmet cook and serial killer and the journalist intent on cracking her case, inspired by a true story. There are two things that I can simply not tolerate: feminists and margarine. Gourmet cook Manako Kajii sits in Tokyo Detention Center convicted of the serial murders of lonely businessmen, who she is said to have seduced with her delicious home cooking. The case has captured the nation’s imagination but Kajii refuses to speak with the press, entertaining no visitors. That is, until journalist Rika Machida writes a letter asking for her recipe for beef stew and Kajii can’t resist writing back. Rika, the only woman in her news office, works late each night, rarely cooking more than ramen. As the visits unfold between her and the steely Kajii, they are closer to a masterclass in food than journalistic research. Rika hopes this gastronomic exchange will help her soften Kajii but it seems that she might be the one changing. With each meal she eats, something is awakening in her body, might she and Kaji have more in common than she once thought? Inspired by the real case of the convicted con woman and serial killer, "The Konkatsu Killer," Asako Yuzuki’s Butter is a vivid, unsettling exploration of misogyny, obsession, romance and the transgressive pleasures of food in Japan.

The spine-tingling bestseller that has taken Japan by storm—an eerie fresh take on horror for fans of Hidden Pictures and Junji Ito, in which a series of seemingly innocent pictures draws you into a disturbing web of unsolved mysteries and shattered psyches. An exploration of the macabre, where the seemingly mundane takes on a terrifying significance. . . . A pregnant woman's sketches on a seemingly innocuous blog conceal a chilling warning. A child's picture of his home contains a dark secret message. A sketch made by a murder victim in his final moments leads an amateur sleuth down a rabbithole that will reveal a horrifying reality. Structured around these nine childlike drawings, each holding a disturbing clue, Uketsu invites readers to piece together the mystery behind each and the over-arching backstory that connects them all. Strange Pictures is the internationally bestselling debut from mystery horror YouTube sensation Uketsu—an enigmatic masked figure who has become one of Japan's most talked about contemporary authors.

From the Pulitzer Prize-winning author of Prairie Fires comes a terrifying true-crime history of serial killers in the Pacific Northwest - a gripping investigation of how a new strain of psychopath emerged out of a toxic landscape of deadly industrial violence Caroline Fraser grew up in the shadow of Ted Bundy, the most notorious serial murderer of women in American history, surrounded by his hunting grounds and mountain body dumps, in the brooding landscape of the Pacific Northwest. But in the 1970s and 80s, Bundy was just one perpetrator amid an uncanny explosion of serial rape and murder across the region. Why so many? Why so weirdly and nightmarishly gruesome? Why the senseless rise and then sudden fall of an epidemic of serial killing? As Murderland indelibly maps the lives and careers of Bundy and his infamous peers in mayhem - the Green River Killer, the I-5 Killer, the Night Stalker, the Hillside Strangler, even Charles Manson - Fraser's Northwestern death trip begins to uncover a deeper mystery and an overlapping pattern of environmental destruction. At ground zero in Ted Bundy's Tacoma, stood one of the most poisonous lead, copper, and arsenic smelters in the world, but it was only one among many that dotted the area. As Fraser's investigation inexorably proceeds, evidence mounts that the plumes of western smelters not only sickened and blighted millions of lives, but also warped young minds, spawning a generation of serial killers. A propulsive non-fiction thriller, Murderland transcends true-crime voyeurism and noir mythology, taking readers on a profound quest into the dark heart of the real American berserk.

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future. Except the discovery of their bond would mean death for each of them. There's still a war going on, after all. And someone has to win that war.

Selected as an Evening Standard 'one to watch in 2023' It's the early 1990s, and in the Irish village of Crossmore, Lucy feels out of place. Despite her fierce friendships, she's always felt this way, and the conventional path of marriage and motherhood doesn't appeal to her at all. Not even with handsome and doting Martin, her closest childhood friend. Lucy begins to make sense of herself during a long hot summer, when a spark with her school friend Susannah escalates to an all-consuming infatuation, and, very quickly, to a desperate and devastating love. Fearful of rejection from her small and conservative community, Lucy begins living a double life, hiding the most honest parts of herself in stolen moments with Susannah. But with the end of school and the opportunity to leave Crossmore looming, Lucy must choose between two places, two people and two futures, each as terrifying as the other. But only one can offer her real happiness. Sunburn is an astute and tender portrayal of first love, adolescent anxiety and the realities of growing up in a small town where tradition holds people tightly in its grasp.

Finalist for the 2022 Pulitzer Prize in HistoryFinalist for the 2022 Lincoln PrizeWinner of the American Historical Association's Littleton-Griswold Prize • Winner of the John Nau Book Prize in American Civil War Era History • Winner of the American Society for Legal History's John Phillip Reid Book AwardOne of NPR's Best Books of 2021 and a New York Times Critics' Top Book of 2021A groundbreaking history of the movement for equal rights that courageously battled racist laws and institutions, Northern and Southern, in the decades before the Civil War. The half-century before the Civil War was beset with conflict over equality as well as freedom. Beginning in 1803, many free states enacted laws that discouraged free African Americans from settling within their boundaries and restricted their rights to testify in court, move freely from place to place, work, vote, and attend public school. But over time, African American activists and their white allies, often facing mob violence, courageously built a movement to fight these racist laws. They countered the states’ insistences that states were merely trying to maintain the domestic peace with the equal-rights promises they found in the Declaration of Independence and the Constitution. They were pastors, editors, lawyers, politicians, ship captains, and countless ordinary men and women, and they fought in the press, the courts, the state legislatures, and Congress, through petitioning, lobbying, party politics, and elections. Long stymied by hostile white majorities and unfavorable court decisions, the movement’s ideals became increasingly mainstream in the 1850s, particularly among supporters of the new Republican party. When Congress began rebuilding the nation after the Civil War, Republicans installed this vision of racial equality in the 1866 Civil Rights Act and the Fourteenth Amendment. These were the landmark achievements of the first civil rights movement. Kate Masur’s magisterial history delivers this pathbreaking movement in vivid detail. Activists such as John Jones, a free Black tailor from North Carolina whose opposition to the Illinois “black laws” helped make the case for racial equality, demonstrate the indispensable role of African Americans in shaping the American ideal of equality before the law. Without enforcement, promises of legal equality were not enough. But the antebellum movement laid the foundation for a racial justice tradition that remains vital to this day.